本文關鍵詞：曹征路“底層小說”的敘事研究　出處：《深圳大學》2017年碩士論文　論文類型：學位論文

  更多相關文章： 曹征路 底層小說 敘事姿態(tài) 敘事策略 敘事手法

【摘要】：“底層文學”作為文學研究中的一個熱點議題,繼《那兒》和《問蒼�！返陌l(fā)表引起全國轟動后,曹征路被譽為當代“底層文學”代表作家之一。本文研究對象主要是曹征路的“底層小說”,包括《問蒼�！�、《戰(zhàn)友田大嘴的好官生涯》、《天堂》、《真相》、《趕尸匠的子孫》、《豆選事件》、《那兒》、《霓虹》、《陪你玩到底》、《搓麻記》等。學界對“底層小說”的研究多側重于敘事模式、思想主題等方面,本文則注重對“底層小說”敘事藝術(如敘事姿態(tài)、敘事策略、敘事視角、敘事結構、敘事時間、敘事語言等)的專題研究。根據(jù)曹征路“底層小說”的特點和研究現(xiàn)狀,筆者從第一章敘事姿態(tài)、第二章敘事策略、第三章敘事手法三個方面展開討論和分析。其中,第一章敘事姿態(tài),側重介入當下、雙重批判和務實求新三個方面。第一,從間接旁觀和直接承擔分析曹征路介入當下的敘事姿態(tài)。筆者從布斯強調作者的客觀性出發(fā),強調作者價值立場的重要性。在關注現(xiàn)實,為人生方面,筆者將曹征路同魯迅作比較,強調兩者創(chuàng)作立場的一脈相成性。從而驗證曹征路的介入當下的立場,使其“底層小說”顯示出批判現(xiàn)實的社會意義。第二,關于雙重批判,筆者側重揭露時弊和叩問靈魂兩個方面,強調曹征路關于知識分子在社會結構中的邊緣性和獨立性的批判立場的觀點。第三,關于務實求新,筆者從朱光潛的美學觀念出發(fā),論證曹征路“底層小說”堅守傳統(tǒng)與銳意創(chuàng)新的敘事姿態(tài)。這表現(xiàn)在兩個方面,一是對單純追求形式的否定;二是期待現(xiàn)實重新“主義”(即欣賞文學作品的基本內容)。第二章敘事策略,筆者將其分為兩個方面:從抗爭走向對話,從寫實走向寫意。從抗爭走向對話,首先是人與環(huán)境的抗爭,這里的環(huán)境主要指社會環(huán)境、自然環(huán)境和生活環(huán)境。其次是人與人的抗爭,可分為利益共同體內部和利益共同體外部兩種形式的抗爭。最后是人與自我的抗爭,并舉例論證人與人之間的冷漠和隔閡造就了像《那兒》中小舅,《趕尸匠的子孫》中任義,以及《霓虹》中倪紅梅之類人與自我抗爭的故事。接下來,筆者從巴赫金的對話理論出發(fā),探討曹征路“底層小說”按編年從抗爭走向對話的過程。最后,根據(jù)朱光潛的美學觀念,同汪曾祺、沈從文等“注入一種詩的抒情”的小說創(chuàng)作相比,曹征路“底層小說”從寫實走向寫意的特色,也就是人物命運的詩意化處理。第三章敘事手法,側重分析曹征路“底層小說”的敘事視角、敘事結構、敘事時間和敘事語言。敘事視角上,筆者從傳統(tǒng)與現(xiàn)代的融合的寫作方法展開對全知敘事、限知敘事、純客觀敘事和后經(jīng)典風格四個方面展開討論。敘事結構上,從敘事主體和敘事的時間結構出發(fā)可從時序變形、復調技巧和對戲劇法和塑造扁平人物的喜愛三個方面展開分析。敘事時間上,筆者從單一敘事和重復的頻率予以探討研究。敘事語言上,注重對其寫實、幽默及反諷的特點分析。本文研究的近十部(篇)曹征路的“底層小說”,可以說代表了其新時期文學創(chuàng)作的主要成就,在當代中國文學尤其“底層文學”創(chuàng)作領域也占有重要地位。因而,對這些作品展開敘事研究,不僅可以了解作家本人的創(chuàng)作特色和局限,也對研究當代“底層小說”的敘事成就及其局限具有重要的啟迪意義。
[Abstract]:The "Bottom Literature" as a hot topic in the study of literature, following: < > and < > there to ask the national sensation, Cao Zheng Lu is regarded as one of the representative writers of contemporary "Bottom Literature". The main research object of this paper is Cao Zheng Lu's "bottom" novels, including "Cang mang Q >." comrades good officer Tian mouth career >, < < > > of heaven, the truth, "energy-saving children >, < < > bean selected events, where < < > >, neon, accompany you to play in the end > >, < Cuoma. Remember to study the" bottom novel "circles emphasis on narrative pattern, theme and so on, this paper focus on the narrative art of" bottom novels "(such as narrative attitude, narrative strategy, narrative perspective, narrative structure, narrative time, narrative language, etc.) the special study. According to Cao Zheng Lu" bottom novel "characteristics and research status, the author from the first chapter narrative attitude, second chapter third chapter narrates the narrative strategy. Discussion and analysis of three aspects. The first chapter narrative, narrative attitude, focus on three aspects in the modern, double critique and pragmatic innovation. First, from the indirect and direct analysis on Cao Zheng Lu in the modern bear narrative attitude. Objective from the booth to emphasize the author of the importance of author value position. In reality, for life, the author will compare with Lu Xun Cao Zheng Lu, a phase of emphasizing both the creation of the position. In order to verify the position in the modern Cao Zheng Lu, the "bottom" novels show critical realistic social significance. Second, about double criticism, the writer reveals two aspects and problems soul, emphasize on the intellectuals in Cao Zheng Lu marginal social structure and the independence of the critical position. On the third, pragmatic innovation, the author from Zhu Guangqian's Aesthetics Read of the "bottom" novels demonstrate Cao Zheng Lu stick to tradition and innovation of the narrative attitude. This is manifested in two aspects, one is to deny the simple pursuit of the form; the two is expected to "reality" (i.e. the basic content of appreciating literature). In the second chapter, the narrative strategy, the author divides it into two A: from protest to dialogue, from realism to Impressionism. From the struggle to dialogue, the first is the person and the environment against the environment here mainly refers to the social environment, natural environment and living environment. The second is human struggle, can be divided into two types of community interests and the interests of the community outside the internal struggle finally people and self struggle, and an example is demonstrated between people's indifference and estrangement created as the < >, < uncle there, the children of any vampire carpenter > and <, > Ni Hongmei neon story such as man and self struggle with. The author, based on Bakhtin's dialogue theory, to explore the process of Cao Zheng Lu "bottom novels" by chronicle from protest to dialogue. Finally, according to the aesthetic concept, Zhu Guangqian and Wang Zengqi, compared Shen Congwen "into a lyric novels," Cao Zhenglu "bottom" novels from realism to Impressionism characteristics. That is the fate of the characters of poetic treatment. The third chapter focuses on the analysis of narrative, Cao Zheng Lu "bottom novel" narrative perspective, narrative structure, narrative time and narrative language. The narrative perspective, the author writing methods from the traditional and modern fusion of limited omniscient narrative, narrative, narrative and pure objective four aspects of the classic style is discussed. The narrative structure, starting from the time structure of the narrative subject and the narrative from the temporal deformation, polyphonic technique and drama and shaping people's favorite three flat Analyze the narrative time. From the study, to be single narrative and repetition frequency. The narrative language, focusing on the analysis of the characteristics of realism, humor and irony. This paper studies the nearly ten (articles) of Cao Zhenglu's "bottom novels", can be said to represent the main achievements of the new period literature in contemporary literature, especially the "China field bottom literature creation also occupies an important position. Therefore, Narration Research on these works, we can not only know the characteristics and limitations of the writer's creation, but also on contemporary" bottom novel "narrative achievements and its limitation and significance.

【學位授予單位】：深圳大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：I207.42

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