本文關(guān)鍵詞：試論八大藏戲的母本　出處：《西藏大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 藏戲劇本 母本 思想 特征

【摘要】：13世紀(jì)開始西藏的社會(huì)、經(jīng)濟(jì)、文化各方面取得巨大的歷史性成就;其中文學(xué)領(lǐng)域出現(xiàn)了百家爭(zhēng)鳴、百花齊放的盛況,不同的文學(xué)思想、文學(xué)著作如雨后春筍般涌現(xiàn)在雪域高原,他們對(duì)藏民族的世界觀,審美觀,價(jià)值觀等產(chǎn)生了巨大的影響。本論文以藏戲母本為研究對(duì)象,在父輩們研究藏戲及藏戲劇本、藏戲母本寫本成果的基礎(chǔ)上對(duì)八大藏戲的母本做了進(jìn)一步的探討,對(duì)八大藏戲母本的寫作特征、思想內(nèi)容及八大藏戲的劇本和母本的定義和規(guī)范做出了初步界定提出了本人的觀點(diǎn)。論文具體分為四節(jié)。第一節(jié)主要探討了過(guò)去國(guó)內(nèi)對(duì)藏戲的研究成果,主要分為兩個(gè)階段。國(guó)內(nèi)藏戲研究的初始期;第二階段為國(guó)內(nèi)藏戲研究的興盛期。第二節(jié)以八大藏戲母本的題材作為論點(diǎn),對(duì)藏戲的劇本和母本的定義及規(guī)范做出了初步的界定。第三節(jié)中從多視角闡述了八大藏戲母本獨(dú)有的寫作方法,著重論述寫本中的具有鮮明的用詞特點(diǎn),即藏民族古代文學(xué)和民間文學(xué)的具有民族特色的用詞和修辭手法。第四節(jié)主要闡述了八大藏戲母本的思想內(nèi)容。
[Abstract]:Since 13th century, Tibet's social, economic and cultural achievements have been tremendous and historic. In the field of literature, there appeared a hundred schools of thought, a hundred flowers blooming, different literary ideas, literary works springing up in the snowy plateau, their world outlook on the Tibetan people, aesthetic. This paper takes the mother book of Tibetan opera as the research object, and makes a further discussion on the mother text of the eight Tibetan opera on the basis of the research of Tibetan opera and the script of Tibetan opera and the achievements of the mother copy of Tibetan opera. The writing characteristics of the mother books of the eight major Tibetan operas. The ideological content and the definitions and norms of the script and mother of the eight major Tibetan operas have made a preliminary definition and put forward my point of view. The thesis is divided into four sections. The first section mainly discusses the past domestic research achievements on Tibetan opera. It is divided into two stages: the initial period of the study of Tibetan opera in China; The second stage is the prosperous period of the study of Tibetan opera in China. The second section takes the theme of the mother book of the eight major Tibetan operas as the argument. In the third section, the author expounds the unique writing methods of the female version of the eight Tibetan operas from various perspectives, with emphasis on the distinctive features of the words used in the manuscripts. That is, the ancient Tibetan literature and folk literature with national characteristics of words and rhetorical devices. 4th, mainly elaborated the eight major Tibetan opera mother thought content.
【學(xué)位授予單位】：西藏大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.36

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本文編號(hào)：1431748