本文關(guān)鍵詞：“理”消解與“情”復(fù)歸：南宋詩學(xué)本體論的困惑與選擇　出處：《云南師范大學(xué)》2015年碩士論文　論文類型：學(xué)位論文

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【摘要】：南宋詩學(xué)是南宋文化語境下特定的時(shí)代產(chǎn)物,南宋詩學(xué)一方面受宋學(xué)的影響是北宋詩學(xué)的承繼與延伸,另一方面在特定時(shí)代的語境下文人的自覺變革使南宋詩學(xué)發(fā)生了新質(zhì)的變化,南宋詩學(xué)本體從以“理”為主向以“情”為主發(fā)生趨變。南宋文人一直面臨理學(xué)自抑與精神自由的矛盾,在詩學(xué)發(fā)展過程中南宋士人不斷的反思與質(zhì)疑,加之商業(yè)的繁榮與思想的解放,南宋詩學(xué)本體最終完成了向中國傳統(tǒng)詩學(xué)情本論的復(fù)歸。本文試圖通過對(duì)南宋文化語境的準(zhǔn)備,文學(xué)形態(tài)的更迭、文學(xué)群體的興起、個(gè)體代表詩人的分析來把握南宋詩學(xué)本體的流變。本文的研究思路力圖通過縱向歷時(shí)的方式來展現(xiàn)南宋詩學(xué)本體趨變:從“理”為主的破裂到以“情”為主的復(fù)歸,論文的第一章討論南宋理學(xué)繁盛背后的消解原因,學(xué)派內(nèi)部的分歧與理學(xué)統(tǒng)攝詩學(xué)而產(chǎn)生的畸形創(chuàng)作預(yù)示著以“理”為主的詩學(xué)本體開始破裂。第二章通過對(duì)南宋中興時(shí)期文學(xué)態(tài)勢(shì)的分析,以中興四家為代表的南宋文人對(duì)以“理”為主的詩學(xué)弊病進(jìn)行了反思并開始反叛固有詩法,詩學(xué)開始褪去理學(xué)外衣,情本論興起。第三章重點(diǎn)研究南宋市井文化所衍生的出來的以“情”本論為創(chuàng)作幾點(diǎn)的詩人群體。第四章通過對(duì)南宋先后三部詩學(xué)論著《石林詩話》、《歲寒堂詩話》、《滄浪詩話》的分析,“情”本論的理論構(gòu)建完成。通過四個(gè)章節(jié)的梳理,希望改變長(zhǎng)期以來人們對(duì)于南宋詩學(xué)與南宋士人的誤解。它們并非禁錮于強(qiáng)勢(shì)學(xué)術(shù),它們也非情感蒼白,一個(gè)短暫的王朝擁有繁榮的商業(yè)與爭(zhēng)鳴的文化,南宋士人用他們的個(gè)人話語力量轉(zhuǎn)變了時(shí)代的詩學(xué)走向,其詩學(xué)取向?qū)笫烙绊懮钸h(yuǎn),就南宋詩學(xué)本體論而言南宋,這是一個(gè)文化繁榮、文人自覺的時(shí)代。
[Abstract]:Poetics in the Southern Song Dynasty is a specific product of the times in the context of the Southern Song culture. On the one hand, the poetics of the Southern Song Dynasty is the inheritance and extension of the poetics of the Northern Song Dynasty under the influence of the Song School. On the other hand, in the context of a specific era, the literati's conscious change made the Southern Song Dynasty poetics a new change. In the Southern Song Dynasty, the essence of poetics changed from "principle" to "emotion". The literati of Southern Song Dynasty had been confronted with the contradiction between the self-restraint of Neo-Confucianism and the freedom of spirit, and in the process of poetics development, the scholars of Southern Song Dynasty constantly reflected on and questioned. In addition, the prosperity of commerce and the liberation of thought, the Southern Song Dynasty poetics Noumenon has finally completed the return to the traditional Chinese poetics. This paper tries to prepare for the cultural context of the Southern Song Dynasty, the change of literary form. The rise of literary groups. The analysis of individual representative poets to grasp the evolution of the poetic ontology of the Southern Song Dynasty. The research ideas of this paper try to show the evolution of the poetic ontology of the Southern Song Dynasty through the longitudinal diachronic way: from the rupture of "reason" to the "feeling". The return of the Lord. The first chapter discusses the reasons behind the prosperity of Neo-Confucianism in the Southern Song Dynasty. The differences within the school and the abnormal creation caused by Neo-Confucianism under the control of poetics foreshadowed the beginning of the rupture of the poetic Noumenon which is mainly "reason". Chapter two analyzes the literary situation of the Southern Song Dynasty in Zhongxing period. The literati in the Southern Song Dynasty, represented by the four schools of ZTE, reflected on the defects of poetics, and began to rebel against the inherent poetic method. Poetics began to fade away the jacket of Neo-Confucianism. The third chapter focuses on the study of the poet groups created by the "emotion" theory derived from the market culture of the Southern Song Dynasty. Chapter 4th through the Southern Song Dynasty three poetics works "Shi Lin Poetics". The analysis of "Han Tang Poems", "Canglang's Poems", and the theoretical construction of "emotion" theory are completed, which are combed through four chapters. I hope to change people's misunderstanding of the Southern Song Dynasty poetics and the scholars of the Southern Song Dynasty. They are not confined to strong academic, they are not emotional pale, a short dynasty has a prosperous business and contending culture. The scholars in the Southern Song Dynasty changed the trend of poetics with their personal words, and their poetics orientation had a profound influence on the later generations. In the Southern Song Dynasty, the ontology of poetics was a time of cultural prosperity and literati consciousness.
【學(xué)位授予單位】：云南師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：I207.22

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本文編號(hào)：1431211