本文關(guān)鍵詞：清代神魔小說《繡云閣》研究　出處：《四川師范大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 《繡云閣》 神魔小說 儒釋道一體 敘事特征

【摘要】：《繡云閣》是清后期一部用文言寫成的章回體神魔小說,其作者魏文中創(chuàng)作此書大致在咸豐(1851—1861)年間。本文致力于對《繡云閣》進行全面的、多角度的研究,希冀能準確地理解把握其作品實質(zhì)以及價值意義。全文分為四個部分:首先,對《繡云閣》作者生平相關(guān)的文獻資料進行了梳理,結(jié)合文本分析與考證,大致縮小了作者的生平年代,并對學(xué)者提出作者是“四川人”的觀點提出了質(zhì)疑;筆者盡可能地搜集、整理出《繡云閣》現(xiàn)存的版本信息,通過各版本之間的對比,對作品的初刊問題提出了一些疑問。其次,從作者的創(chuàng)作意圖出發(fā),探討了整部作品所凸顯的兩大主題,即“學(xué)道修仙”和“闡明正道”。通過結(jié)合小說作者所處的時代社會政治格局、主流思想文化等背景因素,分析出蘊涵在小說情節(jié)結(jié)構(gòu)故事深層處的儒家教化思想;通過對清代道教發(fā)展?fàn)顩r的整體把握,掌握了作品所含的道家思想與作者的修道觀念,反映了小說“儒釋道一體”的思想傾向。再次,從《繡云閣》的敘事框架和情節(jié)單元結(jié)構(gòu)模式這兩大方面,來分析其敘事特征。作品運用神魔小說常用的“天—地—天”空間轉(zhuǎn)換結(jié)構(gòu),構(gòu)建整體故事框架,在正副兩條線索的交織發(fā)展中,巧妙運用“三極建構(gòu)”模式,激發(fā)、推動故事的整體發(fā)展,并且通過“七十二徒”的人物設(shè)置作為整體故事的敘事暗線與終點;在情節(jié)單元結(jié)構(gòu)模式的設(shè)置上,雖然《繡云閣》繼承了前代神魔小說的敘事特征,但在具體情節(jié)單元故事的創(chuàng)作與選材等方面,有著自己獨特的特性。最后,通過對神魔小說這一文體在清后期的創(chuàng)作現(xiàn)狀做出的整體性梳理,然后,來具體分析《繡云閣》在創(chuàng)作上,對前代神魔小說因襲與模仿的情形,以及與前代神魔小說相較,《繡云閣》在思想意蘊和故事題材等方面出現(xiàn)的一些轉(zhuǎn)變。
[Abstract]:Embroidered Cloud Pavilion is a novel written in classical Chinese in late Qing Dynasty. His author Wei Wen-wen wrote this book from 1851 to 1861. This paper is devoted to a comprehensive and multi-angle study of the "embroidered Cloud Pavilion". The full text is divided into four parts: first of all, the author combs the literature related to the author's life, combined with text analysis and textual research. It narrows the author's life history roughly, and questions the scholar's viewpoint that the author is a "Sichuan native". The author collected and sorted out the existing version information of "embroidery Cloud Pavilion" as far as possible, and put forward some questions about the initial publication of the works through the comparison of each edition. Secondly, from the author's creative intention. This paper probes into the two main themes of the whole work, namely, "learning the Tao and practicing immortals" and "clarifying the right way". By combining the social and political structure of the time, the mainstream ideology and culture of the author of the novel, and so on, this paper discusses the background factors. The author analyzes the Confucian enlightenment thought which is contained in the deep part of the story of the plot structure of the novel. Through the overall understanding of the development of Taoism in the Qing Dynasty, the author grasps the Taoist thought and the author's religious concept, which reflects the ideological tendency of the novel "integration of Confucianism, Buddhism and Taoism". From the two aspects of the narrative frame and the plot unit structure model of "embroidery Cloud Pavilion", this paper analyzes its narrative characteristics. The works use the space conversion structure of "Heaven, Earth and Heaven", which is commonly used in the novels of gods and demons, to construct the whole story frame. In the intertwined development of the two clues, the author skillfully uses the "three-pole construction" mode to stimulate and promote the overall development of the story, and through the character setting of "72" as the narration dark line and the end of the whole story; In the setting of plot unit structure model, although the "embroidery Cloud Pavilion" inherits the narrative features of the previous gods and demons novels, it has its own unique characteristics in the creation and selection of specific plot unit stories. Through the creation of this style in the late Qing Dynasty to make a holistic combing, and then, to specifically analyze the "embroidery Cloud Pavilion" in the creation of the previous generation of gods and demons novel inheritance and imitation. Compared with the previous novels of gods and demons, the embroidery Cloud Pavilion presents some changes in the aspects of ideological implication and story subject matter and so on.
【學(xué)位授予單位】：四川師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I207.41

【參考文獻】

相關(guān)期刊論文 前4條

1 于軍民;;張大千與《瘞鶴銘》——兼及《石門銘》對“大千體”的影響[J];內(nèi)江師范學(xué)院學(xué)報;2012年05期

2 石麟;;祭賽·斗法·精變——古代小說所反映之宗教神異民俗文化的斑斑點點[J];明清小說研究;2012年01期

3 胡義成;;江蘇茅山之標(biāo)示:《黃庭經(jīng)》——《西游記》第一回關(guān)于《黃庭經(jīng)》描寫之寓意的破解[J];十堰職業(yè)技術(shù)學(xué)院學(xué)報;2011年01期

4 魯湘子;略論儒釋道三教合一的內(nèi)在因素[J];社會科學(xué)研究;2000年06期

相關(guān)博士學(xué)位論文 前1條

1 劉華榮;儒家教化思想研究[D];蘭州大學(xué);2014年

相關(guān)碩士學(xué)位論文 前1條

1 宋霞霞;《綠野仙蹤》道教文化解讀[D];陜西理工學(xué)院;2012年

，

本文編號：1410552