本文關(guān)鍵詞：廢名小說自然意象探究　出處：《山東師范大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 廢名 自然意象 美學(xué)意蘊(yùn) 美學(xué)功能 美學(xué)價(jià)值

【摘要】：廢名是一位擁有獨(dú)特藝術(shù)風(fēng)格的作家,他與當(dāng)時(shí)寫實(shí)化鄉(xiāng)土小說創(chuàng)作主流保持著一定的距離,堅(jiān)持不從眾的文學(xué)姿態(tài),凝目于詩(shī)意化的田園生活,向往回歸自然的生命體驗(yàn),展示了平和淡遠(yuǎn)的美學(xué)追求。廢名善于描繪詩(shī)性的鄉(xiāng)土世界,小說中自然意象則是詩(shī)性世界最鮮明的符號(hào)。作者將主觀情思融入自然之中,抒寫田園生活的理想,展示其對(duì)生命存在的體悟,表達(dá)對(duì)禪宗哲思的思索,建立了獨(dú)具魅力的審美空間。本文通過對(duì)廢名小說中自然意象的解讀,發(fā)掘其背后蘊(yùn)含的美學(xué)意蘊(yùn)、美學(xué)功能以及美學(xué)價(jià)值。全文共分為六個(gè)部分。緒論部分闡述了廢名小說中自然意象的研究意義,梳理了這一領(lǐng)域的研究現(xiàn)狀,為論文的進(jìn)一步展開做鋪墊。第一章分析廢名小說中自然意象的生成背景。對(duì)意象進(jìn)行概念界定,意象是主體的意和客體的象相融合的產(chǎn)物,自然意象則是指客觀物象來(lái)源于大自然之中,廢名小說中自然意象是作者田園理想和生命體悟的象征。論文根據(jù)廢名小說創(chuàng)作經(jīng)歷,將其小說創(chuàng)作分期劃分為三個(gè)階段,自然意象主要產(chǎn)生于小說創(chuàng)作的第二個(gè)階段。在分析創(chuàng)作分期的基礎(chǔ)之上,重點(diǎn)分析了小說自然意象產(chǎn)生的的社會(huì)背景和文化背景,在社會(huì)和文化背景下促進(jìn)了自然意象的生成。第二章研究廢名小說自然意象的美學(xué)意蘊(yùn)。廢名小說中的自然意象具有三方面的美學(xué)意蘊(yùn)。自然意象首先是理想性的表征符號(hào),是人與自然和諧共處的象征,也是理想的田園生活的表征符號(hào)。自然意象還具有超越性的生命美學(xué)意蘊(yùn)。在廢名小說中具有影響力的墳意象體現(xiàn)出向死而生的生命美學(xué)觀,對(duì)死者而言,墳意象引起的死亡是對(duì)生命的超越;對(duì)生者而言,墳意象代表一種堅(jiān)韌的生命美學(xué)觀。最后,小說的自然意象體現(xiàn)了他的禪宗審美自由觀:借助于自然意象,小說超越時(shí)空的束縛,客觀世界的時(shí)空規(guī)定性被打破,而且這些自然意象還體現(xiàn)出禪宗的審美方法論,即無(wú)相、無(wú)念、無(wú)住的方法。第三章探討的是廢名小說中自然意象的美學(xué)功能。廢名小說中自然意象的美學(xué)功能主要表現(xiàn)在三個(gè)方面。首先,自然意象具有空間化敘事功能,為小說帶來(lái)了自由的敘事,打破了線性時(shí)間的束縛,在空間化的時(shí)間中自由敘事,自然意象敘事功能還體現(xiàn)在為小說帶來(lái)了詩(shī)化的敘事,產(chǎn)生了詩(shī)意化的效果。其次,自然意象具有審美補(bǔ)償功能,通過自然意象的外在形式要素和內(nèi)在生命要素,以補(bǔ)償式的調(diào)節(jié),補(bǔ)償了當(dāng)時(shí)現(xiàn)實(shí)生活缺失的美。再者,自然意象具有形成審美理想的功能,自然意象表現(xiàn)了一種崇尚自然的審美理想,向往返璞歸真,還表現(xiàn)了一種追求詩(shī)意人格的審美理想。第四章分析廢名小說中自然意象的美學(xué)價(jià)值。自然意象為鄉(xiāng)土小說創(chuàng)作帶來(lái)了詩(shī)意化的寫作模式,這與寫實(shí)主義鄉(xiāng)土小說的創(chuàng)作截然不同,同時(shí)自然意象的運(yùn)用對(duì)其他作家意象選擇也具有借鑒價(jià)值。廢名通過自然意象建構(gòu)了一個(gè)理想的田園世界,也正因?yàn)槔硐胧澜绲乃茉?自然意象傳達(dá)的精神能夠在現(xiàn)實(shí)生活中發(fā)光。這不僅對(duì)當(dāng)今多媒體時(shí)代下人與自然關(guān)系有著啟迪價(jià)值,而且能夠化解人們心靈和精神上的危機(jī),固守住內(nèi)心的純凈,引導(dǎo)人們追求詩(shī)性人生。論文在結(jié)語(yǔ)部分總結(jié)了自然意象為廢名小說帶來(lái)的意義,再次肯定了廢名小說自然意象的創(chuàng)作價(jià)值。借助自然意象建構(gòu)了理想的審美世界,表現(xiàn)了作者平和淡遠(yuǎn)的美學(xué)追求,進(jìn)行了一場(chǎng)詩(shī)意的旅程。同時(shí),也指出了自然意象給小說審美帶來(lái)了不可忽視的不足,引起小說審美的扁平化,無(wú)法把握小說完整的故事情節(jié),人物形象也缺乏張力,立體感不夠。
[Abstract]:Fei Ming is a writer with unique artistic style, he kept a distance with the creation of local novels of mainstream realism, adhere to the non conformity the literature, gazing in poetic pastoral life, longing for the natural life experience, show flat and distant aesthetic pursuit. Fei Ming is good at depicting the poetic local world, natural images in the novel is the world's most distinctive poetic symbols. The subjective feeling into the nature, expressing idyllic life ideal, showing the existence of life experience and expression of thought of Zong Tetsusi, built the unique charm of the aesthetic space. Through the interpretation of the natural images in Fei Ming's novels. To explore the aesthetic implication behind the aesthetic function and aesthetic value. The thesis is divided into six parts. The introduction part describes the research significance of natural images in Fei Ming's novels, combing the Current research field, further paves the way. In the first chapter, background analysis of natural images in Fei Ming's novels. The image definition, the image is the combination of meaning and object of the main image, natural image refers to the objective images derived from nature, natural images in Fei Ming's novels the author is a symbol of pastoral ideal and life experience. According to the experience of Fei Ming's novels, the novel creation stage is divided into three stages, the natural images produced mainly in the novels of the second stages. Based on the analysis of the creation stage, analyzed the social background and cultural background of the novel natural images, in the social and cultural background to promote the generation of natural images. The second chapter studies the aesthetic implication of the natural images of Fei Ming's novels. The natural images in Fei Ming's novels has three aspects of beauty Study of natural imagery implication. First is the symbol of the ideal, is a symbol of harmony between man and nature, is an ideal symbol of pastoral life. Natural imagery also has the aesthetic implication of life beyond the grave. The image has influence in Fei Ming's novels reflect the life to the dead of the aesthetics. In terms of image caused by death is the grave of life beyond the grave; for the living, the image represents a tough life aesthetics. Finally, the natural image of the novel reflects his Zen aesthetic freedom: by means of natural images, the novel bound beyond time and space, by breaking the objective world of space-time regulations, and these the natural images also reflect the aesthetic method of Zen theory, namely, no phase, no thought, no living methods. The third chapter is the discussion of the aesthetic function of natural images in Fei Ming's novels. Like the aesthetic power of natural consciousness in Fei Ming's Novels It is mainly manifested in three aspects. First, the natural image with spatial narrative function, bring freedom to break the shackles of narrative fiction, linear time, free space in the narrative time, narrative function of natural images is also reflected in a poetic narrative fiction, the poetic effect. Secondly, the natural image is the aesthetic compensation function, through the external form and internal elements of natural imagery of the elements of life, in order to regulate the compensation, the compensation that life lack of beauty. Furthermore, natural imagery has formed the aesthetic ideal function, natural image shows a kind of aesthetic ideal, advocating natural yearning to recover the original simplicity, but also the pursuit of a poetic personality aesthetic ideal. The fourth chapter analyzes the aesthetic value of natural images in Fei Ming's novels. The natural images for the creation of local novels brought a poetic writing pattern, The realism and the creation of local novels are quite different, while the use of natural images to select images of other writers also have reference value. Fei Ming has constructed an ideal pastoral world through natural images, it is because of the ideal shape of the world, natural imagery to convey the spirit of light in real life. This is not only for today's multimedia era the relation between man and nature has edificatory value, but also can resolve the people's hearts and spiritual crisis, to live the pure heart, guide people to pursue the poetic life. The conclusion part summarizes the natural images in Fei Ming's novels about the significance of re affirmed the value of the natural images in Fei Ming's novels creation. By means of natural imagery construction the ideal aesthetic world, the pursuit of aesthetic author peaceful apprehension, carried out a poetic journey. At the same time, also pointed out the natural imagery to The aesthetics of novels brings innegligible shortcomings, causing the flat aesthetic of novels, unable to grasp the complete plot of novels, and lack of tension and stereoscopic feeling of characters.

【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.42

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