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南北朝雅樂考證及其文學(xué)性研究

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  本文關(guān)鍵詞:南北朝雅樂考證及其文學(xué)性研究 出處:《安徽師范大學(xué)》2015年碩士論文 論文類型:學(xué)位論文


  更多相關(guān)文章: 南北朝 二郊樂 宗廟樂 元會宴饗樂 文學(xué)性 繼承與新創(chuàng)


【摘要】:以樂歌的適用場合或創(chuàng)作來源的標(biāo)準(zhǔn)劃分,樂主要包括民間俗歌與官方雅歌兩部分。本文是以南北朝的官方雅樂作為研究對象。針對南北朝雅樂及其文學(xué)性的研究,本文主要分兩部分展開:一是梳理南北朝雅樂的發(fā)展脈絡(luò),即包括南北朝二郊樂、宗廟樂以及元會宴饗樂在內(nèi)的三種主要樂類;二是以南北朝二郊樂與宗廟樂歌辭為主,探究其各自文學(xué)性的異同。第一部分三章,主要梳理南北朝雅樂的確立過程,并在此基礎(chǔ)上分析雅樂禮制在南北朝不同朝代的繼承與創(chuàng)變。第一章對南北朝雅樂中的二郊樂進(jìn)行了考論。主要內(nèi)容包括四個方面:其一,梳理二郊樂在南北朝各代的確立過程;其二,考察二郊迎神樂在南北朝歷代之間的不同;其三,考察二郊登歌在南北朝各代之間的差異;其四,著重對南北朝二郊樂中的郊、丘分祀或合祀進(jìn)行了考察。第二章對南北朝雅樂中的宗廟樂進(jìn)行了考論。主要內(nèi)容包括三個方面:其一,梳理宗廟樂在南北朝各代的確立過程;其二,考察宗廟祭祀的樂舞在南北朝各代之間的不同;其三,著重對南北朝宗廟樂中的y、yk分祀或合祀進(jìn)行了考察。第三章對南北朝雅樂中的元會宴饗樂進(jìn)行了考論。由于南北朝元會宴饗樂主要是鼓吹樂、隋代七、九部樂與歌舞戲組成,因而本章的考論內(nèi)容也相應(yīng)地分為三個部分:一是探究南北朝鼓吹樂的流變及其發(fā)展動因;二是分析隋代七、九部樂的確立及其成因;三是對歌舞戲在南北朝的組成及其影響進(jìn)行考論。以上三章,筆者不僅從國家禮制確立的角度考察了南北朝雅樂,還從其制定目的的角度進(jìn)行了深入探究。本文的最后兩章,筆者則試圖從文學(xué)的角度來挖掘南北朝雅樂歌辭的文學(xué)質(zhì)性。第四章對南北朝二郊歌辭文學(xué)風(fēng)格的異同及其動因進(jìn)行了論述。本章在總結(jié)了南北朝二郊樂辭文學(xué)風(fēng)格的一致性的同時,也分析了其差異,并探討導(dǎo)致南北朝二郊歌辭文學(xué)風(fēng)格產(chǎn)生異同的動因。第五章對南北朝宗廟歌辭文學(xué)風(fēng)格的異同及其成因進(jìn)行了論述。首先,歸納了南北朝宗廟樂辭延續(xù)典重風(fēng)格的緣由;其次,分析了南北朝宗廟樂辭文學(xué)風(fēng)格的差異,并在橫向上比較北周與其余南北朝的宗廟樂歌,以突出北周宗廟歌辭獨特的文學(xué)風(fēng)格;最后,探討導(dǎo)致北周宗廟歌辭文學(xué)風(fēng)格獨特的成因。通過對第四章與第五章的比較分析可知,南北朝雅樂文學(xué)性所呈現(xiàn)出的復(fù)古與融合、繼承與創(chuàng)變的不同,皆來自于南北朝政權(quán)取得方式的不同,即承襲與取代的不同。
[Abstract]:According to the applicable situation of music or creation of the source of the standard division. Music mainly consists of folk folk songs and official songs. This paper takes the official music of the Southern and Northern dynasties as the research object, aiming at the study of the Southern and Northern dynasties' elegant music and its literariness. This paper is divided into two parts: one is to sort out the development of the Southern and Northern dynasties elegant music, that is, including the two suburbs of the Southern and Northern dynasties, Zongmiao music and the banquet of the Yuan Dynasty, including the three main types of music; Second, the two suburbs of the Southern and Northern dynasties and Zongmiao music, mainly to explore the similarities and differences in their literary nature. The first part of the three chapters, mainly combing the establishment process of the Southern and Northern dynasties elegant music. On this basis, it analyzes the inheritance and innovation of the elegant etiquette system in different dynasties of the Southern and Northern dynasties. The first chapter makes a textual research on the two suburbs music in the Southern and Northern dynasties. The main contents include four aspects: first. Combing the establishment process of the two suburbs music in each generation of the Southern and Northern dynasties; Secondly, to investigate the differences between the Southern and Northern dynasties. Third, investigate the differences between the Southern and Northern dynasties. Fourth, it focuses on the suburbs of the two suburbs of the Southern and Northern dynasties, Qiu Dianshi or sacrifice. The second chapter of the Southern and Northern dynasties in the study of the temple music in the elegant music. The main content includes three aspects: first. Combing the establishment process of the Zongmiao music in each generation of the Southern and Northern dynasties; Second, the music and dance of the sacrifice of the temple in the Southern and Northern dynasties are different. Third, focus on the Southern and Northern dynasties in the music of the temple y? The third chapter makes a textual research on the Yuan Dynasty banquet music in the Southern and Northern dynasties. Because the Southern and Northern dynasties Yuan Dynasty banquet music is mainly advocating music, Sui Dynasty seven, nine music and song and dance drama composition. Therefore, the content of this chapter is also divided into three parts: first, to explore the evolution of the Southern and Northern dynasties advocating music and its development motivation; The second is to analyze the establishment and causes of seven and nine music in the Sui Dynasty. Thirdly, the composition and influence of song and dance play in the Southern and Northern dynasties were studied. In the above three chapters, the author not only inspected the elegant music of the Southern and Northern dynasties from the point of view of the establishment of the national etiquette system. The last two chapters of this paper are also discussed from the point of view of its purpose. The author tries to explore the literary quality of the songs from the perspective of literature. Chapter 4th discusses the similarities and differences of the literary styles of the two suburbs of the Southern and Northern dynasties and their causes. This chapter summarizes the literature of the two suburbs of the Southern and Northern dynasties. The consistency of style at the same time. It also analyzes its differences and probes into the causes of the similarities and differences in the literary styles of the two suburbs of the Southern and Northern dynasties. Chapter 5th discusses the similarities and differences of the literary styles of the songs of the Zongmiao in the Southern and Northern dynasties and their causes. First of all. Summed up the Southern and Northern dynasties Zongmiao music continued the cause of the classic style; Secondly, it analyzes the differences of the literary style of the Zongmiao songs in the Northern and Southern dynasties, and compares the Zongmiao songs between the Northern Zhou Dynasty and the other Southern and Northern dynasties horizontally, in order to highlight the unique literary style of the Song songs of the Zongmiao songs in the Northern Zhou Dynasty. Finally, this paper discusses the causes of the unique literary style of Song ci of Zongmiao in the Northern Zhou Dynasty. Through the comparative analysis of Chapter 4th and Chapter 5th, it can be seen that the literary quality of the Southern and Northern dynasties elegant music presented the retro and the fusion, the difference between inheritance and creation. They all come from the different ways of obtaining political power in the Southern and Northern dynasties, that is, the different inheritance and substitution.
【學(xué)位授予單位】:安徽師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2015
【分類號】:I207.22

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