本文關(guān)鍵詞：《紅樓夢》詩歌中的取象思維研究　出處：《延邊大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 《紅樓夢》詩歌 取象思維 物象分類 運用 作用

【摘要】：取象思維方式是中國傳統(tǒng)的思維方式之一,它是通過一個具體的物象,利用想象進而比論出一個抽象事理的思維方式。這種思維方式產(chǎn)生于遠古時期,發(fā)展形成于《易經(jīng)》,取象思維方式的形成和發(fā)展是一個漫長卻不間斷的過程。從一開始在日常的生產(chǎn)和生活中自覺或不自覺的運用著這一種思維方式,發(fā)展到在文學(xué)創(chuàng)作的過程中利用這樣的思維方式表達作品的深層含義,取象比附的運用在歷朝歷代的文學(xué)中層出不窮,但取象比附特征最為顯著的是在詩歌方面。紅詩是作者在精心結(jié)撰全篇之時為小說情節(jié)的發(fā)展和人物形象的刻畫,而創(chuàng)作出的服務(wù)于小說本體的存在。同時代表著曹雪芹高超的文學(xué)功力和豐富的思想感情。全部紅詩包括匾額、酒令,牙牌令等在內(nèi)共計207篇,對《紅樓夢》的整體解讀有著至關(guān)重要的作用,因此紅詩中物象的研究尤為關(guān)鍵。第一章是緒論部分,主要說明選題的目的及意義,以及紅詩自上個世紀八十年代以來的研究現(xiàn)狀和本篇論文的研究方法。第二章主要介紹紅詩的具體概況,在統(tǒng)計紅詩數(shù)量的基礎(chǔ)上,將紅詩按照內(nèi)容進行分類,對紅詩在創(chuàng)作過程中體現(xiàn)出的特點進行歸納和總結(jié)。其次,對取象思維的定義和特點進行簡要的概述,并說明紅詩與取象思維的關(guān)系。第三章,從取象思維方式立足于具體物象的角度出發(fā),在第二章統(tǒng)計的基礎(chǔ)上,將紅詩中出現(xiàn)的物象分成自然之象和用具之象兩類,并進行具體的闡述。由于隱語是紅詩的藝術(shù)表達方式之一,對其預(yù)言和暗示作用的解析與取象思維方式的運用有著密不可分的關(guān)系,因而第四章將在具體分析詩中出現(xiàn)的物象和取象比附的基礎(chǔ)上,結(jié)合小說文本分析人物的命運結(jié)局。第五章將從整篇小說的視角出發(fā),分析透過紅詩體現(xiàn)出的人物性格,利用紅詩中的取象比附內(nèi)涵,闡釋賈府榮耀的現(xiàn)實背景和衰敗的命運走向,以及造成這種結(jié)局的原因,并對家族命運的悲劇性進行概括。本篇論文以紅詩為研究對象,緊密聯(lián)系取象思維這一思維方式,具有特殊的意義。以取象比附分解詩歌深層內(nèi)涵,最終回歸小說本體的情節(jié)發(fā)展,能夠更好的解構(gòu)文本。
[Abstract]:As a way of thinking is one of the traditional way of thinking China, it is through a concrete object, and then use a theory of imagination than abstract sensible way of thinking which produced in ancient times, formed in the development of "book of changes", as a way of thinking of the formation and development is a long but uninterrupted process. From the beginning in the daily production and life consciously or unconsciously use this kind of mode of thinking, to the development of the deep meaning of the use of such works to express the way of thinking in the process of literary creation, as used in the comparison of the past dynasties literature but as compared to emerge in an endless stream, the most significant feature is in poetry. The poem is characterized by red and the development of the plot and characters in the composing of carefully, and create a service in the main body. At the same time represents Cao Xueqin Superb literary skill and rich thoughts and feelings. All the poems include red plaques, games, etc., make the dominoes a total of 207 articles, plays a vital role in the overall interpretation of "a dream of Red Mansions", so the research object red in the poem is the key. The first chapter is the introduction part, the main purpose and significance of the topics of the Ming said red, and the current research situation of poetry since the last century since 80s and this paper's research methods. The second chapter mainly introduces the specific situation of red, based on counting the number of red poems on the red poem according to the content classification of red poems and summarized in the creation embody the characteristics in the process of. Secondly, the definition and characteristics of analogical thinking briefly, and explain the red poetry and analogical thinking. The relationship between the third chapter, from the perspective of analogical thinking mode based on the specific object perspective, based on the statistics of the second chapter, the red In the poem the object image into the image of nature and appliances as two categories, and concretely. Because of the way of metaphor is red poetry artistic expression, analyze its predictions and implications have close relations with the use of the way of thinking as the fourth chapter, which will appear in the concrete analysis of the poem the images and image comparison based on the combination of the novel text analysis of characters' fate. The fifth chapter will start from the novel perspective, through the analysis of red poetry reflects the character, with red in the poem as a metaphor connotation, realistic background and interpretation of the glory of the decline of the fate of Jia, and the causes this outcome, and the family's tragic fate is summarized. This thesis focuses on red poetry as the research object, closely related to image thinking this way of thinking, is of special significance. To take as an analogy of poetry deep decomposition The connotation of the story will eventually return to the development of the plot of the novel noumenon, which can better deconstruct the text.

【學(xué)位授予單位】：延邊大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I207.22;I207.411

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