本文關(guān)鍵詞：中古志怪小說與幻術(shù)藝術(shù)　出處：《學(xué)術(shù)交流》2017年02期 　論文類型：期刊論文

  更多相關(guān)文章： 中古 志怪小說 幻術(shù) 傀儡術(shù) 傀儡戲

【摘要】：幻術(shù)來自域外,在漢代極為興盛,常見于宮廷演出中,隸屬"百戲"藝術(shù)。后為尚神仙道術(shù)的方士所掌握,他們對幻術(shù)的利用構(gòu)成了志怪小說的題材,中古志怪小說遂成為研究我國古代傳統(tǒng)技藝——"幻術(shù)"藝術(shù)的重要材料。志怪作品共記述了九大幻術(shù)類型。域外幻術(shù)在中原的傳播又受到本國文化的影響:我國民間以傀儡代替真人殉葬的古俗,致使傀儡幻術(shù)不見于宮廷演出中,也由此出現(xiàn)了傀儡術(shù)與傀儡戲的分化;截肢剖腹術(shù)違背了我國古代"身體發(fā)膚受之父母"的傳統(tǒng)觀念,被拒之門外;祈雨術(shù)與我國農(nóng)耕文化相契合,深受人們的喜愛,在后世作品中頻繁出現(xiàn);隱身術(shù)、易形術(shù)等傳承至今,常見于現(xiàn)在的魔術(shù)表演中。
[Abstract]:Magic came from abroad and flourished in the Han Dynasty. It was common in the court performance and was under the control of the art of "hundred operas". Later, it was mastered by the scholars who were still immortal and Taoist. Their use of the magic technique constituted the theme of the fictions of mythology. The novels of the Middle Ancient Chronicles have become an important material for the study of the art of "magic", which is the traditional technique of our country. Nine types of illusions have been recorded in the works. The spread of foreign magic in the Central Plains is also influenced by the local culture. In our country, the puppet is used to replace the ancient custom of the real man's martyrdom. As a result, the puppet magic did not appear in the court performance, which resulted in the division between the puppet art and the puppet play. Amputation disobeys the traditional concept of "body hair and skin receiving parents" in ancient China, and is rejected. The technique of praying for rain coincides with the culture of farming in our country, which is deeply loved by people and appears frequently in the works of later generations. Stealthy, transfiguration, and so on have been handed down so far, common in the present magic show.
【作者單位】： 中國社會科學(xué)院研究生院文學(xué)系;
【分類號】：I207.41
【正文快照】： 一、引言“幻術(shù)”即現(xiàn)代的“魔術(shù)”�！盎谩�,《說文解字》解釋為:“相詐惑也,從反予。《周書》曰‘無或嬯張為幻’”[1]78。意思是欺騙、迷惑別人,講的是人對“幻”的一種利用。《說文》釋“圫”(術(shù))曰:“邑中道也。”[1]38暗含有“雕蟲小技”之意。“幻術(shù)”結(jié)合在一起,即通過，

本文編號：1390865