本文關鍵詞：余華的小說創(chuàng)作與俄蘇文學　出處：《西南大學》2017年碩士論文　論文類型：學位論文

  更多相關文章： 余華 俄蘇文學 關系 創(chuàng)作特征

【摘要】：余華是中國當代文壇一位重要的作家,在其從事寫作以來的30余年間,為讀者奉上了五部長篇小說,六部中、短篇小說集,多部隨筆集和雜文集,獲得過包括澳大利亞“懸念句子文學獎”、“莊重文文學獎”等多個海內外文學獎項。在20世紀80年代,余華以先鋒小說創(chuàng)作引起文壇關注,但他在80年代的創(chuàng)作還更多停留在對外國文學寫作技巧的模仿和借鑒上,進入90年代以后,余華從生硬的技巧模仿逐步走向文學精神、文學觀念的吸納,創(chuàng)作更加圓熟,進入新世紀以來也沒有停下藝術追求的腳步。余華在小說創(chuàng)作中注重博采眾長和對外學習與借鑒,他的小說創(chuàng)作受到了眾多外國作家作品的影響,日本的川端康成、奧地利的卡夫卡、法國新小說派、美國的�？思{、阿根廷的博爾赫斯、俄國的陀思妥耶夫斯基等都不同程度地帶給余華以影響和啟迪。海納百川、廣采眾長使余華獲得了寶貴的文學經(jīng)驗和創(chuàng)新的靈感,他為文壇奉獻出不少優(yōu)秀的小說作品,受到了海內外讀者的喜愛。閱讀余華的小說,可以發(fā)現(xiàn)余華的小說創(chuàng)作與19世紀以來的俄蘇文學尤其是列夫·托爾斯泰、陀思妥耶夫斯基、布爾加科夫等人的創(chuàng)作有著內在的精神聯(lián)系。余華的小說創(chuàng)作不僅在創(chuàng)作傾向、創(chuàng)作理念、創(chuàng)作態(tài)度等方面與托爾斯泰、布爾加科夫等俄蘇作家的創(chuàng)作有相似的精神旨趣,而且在小說的苦難主題、女性形象、敘事特征等方面,與托爾斯泰的《復活》《安娜·卡列尼娜》《戰(zhàn)爭與和平》,陀思妥耶夫斯基的《罪與罰》《卡拉馬佐夫兄弟》,布爾加科夫的《大師和瑪格麗特》,契訶夫的《變色龍》《一個文官的死》等作品有異曲同工之妙。本文以“余華的小說創(chuàng)作與俄蘇文學”為論題,試圖多方探討余華的小說創(chuàng)作與19世紀以來的俄蘇文學的關系,以拓展、深化“余華與外國文學的關系”論題的研究,并揭示余華小說創(chuàng)作的相關精神特質。論文除緒論、結語外,主要分為三章:緒論部分主要對余華的創(chuàng)作歷程、創(chuàng)作特點、與外國文學的關系以及相關研究現(xiàn)狀作簡要介紹,闡明選題理由。第一章著重從人道主義關懷、真實觀和作家的社會責任感三個方面,論述余華的小說在創(chuàng)作傾向、創(chuàng)作理念、創(chuàng)作態(tài)度上與列夫·托爾斯泰、布爾加科夫等俄蘇作家及其創(chuàng)作的精神關聯(lián)。第二章圍繞余華小說創(chuàng)作的苦難主題、女性形象和敘事特征,分析余華的小說創(chuàng)作實踐與俄蘇文學特征的異同。第三章思考余華在俄蘇文學接受過程中的創(chuàng)作新變與創(chuàng)作局限,論述余華在接受俄蘇文學過程中的自我突破與轉型,及其為文壇提供的啟示,同時指出余華在創(chuàng)作中的不足。結語部分總括全文,并就中國作家如何處理好與外來文化、文學資源的關系以創(chuàng)作出更好的文學作品等問題,提出自己的思考。
[Abstract]:Yu Hua is an important writer in the contemporary literary world Chinese, writing since more than 30 years, for the reader in five novels, six, short stories, essays and many essays, including Australia won the "suspense sentence prize", "Wen Zhuang literature award" a number of overseas literary awards. In 1980s, Yu Hua has attracted much attention in literary works, but in 80s he also works more to stay in the writing skills of the foreign literature imitation and reference, since the beginning of 90s, Yu Hua from the hard skills gradually absorb the spirit of literature imitation, literary concepts, the creation of more mellow that did not stop the pace of the pursuit of art in the new century. Yu Hua in the novel creation and learning from foreign to learn widely from others'strong points, his novels by many foreign artists. Ring, Japan's Kawabata Yasunari, Kafka of Austria, the French new fiction, American Faulkner, Borges of Argentina, Toy Jef J Ki and other Russian Dostoevsky in different degrees to bring Yu Hua to influence and enlightenment. All rivers run into sea, wide to all long Yu Hua won the precious literary experience and creative inspiration, he dedicated many outstanding works of fiction writer, by Chinese and foreign readers. Reading the novels of Yu Hua, can be found in Yu Hua's novels and since nineteenth Century the Russian literature especially Lev Tolstoy, Dostoevsky and Jef J Ki, Bulgakov's creation has a inherent spiritual connection. Yu Hua's novels not only in the tendency of creation, creation the concept, creative attitude and other aspects of Tolstoy, Bulgakov and other Russian writers have similar spirit, but also in the suffering theme of the novel, female Image, narrative features, and the resurrection of Anna Karenina Tolstoy "" "" "war and peace, Dostoevsky's" crime and punishment "" brother Karamazov Bulgakov >, < > master and Margaret Chekhov, "a chameleon" "civilian death > works well with different approaches but equally satisfactory results in this paper." Yu Hua's novels and Russian Literature "as the topic, trying to discuss the multi relations, Russian literature and Yu Hua's novels since nineteenth Century to expand research, deepen the" relationship "Yu Hua and foreign literature subject, and reveals Yu Hua's novels related spiritual qualities. Besides the introduction and conclusion, the main is divided into three chapters: the introduction part mainly creation course of Yu Hua's creation characteristics, and the relationship between the foreign literature and related research status are briefly introduced. Clarify the reason of the topic. The first chapter focuses on the humanitarian off With the real view and the writer's sense of social responsibility in three aspects, discussed in Yu Hua's novel creation tendency, creative ideas, creative attitude and spirit of Lev Tolstoy, Bulgakov and other Russian Writers Association and creation. The second chapter focuses on the suffering theme of Yu Hua's novels, female image and narrative features, similarities and differences between the analysis of Yu Hua's Novels Creative Practice and characteristics of Russian literature. The third chapter on Yu Hua in Russian literature to accept the new change of the creation and creation limitations in the process of discussing Yu Hua in Russian literature in the process of self breakthrough and transformation, and provide the inspiration for the literary world, Yu Hua also pointed out that the deficiencies in the creation. The conclusion part summarizes the full text. And China writer how to deal with the foreign culture, the relationship between literature resources to create better works and other issues, put forward their own thinking.

【學位授予單位】：西南大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：I207.42

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