本文關(guān)鍵詞：論新時(shí)期滿族女作家的小說創(chuàng)作　出處：《遼寧大學(xué)》2015年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 新時(shí)期 滿族女作家 小說創(chuàng)作 女性文學(xué) 少數(shù)民族文學(xué)

【摘要】：作為一個(gè)古老的少數(shù)民族,滿族獨(dú)特的民族文化與輝煌的民族歷史賦予了滿族女作家得天獨(dú)厚的創(chuàng)作優(yōu)勢,雖然歷史的車輪滾滾向前,但是滿族女作家骨子中的民族烙印卻沒有隨著社會的變遷和歲月的流逝而消退。滿族女作家具有著女性身份、少數(shù)民族身份和知識分子身份三種身份維度,這三種身份互相沖突又互相融合:女性身份使家族在滿族女作家的女性記憶中留下獨(dú)特的印記,并呈現(xiàn)出“人性解放——人性上升——人格完成”三個(gè)階段;少數(shù)民族身份使她們感受到血液中流淌著的來自先民的昭示;知識分子身份又使她們謹(jǐn)記知識分子的使命,書寫著被正史遺忘的民間歷史與男性歷史背后被遮蔽的女性史實(shí)。在這三種身份的時(shí)而耦合、時(shí)而對抗中,最終構(gòu)成了滿族女作家豐富多彩又富有張力的獨(dú)特?cái)⑹�。本論文總體上分為四大部分,分別從主題類型、藝術(shù)表現(xiàn)、價(jià)值功能和反思四個(gè)不同維度對當(dāng)代滿族女作家的小說創(chuàng)作加以剖析,進(jìn)而對中國當(dāng)代少數(shù)民族文學(xué)進(jìn)行觀照和反思。本論文第一部分介紹了新時(shí)期滿族女作家小說創(chuàng)作的民族文化淵源。首先,滿族有著獨(dú)特的歷史文化特征,特殊的自然地理環(huán)境與經(jīng)濟(jì)生產(chǎn)方式塑造了滿族人民獨(dú)特的民族性格,這種民族性格又在文學(xué)作品中得以充分展現(xiàn)。其次,民族深厚的文化歷史成為了當(dāng)代滿族女作家文學(xué)創(chuàng)作的獨(dú)特背景與文化源泉,她們用自己的文字展現(xiàn)著對于古老民族的體認(rèn)與追尋。本論文第二部分運(yùn)用歸納演繹法按時(shí)間順序梳理了新時(shí)期滿族女作家小說創(chuàng)作的主題類型。在民族歷史文化的滋養(yǎng)下,當(dāng)代滿族女作家多偏愛和擅長弘大的歷史敘事:作為女性她們勾勒著女性記憶中的家族史;作為滿族人她們追憶著滿族民族史;作為知識分子她們挖掘著被正史遮蔽的邊緣史。她們游走于民族身份、女性身份與知識分子身份之間,在三者構(gòu)成的敘事張力間展現(xiàn)著她們對于歷史的感知與把握。本論文的第三部分運(yùn)用文本細(xì)讀法剖析了新時(shí)期滿族女作家小說創(chuàng)作的藝術(shù)表現(xiàn)。首先,在敘事追求上,作為女性,作為少數(shù)民族,受其自身女性記憶與民族身份的影響,當(dāng)代滿族女作家的小說成為了女性敘事與民族敘事耦合的場所,女性記憶與民族經(jīng)驗(yàn)的融合和勾連使得敘事呈現(xiàn)出極富穿透力的多層敘事空間和敘事張力。其次,在人物塑造上,作為滿族人,作為知識分子,滿族女作家對滿族擁有一種血親感受的同時(shí),運(yùn)用現(xiàn)代知識女性的理性思維塑造著、反思著滿族歷史上形形色色的人物,以博大的人文情懷追溯著一個(gè)古老民族的過去,憧憬著一個(gè)優(yōu)秀民族的未來。再次,在語言風(fēng)格上,生長、生活在漢族文化圈的滿族女作家在滿族文化的熏染和漢族文化的哺育中擁有著雙重文化思維,其文學(xué)創(chuàng)作語言具備了獨(dú)特的風(fēng)格。本論文的第四部分運(yùn)用理論與文本相結(jié)合的方法從情懷、敘事、文化與審美四個(gè)維度總結(jié)了新時(shí)期滿族女作家小說創(chuàng)作的價(jià)值功能。首先,滿族女作家骨血里擁有著祖先悲天憫人的基因,她們運(yùn)用獨(dú)特的寫作姿態(tài)去觀照歷史、燭照命運(yùn),對于人性弱點(diǎn)注入真切的人文關(guān)懷。其次,當(dāng)代滿族女作家在作品中用女性敘事承接民間敘事,并對民間敘事做出了進(jìn)一步的開掘,從而顯示了女性生存的歷史與現(xiàn)實(shí)的銜接。再次,生活在滿、漢雙重文化系統(tǒng)中的女作家用本民族的文化映襯著中華民族多元一體文化,體現(xiàn)著她們的雙重文化心理。最后,對于滿族高雅廟堂與俚俗市井交融的審美傳統(tǒng)的繼承使當(dāng)代滿族女作家有著雅俗共賞的審美品位。本論文的第五部分總結(jié)反思了新時(shí)期滿族女作家的小說創(chuàng)作。本章依次從文化全球化的角度反思當(dāng)代滿族女作家作為女性的創(chuàng)作;從身份認(rèn)同的角度反思當(dāng)代滿族女作家作為少數(shù)民族的創(chuàng)作;從社會地位邊緣化的角度反思當(dāng)代滿族女作家作為知識分子的創(chuàng)作,進(jìn)而展示著當(dāng)代滿族女作家生生不息的生命力與創(chuàng)造力。
[Abstract]:As an ancient ethnic Manchu, unique culture and splendid ethnic history gives Manchu female writer creation richly endowed by nature advantage, although the wheel of history, but the Manchu female writer in essence of national brand did not fade with the social changes and the years passed. Manchu female writer has a female identity ethnic identity and identity of intellectuals, three of the three dimensions of identity, identity conflict and fusion: the female identity of family in Manchu female writer's female memory leave a unique mark, and showing a "human liberation of humanity rise three phase: the complete personality of ethnic identities"; make them feel blood flowing from the ancestors of the show; and make them remember the identity of intellectuals intellectuals' mission, writing is the forgotten history and folk history The male history behind themasked women history. Sometimes coupling in these three kinds of identity, and the final confrontation, constitute a unique narrative of Manchu writer rich and colorful and full of tension. This thesis is divided into four parts, respectively from the theme type, artistic expression, value function and Reflection on the four different dimensions of the contemporary Manchu female writer of novels to analyze, and contemplation and Reflection on the contemporary literary China minority. In the first part of the thesis introduces the Manchu writer novel creation of new period cultural origins. Firstly, Manchu has a history of unique cultural characteristics, special natural and geographical environment and economic production of Manchu people's unique way of shaping the national character, national character and in literary works can be fully demonstrated. Secondly, the deep cultural history of nation to become the contemporary literary creation of Manchu writer The unique background and culture as the source, they use their own words to show the ancient ethnic identity and pursuit. The second part of the thesis with the deductive method in order of time combing the Manchu female writer of novel creation of new period theme type. In the history of the nation's culture, contemporary Manchu female writer much preference and good the great historical narrative: as women outline women in the memory of family history; as they remembered the Manchu Manchu ethnic history; they are digging history as intellectuals obscured history. They walk on the edge of ethnic identity between female identity and the identity of intellectuals, which in the three person narrative tension show them for perception and grasp the history. The third part uses the detailed reading of the text analyzes the artistic expression of Manchu writer novel creation in the new time. First of all, in the narrative The pursuit, as a woman, as a minority, women affected by its own memory and national identity, contemporary Manchu female writer's novels become the female narrative and the national narrative coupling place, women experience memory and national integration and Goulian makes narrative showing a very penetrating multilayer narrative space and narrative tension. Secondly and in the character shaping, as an intellectual, Manchu, Manchu female writer has a consanguineous feeling at the same time of Manchu, rational thinking by modern intellectual women's shape, a reflection of Manchu history and diverse characters, with a broad humanistic feelings back an ancient nation's past, longing for a a good future of the nation. Once again, the growth in the language style, living in Han culture circle, the Manchu writer in the Manchu culture and nurtured Han culture has a dual culture Thinking, his literary language has a unique style. The fourth part use the method of combining the theory with Wen Benxiang from feelings, narration, culture and aesthetic dimensions four summarizes the value function of Manchu female writer novel creation in the new time. First of all, the blood in the Manchu female writer has a compassionate ancestral gene, they to view the history, the use of the unique writing attitude to illuminate the fate of human weakness into the real humanism. Secondly, contemporary Manchu writer with female narrative to undertake folk narrative in the works, and make further exploration of the folk narration, which shows the connection of history and reality of female survival. Again, in life full, female writers in the Han culture system with the culture of our nation against the pluralistic culture of the Chinese nation, embodies their dual cultural psychology. Finally, the Manchu Elegant and vulgar folk Temple inherited the aesthetic tradition of the blending of Manchu contemporary female writers have refined aesthetic taste. The fifth part of this paper summarized and reviewed the new period of Manchu female writers' novels. This chapter from the perspective of cultural globalization on contemporary female writers as Manchu women's creation from the perspective of identity; as a female writer of contemporary Manchu minority creation; from the social marginalization of the angle of reflection of contemporary Manchu writer as an intellectual creation, thus showing the vitality and creativity of contemporary Manchu writer life and growth in nature.

【學(xué)位授予單位】：遼寧大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：I207.42

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本文編號：1370313