論中國設(shè)計(jì)風(fēng)格在當(dāng)代國際設(shè)計(jì)領(lǐng)域的定位與推廣
發(fā)布時(shí)間：2018-08-05 19:30
【摘要】：從20世紀(jì)80年代開始，隨著全球化思想在世界范圍的深入和普及，國際間的交流和往來得到了前所未有的發(fā)展。然而，美國、歐洲、日本等發(fā)達(dá)國家依然占據(jù)著經(jīng)濟(jì)領(lǐng)域和文化產(chǎn)業(yè)的制高點(diǎn)，掌握著從影視、動(dòng)漫、藝術(shù)、時(shí)尚到高科技產(chǎn)品的研發(fā)、設(shè)計(jì)和生產(chǎn)的主導(dǎo)權(quán)。在藝術(shù)設(shè)計(jì)領(lǐng)域，早期的中國設(shè)計(jì)人員大多模仿歐美等國家的設(shè)計(jì)風(fēng)格，隨著近年來日韓文化風(fēng)靡中國，許多設(shè)計(jì)人員轉(zhuǎn)而模仿日韓的設(shè)計(jì)風(fēng)格。中國擁有5000年悠久的歷史，儒家思想，四大發(fā)明曾經(jīng)對(duì)世界的繁榮和發(fā)展產(chǎn)生過深遠(yuǎn)的影響。然而到了近現(xiàn)代，我國的設(shè)計(jì)人員缺乏獨(dú)創(chuàng)的原動(dòng)力，一味效仿其它國家的設(shè)計(jì)風(fēng)格，這是一個(gè)值得我們深入思考的問題。 本文首先追溯中國設(shè)計(jì)的起源是從以石器為代表的原始社會(huì)開始的，并且對(duì)舊石器時(shí)代和新石器時(shí)代的藝術(shù)設(shè)計(jì)風(fēng)格進(jìn)行了歸納與總結(jié)。然后從夏商周、春秋戰(zhàn)國、秦漢、唐朝及五代十國、宋朝、元朝、明朝、清朝到近現(xiàn)代對(duì)中國各主要?dú)v史時(shí)期的設(shè)計(jì)理念和風(fēng)格進(jìn)行了總結(jié)和分析。 文章進(jìn)一步闡述了世界史前時(shí)代與中國史前時(shí)代具有一定的相似性，同樣是從以石器為代表的原始社會(huì)開始的，并且對(duì)世界舊石器時(shí)代和新石器時(shí)代的藝術(shù)設(shè)計(jì)風(fēng)格進(jìn)行了歸納與總結(jié)。然后對(duì)古埃及、古代兩河流域文明、古印度、愛琴海文明、古希臘、古羅馬、歐洲中世紀(jì)、文藝復(fù)興直至近現(xiàn)代世界各主要?dú)v史時(shí)期的設(shè)計(jì)理念和風(fēng)格進(jìn)行了總結(jié)和分析。 本文隨后介紹了中國藝術(shù)設(shè)計(jì)風(fēng)格在各歷史時(shí)期的國際影響力，，然后對(duì)中國藝術(shù)設(shè)計(jì)風(fēng)格目前在國際上所處的地位進(jìn)行了分析。 文章進(jìn)一步對(duì)中國與外國的設(shè)計(jì)風(fēng)格進(jìn)行了系統(tǒng)的對(duì)比和分析，將歐洲、美國、日本、韓國在藝術(shù)設(shè)計(jì)方面的亮點(diǎn)和精髓進(jìn)行了歸納和總結(jié)，之后對(duì)如何創(chuàng)建獨(dú)具中國特色的設(shè)計(jì)風(fēng)格進(jìn)行了探討。 本文最后著重論述在世界范圍內(nèi)宣傳推廣中國藝術(shù)設(shè)計(jì)風(fēng)格的方式，包括積極參加國際性的藝術(shù)設(shè)計(jì)類的比賽、博覽會(huì)等活動(dòng)；大力推動(dòng)藝術(shù)設(shè)計(jì)類留學(xué)人員的互派；促進(jìn)藝術(shù)設(shè)計(jì)協(xié)會(huì)和學(xué)會(huì)之間的互訪與交流活動(dòng)；以及持續(xù)開展中國對(duì)外形象的宣傳和文化藝術(shù)的有效傳播。
[Abstract]:Since 1980's, with the deepening and popularization of globalization thought, international exchanges and exchanges have been developed unprecedented. However, the United States, Europe, Japan and other developed countries still occupy the commanding heights of economic and cultural industries, from film and television, animation, art, fashion to the development, design and production of high-tech products. In the field of art and design, the early Chinese designers mostly imitate the design styles of Europe and the United States and other countries. With the popularity of Japanese and Korean culture in China in recent years, many designers have turned to imitate the design style of Japan and Korea. China has a long history of 5000 years, Confucianism, the four great inventions have had a profound impact on the prosperity and development of the world. However, in modern times, the designers in our country lack the original motive force and blindly emulate the design style of other countries, which is a problem worthy of our deep consideration. This paper first traces the origin of Chinese design from the primitive society represented by stone tools, and sums up and summarizes the art design styles of Paleolithic and Neolithic. Then, from Xia, Shang and Zhou, Spring and Autumn, Qin and Han, Tang Dynasty and five dynasties, Song Dynasty, Yuan Dynasty, Ming Dynasty, Qing Dynasty to modern times, this paper summarizes and analyzes the design ideas and styles of the main historical periods in China. The article further expounds that the world prehistoric era and the Chinese prehistoric era have certain similarities, which also began with the primitive society represented by stone tools. And the world Paleolithic and Neolithic art design style is summarized and summarized. Then the design ideas and styles of ancient Egypt, ancient river basin civilization, ancient India, Aegean civilization, ancient Greece, ancient Rome, medieval Europe, Renaissance and modern world were summarized and analyzed. This paper then introduces the international influence of Chinese art design style in each historical period, and then analyzes the status of Chinese art design style in the international community. The article makes a systematic comparison and analysis of the design styles between China and foreign countries, and sums up and summarizes the highlights and essence of art design in Europe, the United States, Japan and South Korea. After that, it discusses how to create a unique design style with Chinese characteristics. In the end, the paper focuses on the ways of popularizing and popularizing Chinese art design style in the world, including participating actively in international art and design competitions, expo, etc. To promote the exchange of visits and exchanges between the Art and Design Association and the Society; and to continuously promote the image of China and the effective dissemination of culture and art.
【學(xué)位授予單位】：哈爾濱理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J509
本文編號(hào)：2166773
[Abstract]:Since 1980's, with the deepening and popularization of globalization thought, international exchanges and exchanges have been developed unprecedented. However, the United States, Europe, Japan and other developed countries still occupy the commanding heights of economic and cultural industries, from film and television, animation, art, fashion to the development, design and production of high-tech products. In the field of art and design, the early Chinese designers mostly imitate the design styles of Europe and the United States and other countries. With the popularity of Japanese and Korean culture in China in recent years, many designers have turned to imitate the design style of Japan and Korea. China has a long history of 5000 years, Confucianism, the four great inventions have had a profound impact on the prosperity and development of the world. However, in modern times, the designers in our country lack the original motive force and blindly emulate the design style of other countries, which is a problem worthy of our deep consideration. This paper first traces the origin of Chinese design from the primitive society represented by stone tools, and sums up and summarizes the art design styles of Paleolithic and Neolithic. Then, from Xia, Shang and Zhou, Spring and Autumn, Qin and Han, Tang Dynasty and five dynasties, Song Dynasty, Yuan Dynasty, Ming Dynasty, Qing Dynasty to modern times, this paper summarizes and analyzes the design ideas and styles of the main historical periods in China. The article further expounds that the world prehistoric era and the Chinese prehistoric era have certain similarities, which also began with the primitive society represented by stone tools. And the world Paleolithic and Neolithic art design style is summarized and summarized. Then the design ideas and styles of ancient Egypt, ancient river basin civilization, ancient India, Aegean civilization, ancient Greece, ancient Rome, medieval Europe, Renaissance and modern world were summarized and analyzed. This paper then introduces the international influence of Chinese art design style in each historical period, and then analyzes the status of Chinese art design style in the international community. The article makes a systematic comparison and analysis of the design styles between China and foreign countries, and sums up and summarizes the highlights and essence of art design in Europe, the United States, Japan and South Korea. After that, it discusses how to create a unique design style with Chinese characteristics. In the end, the paper focuses on the ways of popularizing and popularizing Chinese art design style in the world, including participating actively in international art and design competitions, expo, etc. To promote the exchange of visits and exchanges between the Art and Design Association and the Society; and to continuously promote the image of China and the effective dissemination of culture and art.
【學(xué)位授予單位】：哈爾濱理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J509
【參考文獻(xiàn)】
相關(guān)期刊論文 前1條
1 阿東;;我們的民族品牌怎么了?[J];現(xiàn)代商業(yè);2011年31期
本文編號(hào)：2166773
本文鏈接：http://sikaile.net/wenyilunwen/dongmansheji/2166773.html
最近更新
教材專著
