【摘要】：隨著科技的發(fā)展,全球動(dòng)漫產(chǎn)業(yè)呈迅猛發(fā)展之勢(shì),已經(jīng)成為一個(gè)龐大的產(chǎn)業(yè),被稱(chēng)為21世紀(jì)最有希望的朝陽(yáng)產(chǎn)業(yè)。一些風(fēng)靡全球的動(dòng)畫(huà)角色形象,諸如圣斗士、哆啦A夢(mèng)、小新等,帶來(lái)滾滾財(cái)源,從影片到圖書(shū)、從玩具到服裝,它們?cè)缫讶谌氲饺藗兩钪械母鱾�(gè)角落。 動(dòng)漫產(chǎn)業(yè)不僅僅是帶動(dòng)商業(yè)經(jīng)濟(jì)的樞紐,更是悠悠五千年中華民族優(yōu)秀文化的傳承,而動(dòng)畫(huà)角色形象作為一部動(dòng)畫(huà)作品的重要部分,起著舉足輕重的作用。一個(gè)成功的動(dòng)畫(huà)角色形象不僅可以提升一部動(dòng)畫(huà)片的價(jià)值,帶動(dòng)商業(yè)經(jīng)濟(jì),更可以發(fā)揚(yáng)一種文化觀念和傳統(tǒng)美德。文章運(yùn)用比較的研究方法,將中國(guó)動(dòng)畫(huà)角色形象與日本動(dòng)畫(huà)角色形象進(jìn)行比較,從動(dòng)畫(huà)角色形象的造型設(shè)計(jì)、動(dòng)作設(shè)計(jì)、風(fēng)格特征、表現(xiàn)手法以及文化內(nèi)涵等方面進(jìn)行分析,并著重對(duì)文化內(nèi)涵部分進(jìn)行探討,希望藉此能引起設(shè)計(jì)者對(duì)中國(guó)傳統(tǒng)文化的重視,設(shè)計(jì)出獨(dú)具特色的動(dòng)畫(huà)角色形象,做出國(guó)人為之驕傲的動(dòng)畫(huà)影片,為我國(guó)動(dòng)漫產(chǎn)業(yè)在世界動(dòng)畫(huà)影壇發(fā)出耀眼光輝而努力奮斗! 通過(guò)中日動(dòng)畫(huà)角色形象的比較分析,既要認(rèn)可我國(guó)動(dòng)畫(huà)的成功經(jīng)驗(yàn),又要看到不足之處。中國(guó)動(dòng)漫產(chǎn)業(yè)需要提升藝術(shù)水平,認(rèn)真學(xué)習(xí)國(guó)外的先進(jìn)經(jīng)驗(yàn),重視藝術(shù)手段的綜合運(yùn)用,更重要的是,要加強(qiáng)對(duì)傳統(tǒng)文化的深入挖掘,同時(shí),要堅(jiān)持與時(shí)俱進(jìn),與世界文化接軌,來(lái)?yè)]灑中國(guó)特色的動(dòng)畫(huà)篇章!
[Abstract]:With the development of science and technology, the global animation industry is developing rapidly. It has become a huge industry and is called the most promising sunrise industry in the 21st century. Some of the world's most popular animated characters, such as Saint, Doraemon, Xiao Xin, bring money, from films to books, toys to clothing, they have long been integrated into every corner of people's lives. Animation industry is not only the hub to drive the commercial economy, but also the inheritance of the outstanding culture of the Chinese nation for five thousand years. As an important part of the animation works, the character image of animation plays an important role. A successful animated character image can not only enhance the value of an animated film, promote the commercial economy, but also develop a cultural concept and traditional virtue. In this paper, the author compares the image of Chinese animation character with that of Japanese animation character, and analyzes the modeling design, action design, style feature, expression technique and cultural connotation of the character image by comparing the Chinese animation character image with the Japanese animation character image. And focus on the cultural connotation of the discussion, hoping that this can cause designers to pay attention to the traditional Chinese culture, design a unique image of animation characters, make Chinese people proud of the animation film, For our animation industry in the world animation film world dazzling brilliant and strive hard! Through the comparative analysis of Chinese and Japanese animation characters, we should not only recognize the successful experience of Chinese animation, but also see the shortcomings. China's animation industry needs to raise the level of art, learn foreign advanced experience seriously, attach importance to the comprehensive use of artistic means, and, more importantly, strengthen the in-depth excavation of traditional culture, and at the same time, persist in keeping pace with the times. Connect with the world culture, to wield the animation chapter with Chinese characteristics!
【學(xué)位授予單位】：湖南工業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類(lèi)號(hào)】：J954

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 申晴;;淺析中日動(dòng)畫(huà)創(chuàng)作的差異與特點(diǎn)[J];現(xiàn)代交際;2013年05期

相關(guān)碩士學(xué)位論文 前1條

1 曲陽(yáng)陽(yáng);日本動(dòng)畫(huà)片的角色精神對(duì)于中國(guó)青少年成長(zhǎng)的啟示和影響[D];沈陽(yáng)師范大學(xué);2013年

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本文編號(hào)：2160735