論宮崎駿動(dòng)畫作品表現(xiàn)的生態(tài)意識(shí)
發(fā)布時(shí)間：2018-07-17 20:56
【摘要】：作為一種藝術(shù)樣式,動(dòng)畫從漫畫中發(fā)展而來,從原始洞穴壁畫發(fā)源存留至今,在其綿延不絕的歷史發(fā)展和現(xiàn)實(shí)生成過程中不斷豐富和完善。日本動(dòng)畫電影以其鮮明的民族特色、獨(dú)具個(gè)性且夸張的藝術(shù)風(fēng)格在世界動(dòng)畫電影發(fā)展中正形成可與迪斯尼動(dòng)畫抗衡的規(guī)模及影響力,而宮崎駿的動(dòng)畫電影更是以其深沉的人文內(nèi)涵和貫穿始終的生態(tài)意識(shí),在充斥著色情、暴力的日本動(dòng)畫界獨(dú)樹一幟。宮崎駿的動(dòng)畫電影關(guān)注人性、環(huán)境、自然、命運(yùn)等宏大課題,關(guān)注全世界所面臨的生態(tài)危機(jī),以及由此產(chǎn)生的現(xiàn)代人的生存困境,生態(tài)意識(shí)幾乎貫穿了他的一系列作品。 本文在分析生態(tài)意識(shí)表現(xiàn)的基礎(chǔ)上,解析宮崎駿立足文化傳統(tǒng),依托動(dòng)畫這種大眾文化樣式,借助市場和現(xiàn)代科技等手段體現(xiàn)人文關(guān)懷,將人類精神救贖進(jìn)行到底的追求,并在此分析基礎(chǔ)上,對同處于東方文化圈的中國動(dòng)畫給予反思。 本論文包括導(dǎo)論、正文(四章)、結(jié)語幾個(gè)部分： 導(dǎo)論部分說明選題的緣由,梳理國內(nèi)外相關(guān)宮崎駿的研究現(xiàn)狀,介紹本論文研究的目的和創(chuàng)新點(diǎn)。第一章介紹宮崎駿及其動(dòng)畫作品,并結(jié)合動(dòng)畫業(yè)的勃興揭示動(dòng)畫電影作為大眾文化產(chǎn)品面臨的一系列問題,凸顯經(jīng)濟(jì)利益驅(qū)使下大眾文化產(chǎn)品人文關(guān)懷的缺失。第二章分析宮崎駿動(dòng)畫作品的藝術(shù)特色,并相應(yīng)分析宮崎駿作品思想內(nèi)容上的重要特色,也是他取得成功的最關(guān)鍵因素——生態(tài)觀念的植入。第三章是論文的核心部分。首先從自然生態(tài)和社會(huì)生態(tài)等方面揭示現(xiàn)代人的生存困境,其次對宮崎駿動(dòng)畫電影表現(xiàn)的生態(tài)意識(shí)進(jìn)行具體分析、論證。第四章從傳統(tǒng)文化、市場、現(xiàn)代科技、人文關(guān)懷等方面探討宮崎駿的動(dòng)畫精神,以期對我國動(dòng)畫電影的創(chuàng)作和發(fā)展起到借鑒和啟示的作用。結(jié)語進(jìn)一步梳理全文的寫作思路,圍繞宮崎駿動(dòng)畫的生態(tài)意識(shí)表現(xiàn)這一主題深化本論文研究的目的,強(qiáng)調(diào)現(xiàn)今以高科技為手段、以市場為依托的文化產(chǎn)品只有注重人文關(guān)懷,滿足現(xiàn)代人的精神需求,才能在社會(huì)效益和經(jīng)濟(jì)效益上雙贏。
[Abstract]:As a kind of artistic style, animation has been developed from comic books. From the origin of original cave murals, it has been enriched and perfected in the course of its continuous historical development and realistic generation. With its distinctive national characteristics and unique and exaggerated artistic style, Japanese animated films are developing into a scale and influence that can compete with Disney animation in the development of the world's animated films. MiyazakiHayao's animation film is unique in Japanese painting circles with its deep humanistic connotation and ecological consciousness. MiyazakiHayao's animated films focus on human nature, environment, nature, fate and other grand issues, pay attention to the ecological crisis the world faces, and the plight of modern people's existence. Ecological consciousness almost runs through his series of works. On the basis of analyzing the expression of ecological consciousness, this paper analyzes that MiyazakiHayao is based on cultural tradition, relying on animation as a popular cultural style, embodying humanistic concern by means of market and modern science and technology, and carrying on the pursuit of human spiritual salvation to the end. And on the basis of this analysis, the same in the oriental cultural circle of Chinese animation to give reflection. This paper includes introduction, main body (four chapters), conclusion several parts: the introduction part explains the reason of choosing the topic, combs the domestic and foreign related MiyazakiHayao research present situation, introduces the purpose and the innovation point of this thesis research. The first chapter introduces MiyazakiHayao and his animation works, and combined with the booming animation industry to reveal a series of problems that animation film faces as a mass cultural product, which highlights the lack of humanistic care of mass cultural products driven by economic interests. The second chapter analyzes the artistic characteristics of MiyazakiHayao animation works, and analyzes the important characteristics of MiyazakiHayao works, which is the most important factor of his success-the implantation of ecological concept. The third chapter is the core of the thesis. Firstly, it reveals the plight of modern people from the aspects of natural ecology and social ecology, and then analyzes and demonstrates the ecological consciousness of MiyazakiHayao animation film. The fourth chapter discusses the animation spirit of MiyazakiHayao from the aspects of traditional culture, market, modern science and technology, humanistic care and so on, in order to draw lessons from and enlighten the creation and development of animation films in China. The conclusion further combs the full text writing thought, around the MiyazakiHayao animation ecological consciousness performance this theme deepens this thesis research goal, emphasizes the present takes the high technology as the means, the market as the support cultural product only pays attention to the humanities concern, Meet the spiritual needs of modern people, in order to social and economic benefits win-win.
【學(xué)位授予單位】：云南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類號(hào)】：J954
[Abstract]:As a kind of artistic style, animation has been developed from comic books. From the origin of original cave murals, it has been enriched and perfected in the course of its continuous historical development and realistic generation. With its distinctive national characteristics and unique and exaggerated artistic style, Japanese animated films are developing into a scale and influence that can compete with Disney animation in the development of the world's animated films. MiyazakiHayao's animation film is unique in Japanese painting circles with its deep humanistic connotation and ecological consciousness. MiyazakiHayao's animated films focus on human nature, environment, nature, fate and other grand issues, pay attention to the ecological crisis the world faces, and the plight of modern people's existence. Ecological consciousness almost runs through his series of works. On the basis of analyzing the expression of ecological consciousness, this paper analyzes that MiyazakiHayao is based on cultural tradition, relying on animation as a popular cultural style, embodying humanistic concern by means of market and modern science and technology, and carrying on the pursuit of human spiritual salvation to the end. And on the basis of this analysis, the same in the oriental cultural circle of Chinese animation to give reflection. This paper includes introduction, main body (four chapters), conclusion several parts: the introduction part explains the reason of choosing the topic, combs the domestic and foreign related MiyazakiHayao research present situation, introduces the purpose and the innovation point of this thesis research. The first chapter introduces MiyazakiHayao and his animation works, and combined with the booming animation industry to reveal a series of problems that animation film faces as a mass cultural product, which highlights the lack of humanistic care of mass cultural products driven by economic interests. The second chapter analyzes the artistic characteristics of MiyazakiHayao animation works, and analyzes the important characteristics of MiyazakiHayao works, which is the most important factor of his success-the implantation of ecological concept. The third chapter is the core of the thesis. Firstly, it reveals the plight of modern people from the aspects of natural ecology and social ecology, and then analyzes and demonstrates the ecological consciousness of MiyazakiHayao animation film. The fourth chapter discusses the animation spirit of MiyazakiHayao from the aspects of traditional culture, market, modern science and technology, humanistic care and so on, in order to draw lessons from and enlighten the creation and development of animation films in China. The conclusion further combs the full text writing thought, around the MiyazakiHayao animation ecological consciousness performance this theme deepens this thesis research goal, emphasizes the present takes the high technology as the means, the market as the support cultural product only pays attention to the humanities concern, Meet the spiritual needs of modern people, in order to social and economic benefits win-win.
【學(xué)位授予單位】：云南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類號(hào)】：J954
【參考文獻(xiàn)】
相關(guān)期刊論文 前10條
1 游智皓;宮崎駿奇幻世界初旅[J];北京電影學(xué)院學(xué)報(bào);2003年03期
2 [榭，
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