【摘要】：視覺藝術(shù)通常以符號的形式傳遞作品的語義,符號的觀念長期影響著解讀視覺藝術(shù)作品的方式。動漫形象設(shè)計就是建立在視覺表現(xiàn)的基礎(chǔ)上,將一些視覺符號語言組合起來。人們通過觀察和理解,將動漫形象中的視覺可見元素與符號不可見元素進行聯(lián)系,從而解讀出動漫形象的個性和特點。這種符號化的語言只有通過設(shè)計師在形象設(shè)計過程中根據(jù)角色形象的需求,合理的提煉和整合,才能使人們在解讀過程中準(zhǔn)確的抓取到動漫形象所表達的符號信息。因此,針對動漫形象設(shè)計中符號語義的解讀研究,找出視覺圖形與符號語義之間的關(guān)聯(lián),建立合理的設(shè)計方法,無論對視覺設(shè)計,還是動漫形象設(shè)計都具有借鑒和指導(dǎo)意義。 本論文以“動漫形象設(shè)計中的符號語義研究”為選題,主要從影響動漫形象發(fā)展的歷史、商業(yè)、文化等相關(guān)因素為前提,理清動漫形象設(shè)計的外在表現(xiàn)和內(nèi)在語義之間的聯(lián)系。再以符號學(xué)中語言的共時性與歷時性的互動模式作為理論的框架,將動漫形象分為靜態(tài)和動態(tài)的兩種狀態(tài),分別探討動漫形象靜態(tài)模式下的形狀、色彩、線條等圖形語言,并結(jié)合動態(tài)模式下動漫形象符號語義的轉(zhuǎn)變。通過研究兩者的轉(zhuǎn)換關(guān)系,提出合理的動漫形象設(shè)計方法,進而拓寬創(chuàng)作思路,提高動漫形象設(shè)計的藝術(shù)表現(xiàn)力。 本文的主要成果和創(chuàng)新如下: 1.以符號學(xué)的共時性與歷時性角度解讀動漫形象中的符號語言。利用動畫具有的時間與空間的特殊屬性,以符號學(xué)的共時與歷時的模式進行動漫形象的符號解讀。 2.全面而有條理地梳理了符號觀點下的動漫角色的表現(xiàn)形式。 3.提出合理的動漫形象設(shè)計方法和流程。
[Abstract]:Visual art usually conveys the meaning of works in the form of symbols, and the concept of symbols affects the way of interpreting visual art works for a long time. Animation image design is built on the basis of visual performance, some visual symbols language combination. Through observation and understanding, the visual visible elements in the animation image are connected with the invisible elements of the symbol, and the personality and characteristics of the animation image are interpreted. This symbolic language only through the designer in the process of image design according to the needs of the role image, reasonable extraction and integration, in order to make people in the process of interpretation accurately grasp the animation image expressed by the symbol information. Therefore, according to the interpretation of symbol semantics in animation image design, to find out the relationship between visual graphics and symbol semantics, to establish a reasonable design method, both visual design and animation image design have reference and guidance significance. Based on the research of symbol semantics in the animation image design, this paper clarifies the relationship between the external performance and the internal semantics of the animation image design from the historical, commercial, cultural and other related factors that affect the development of the animation image. Then taking the synchronic and diachronic interactive mode of language in semiotics as the theoretical framework, the animation image is divided into static and dynamic states, and discusses the graphic language such as shape, color, line and so on under the static mode of animation image, respectively. And combined with the dynamic mode of animation image symbol semantic transformation. Through the study of the relationship between the two, a reasonable method of animation image design is put forward to broaden the creative ideas and improve the artistic expression of animation image design. The main achievements and innovations of this paper are as follows: 1. The semiotic synchronic and diachronic interpretation of animation image in the symbolic language. Using the special properties of time and space of animation, the symbol interpretation of animation image is carried out in the synchronic and diachronic mode of semiotics. 2. A comprehensive and organized combing of the symbolic point of view of the animation characters manifestations. 3. Put forward reasonable animation image design method and flow.
【學(xué)位授予單位】：浙江工業(yè)大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：J218.7

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本文編號：2126752