數(shù)字化情境下動(dòng)漫藝術(shù)觀念的思考
發(fā)布時(shí)間:2018-07-04 20:13
本文選題:數(shù)字化 + 藝術(shù)作品 ; 參考:《新美術(shù)》2010年05期
【摘要】:正藝術(shù)是被看作是一種主要的"時(shí)代表現(xiàn)"。但是要想深入了解數(shù)字化情境下動(dòng)漫藝術(shù)觀念的變化,就會(huì)發(fā)現(xiàn)借助波普爾的情景分析方法更有利于我們接近動(dòng)漫藝術(shù)觀念變化的實(shí)際情形!斗教辜{現(xiàn)代思潮辭典》[The Fontana Dictionary of Modern Thought]對(duì)情境邏輯解釋得較詳細(xì)也
[Abstract]:Art is regarded as a major "time performance". But if you want to understand the changes in the animation art concept in the digital context, it will be found that the use of Popper's situational analysis method is more favorable for us to approach the actual situation of the change of animation art concept. < >[The Fontana Dictionary of Modern? Thought] is more detailed in contextual logic
【分類號(hào)】:J218.7
,
本文編號(hào):2097279
本文鏈接:http://sikaile.net/wenyilunwen/dongmansheji/2097279.html
最近更新
教材專著