本文選題：前期策劃 + 劇本��； 參考：《上海戲劇學(xué)院》2012年碩士論文

【摘要】：1956年，日本東映動畫股份有限公司采用了美國的動漫分工協(xié)作體系，，結(jié)束了個(gè)體獨(dú)攬全部流程和手工作坊式的動漫生產(chǎn)方式。日本動漫制作分工不斷地被細(xì)化、復(fù)雜化，產(chǎn)業(yè)鏈流程也不斷地完整、趨于合理化。直至今日，現(xiàn)代動漫成品是由不同性質(zhì)的企業(yè)從事各步驟專門工作而互相協(xié)作完成的。由于各國的動漫發(fā)展歷程和階段不同，目前形成日本和美國兩種不盡相同的動漫制作流程。以日本動漫制作為例，流程總體分為前期、中期和后期三個(gè)制作階段。前期制作處于制作流程的上游，很大程度上決定著動漫作品起始的創(chuàng)意和風(fēng)格確立，包括重要的劇本撰寫、角色設(shè)計(jì)和分鏡頭設(shè)計(jì)三大方面。因此，日本負(fù)責(zé)動漫策劃工作的公司給予前期策劃以高度重視。本文從日本一部經(jīng)典的動畫長片《犬夜叉》入手，通過對《犬夜叉》的動漫作品在編創(chuàng)環(huán)節(jié)上的探析，梳理出策劃故事的敘事主題和角色刻畫的成功之處，提煉出動漫前期策劃的重要性。個(gè)人認(rèn)為借鑒成功案例的前期操作經(jīng)驗(yàn)，在一定程度上可以為中國動畫的發(fā)展提供寶貴的經(jīng)驗(yàn)和啟迪，并提出動漫前期策劃階段應(yīng)該加強(qiáng)劇本策略和角色策劃的看法。
[Abstract]:In 1956, Japan Dongying Animation Co., Ltd. adopted the American animation division and cooperation system, which ended the process of individual monopolization and manual animation production. Japanese animation production division of labor has been refined, complex, industrial chain process is also constantly complete, tend to rationalize. Up to now, the modern animation finished products by different nature of enterprises engaged in various steps of specialized work and collaboration. Due to the different development process and stages of animation in different countries, there are two different animation production processes in Japan and the United States. Japanese animation production as an example, the process is divided into the Prophase, mid-term and post-three production stages. Prophase production is in the upstream of the production process, which largely determines the creation and style establishment of animation works, including important script writing, character design and lens design. Therefore, Japan is responsible for animation planning companies to give high priority to early planning. This article starts with a classic animated feature film < Invyasha > in Japan, through the analysis of the editing and creation of the animation works of < Invyasha >, combing out the narrative theme of the planning story and the success of the portrayal of the characters. Extract the importance of early animation planning. The author thinks that drawing lessons from the previous operation experience of successful cases can provide valuable experience and enlightenment for the development of Chinese animation to a certain extent, and puts forward the view that the script strategy and character planning should be strengthened in the early stage of animation planning.
【學(xué)位授予單位】：上海戲劇學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：J954

【共引文獻(xiàn)】

相關(guān)期刊論文 前1條

1 何小海,張靜容;試論新時(shí)期大學(xué)生形象塑造的必要性和實(shí)現(xiàn)途徑[J];漳州職業(yè)技術(shù)學(xué)院學(xué)報(bào);2005年02期

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