本文選題：國(guó)產(chǎn)動(dòng)畫電影 + 文化觀念　； 參考：《安徽工程大學(xué)》2012年碩士論文

【摘要】：中國(guó)動(dòng)畫電影誕生于上個(gè)世紀(jì)初,在世界舞臺(tái)上曾獲得過(guò)巨大的聲譽(yù),距今已有近百年的歷史,可謂是源遠(yuǎn)流長(zhǎng)。到90年代為止,中國(guó)動(dòng)畫電影歷經(jīng)兩次發(fā)展高峰期,為后人留下了大量的傳世作品,也為中華民族贏得了榮譽(yù)。而進(jìn)入九十年代以后,國(guó)產(chǎn)動(dòng)畫電影由于國(guó)外動(dòng)漫文化的沖擊和產(chǎn)業(yè)改革的不適應(yīng)期,在很長(zhǎng)一段時(shí)間止步不前,失去了發(fā)展的方向,至今仍處于轉(zhuǎn)型期之中。本論文是在經(jīng)過(guò)本科至今對(duì)動(dòng)畫藝術(shù)近七年的學(xué)習(xí)與研究后,嘗試從動(dòng)畫藝術(shù)文化觀念的角度來(lái)反觀九十年代以來(lái)國(guó)產(chǎn)動(dòng)畫電影的發(fā)展。并提出對(duì)國(guó)產(chǎn)動(dòng)畫電影在文化理念上的演變趨勢(shì)的認(rèn)識(shí),最后對(duì)以恰當(dāng)理念制作動(dòng)畫電影給出自己的看法。 論文第一部分為緒論,介紹了寫作本文的背景、意義、創(chuàng)新性和方法。本文結(jié)合國(guó)產(chǎn)動(dòng)畫的發(fā)展?fàn)顩r,以九十年代這一動(dòng)畫產(chǎn)業(yè)分水嶺時(shí)期之后的國(guó)產(chǎn)動(dòng)畫電影為對(duì)象,用對(duì)經(jīng)典影片的解析為基礎(chǔ),從而總結(jié)出動(dòng)畫文化觀念的演變趨勢(shì),為動(dòng)畫電影的創(chuàng)作提供理論支持。 第一章介紹了動(dòng)畫電影的概念和其承載的文化觀念特征,并對(duì)本文中所指的“文化觀念”做出了界定。本文中的文化觀念特指動(dòng)畫電影這一文化事物的理念表象,而非廣義的“文化觀念”。動(dòng)畫電影作為動(dòng)畫產(chǎn)業(yè)的明星產(chǎn)品,凝聚了許多頂尖動(dòng)畫人的心血和勞動(dòng),代表著各時(shí)期動(dòng)畫制作的最高水平,有著重要的行業(yè)地位和巨大的產(chǎn)業(yè)價(jià)值。動(dòng)畫電影是一種文化產(chǎn)品,它理所當(dāng)然的承載了制作人和時(shí)代賦予它的文化觀念,各種不同文化觀念上的傾向形成了風(fēng)格迥異的作品。 第二章概括介紹了我國(guó)動(dòng)畫電影的發(fā)展歷程,并著重分析了九十年代這一國(guó)產(chǎn)動(dòng)畫電影的分水嶺時(shí)期。從九十年代這一時(shí)間段起,國(guó)產(chǎn)動(dòng)畫電影走上了變革之路。從這一段時(shí)期開始進(jìn)行研究,有著可供當(dāng)今參考的時(shí)效性。 第三章和第四章通過(guò)分析九十年代以來(lái)差異明顯的兩個(gè)時(shí)期中具有代表性的經(jīng)典國(guó)產(chǎn)動(dòng)畫電影,進(jìn)而總結(jié)出各個(gè)階段國(guó)產(chǎn)動(dòng)畫電影的文化觀念特點(diǎn)。著重討論了不同年代國(guó)產(chǎn)動(dòng)畫電影作品在文化觀念上的獨(dú)特之處,為了解國(guó)產(chǎn)動(dòng)畫電影的文化立意發(fā)展趨勢(shì)提供依據(jù)。 第五章對(duì)動(dòng)畫電影的文化觀念也具有時(shí)代變遷性進(jìn)行總結(jié),并對(duì)演變的趨勢(shì)給出了自己的看法。了解這種變遷自身的原因和規(guī)律,對(duì)今后國(guó)產(chǎn)動(dòng)畫電影的發(fā)展有很大的指導(dǎo)意義。最后,針對(duì)實(shí)際問(wèn)題,給出應(yīng)對(duì)策略,主張以符合民族特征、符合全面的觀眾群體、結(jié)合時(shí)尚的思路來(lái)提高國(guó)產(chǎn)動(dòng)畫電影的文化價(jià)值和影片質(zhì)量。
[Abstract]:The Chinese animation film was born in the beginning of the last century , and has gained great reputation on the world stage . It has been a long history of nearly a hundred years . Since the 1990 ' s , China ' s animation film has been developing in two times and has won the honor of the Chinese nation .

The first part of the thesis is preface , introduces the background , meaning , innovation and method of writing this paper . Combining with the development of domestic animation , this paper takes the domestic animation film after the watershed period of the animation industry in the 1990s as the object , and uses the analysis of classic films as the basis , so as to summarize the evolution trend of animation culture idea , and provide theoretical support for the creation of animation films .

The first chapter introduces the concept of animation film and its cultural conception , and defines the concept of culture in this paper . The cultural idea in this paper refers to the concept of cartoon film as the star product of animation industry , rather than a broad sense of culture idea .

The second chapter provides an overview of the development course of China ' s animation film , and analyzes the watershed period of China ' s domestic animation film in the 1990s . From the 1990 ' s , China - made animated film took the road of change . From this period of time , research has been carried out , which has the timeliness of reference .

In chapter 3 and chapter 4 , by analyzing the typical domestic animation films in the two periods , which have been marked by the difference in the 1990s , the characteristics of the cultural concept of domestic animation films in each stage are summarized . The unique place of domestic animation films in different times is discussed , and the basis for understanding the development trend of domestic animation films is given .

The fifth chapter summarizes the cultural concepts of animation films , and gives their own views on the trend of the evolution . It is of great significance to the development of domestic animation films . Finally , according to the practical problems , this paper puts forward strategies for coping with the national characteristics , conforms to the comprehensive audience group , and combines the fashion ideas to improve the cultural value and the film quality of the domestic animation films .
【學(xué)位授予單位】：安徽工程大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J954

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