本文選題：數(shù)字技術(shù) + 架上繪畫�。� 參考：《中央民族大學(xué)》2006年碩士論文

【摘要】：數(shù)字技術(shù)的發(fā)展已經(jīng)改變了世界許多方面，其中也包括藝術(shù)。網(wǎng)絡(luò)中所隱藏的文化權(quán)力使人們的審美觀念發(fā)生嬗變，同時也影響了藝術(shù)家的思維方式和藝術(shù)面貌。在這種新的條件下，深入思考現(xiàn)代數(shù)字技術(shù)與傳統(tǒng)架上繪畫的關(guān)系，，它對繪畫影響的利與弊有助于梳理我們的文化，梳理我們的藝術(shù)形態(tài)。本文從數(shù)字時代給人類帶來了什么、數(shù)字技術(shù)對架上繪畫的影響、在數(shù)字時代藝術(shù)需要警覺的問題以及藝術(shù)家對科技介入繪畫的態(tài)度幾個方面論述了現(xiàn)代數(shù)字技術(shù)與傳統(tǒng)架上繪畫的關(guān)系。 對于架上繪畫構(gòu)成上來說，數(shù)字技術(shù)的介入可能是一種新鮮而有效的方法。數(shù)字技術(shù)的應(yīng)用在很大程度上節(jié)約了繪畫制作的時間，并且可以在數(shù)字化圖像里充分發(fā)揮我們的創(chuàng)意。但是，當(dāng)數(shù)字技術(shù)給我們帶來便捷的同時也會使繪畫者手、眼、心的配合與協(xié)調(diào)能力逐漸退化。 伴隨著文化背景的巨大轉(zhuǎn)換與數(shù)字技術(shù)的深刻影響，繪畫創(chuàng)作出現(xiàn)了一些新的藝術(shù)樣式。一些青年藝術(shù)家利用藝術(shù)與攝影、電腦的交叉之處獲取畫中的圖像，然后將之躍然畫布之上，來表達(dá)他們對社會以及人性的反思；“卡通一代”的藝術(shù)家把都市大眾消費(fèi)文化、電玩文化、新人類文化、卡通動漫文化帶入中國藝術(shù)舞臺；從事“權(quán)沖”藝術(shù)的藝術(shù)家利用數(shù)字技術(shù)，通過挪用、復(fù)制、串改各種現(xiàn)成形像，產(chǎn)生新的現(xiàn)實和意義。
[Abstract]:The development of digital technology has changed many aspects of the world, including art. The cultural power hidden in the network changes people's aesthetic concept, and also influences the artist's thinking mode and artistic appearance. Under this new condition, the relationship between modern digital technology and traditional painting on the shelf is deeply considered. The advantages and disadvantages of the influence on painting are helpful to comb our culture and our artistic form. This article from the digital age has brought to mankind, the digital technology to the frame painting influence, This paper discusses the relationship between modern digital technology and traditional painting on the basis of the need for vigilance in the art of the digital age and the artist's attitude towards the involvement of science and technology in painting. The involvement of digital technology may be a fresh and effective method for the composition of frame painting. The application of digital technology to a large extent saves the time of painting, and can give full play to our creativity in digital images. However, when digital technology brings us convenience, the coordination and coordination ability of the hand, eye and heart of the painter will gradually degrade. With the great transformation of cultural background and the profound influence of digital technology, some new artistic styles appeared in painting creation. Some young artists use the intersection of art and photography, the computer to capture the images in the paintings, and then leap them over the canvas to express their reflections on society and humanity; the artists of the Cartoon Generation use the urban mass consumer culture. Video game culture, new human culture, cartoon culture are brought into Chinese art stage; artists engaged in "Quan Chong" art make use of digital technology to produce new reality and significance by misappropriating, copying, and changing various ready-made images.
【學(xué)位授予單位】：中央民族大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2006
【分類號】：J204

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 劉一;數(shù)字時代CG電腦繪畫應(yīng)用研究[D];河南大學(xué);2012年

本文編號：1963338