本文選題：動(dòng)漫產(chǎn)業(yè) + 漫畫��； 參考：《浙江大學(xué)》2007年碩士論文

【摘要】： 漫畫和動(dòng)畫組成了動(dòng)漫產(chǎn)業(yè)的兩大支柱。然而,與動(dòng)畫相比,漫畫在業(yè)界和學(xué)界皆相對(duì)冷清。作為動(dòng)漫產(chǎn)業(yè)的支柱之一,兩者的發(fā)展和研究如果難以協(xié)調(diào),將會(huì)影響到整個(gè)動(dòng)漫產(chǎn)業(yè)的健康發(fā)展。因此本文關(guān)注漫畫領(lǐng)域。在國(guó)內(nèi)有限的漫畫研究中,側(cè)重藝術(shù)較多,產(chǎn)業(yè)較少。在少量的漫畫產(chǎn)業(yè)研究中,停留在時(shí)代斷面的靜態(tài)研究和泛化的問(wèn)題研究較多,動(dòng)態(tài)研究和具體研究更少。因此,為了完善當(dāng)前的動(dòng)漫研究,本文選擇另外一種思路,即以中國(guó)漫畫發(fā)展斷層現(xiàn)象作為切入點(diǎn),考察連環(huán)畫在中國(guó)漫畫發(fā)展中的繁榮與消亡,并研究了漫畫在斷層后的發(fā)展?fàn)顟B(tài),最終從歷史和現(xiàn)實(shí)兩個(gè)層面來(lái)獲取經(jīng)驗(yàn)教訓(xùn),以期避免中國(guó)漫畫重蹈覆轍的悲哀,留下警示或啟迪。 本文共分為六章。第一章闡述了本文研究中國(guó)漫畫斷層現(xiàn)象的緣起,總結(jié)了國(guó)內(nèi)外的研究現(xiàn)狀、形成了自己的研究?jī)?nèi)容和方法。第二章整合分析了當(dāng)前中外漫畫發(fā)展的差距和中國(guó)漫畫面臨的困境。第三章和第四章首先比較了中國(guó)內(nèi)地、香港和臺(tái)灣的漫畫發(fā)展軌跡,并結(jié)合國(guó)外漫畫發(fā)展歷史軌跡(美、日、英、法、韓等),提出連環(huán)畫在中國(guó)漫畫發(fā)展斷層中的關(guān)鍵作用,進(jìn)而挖掘了連環(huán)畫敗落的原因和影響。第五章對(duì)斷層后的中國(guó)漫畫發(fā)展?fàn)顩r進(jìn)一步分析,主要包括漫畫傳播平臺(tái)、漫畫作品、漫畫雜志、漫畫家、漫畫和動(dòng)畫的產(chǎn)業(yè)鏈等問(wèn)題。最后,本文對(duì)中國(guó)漫畫斷層現(xiàn)象進(jìn)行總結(jié),并提出個(gè)人看法。
[Abstract]:Cartoon and animation constitute the two pillars of the animation industry. However, compared with animation, comics in the industry and academia are relatively cold. As one of the pillars of the animation industry, the development and research of both will affect the healthy development of the whole animation industry if it is difficult to coordinate. Therefore, this paper focuses on the field of comics. In the domestic limited cartoon research, more emphasis on art, less industry. In a small number of comics industry research, the static research and generalization research stay in the section of the times, and the dynamic research and specific research are even less. Therefore, in order to improve the current animation research, this paper chooses another way of thinking, that is, the development of Chinese comic development fault phenomenon as a starting point, to investigate the comic strip in the development of China's prosperity and extinction, It also studies the development state of comics after the fault, and finally obtains the experience and lessons from the historical and realistic aspects, in order to avoid the tragedy of Chinese comic books repeating the same mistakes, and to leave a warning or enlightenment. This paper is divided into six chapters. The first chapter describes the origin of this study, summarizes the domestic and foreign research situation, and forms its own research content and methods. The second chapter analyzes the gap between the development of Chinese and foreign comics and the plight of Chinese comics. The third and fourth chapters first compare the track of comics development in mainland China, Hong Kong and Taiwan, and point out the key role of comics in the development of comics in China by combining with the historical track of comics development abroad (USA, Japan, English, French, Korean, etc.). And then excavate the cause and influence of the decline of comic book. The fifth chapter further analyzes the development of Chinese comics after the fault, including comics communication platform, comic books, comic magazines, cartoonists, comic and animation industry chain and so on. Finally, this paper summarizes the fault phenomenon in Chinese comics and puts forward personal views.
【學(xué)位授予單位】：浙江大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2007
【分類號(hào)】：J218.2

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前5條

1 朱珠;美國(guó)圖像小說(shuō)研究[D];南京藝術(shù)學(xué)院;2011年

2 張冰晶;漫畫談“新”[D];南昌大學(xué);2011年

3 高永利;八十年代中國(guó)連環(huán)畫藝術(shù)形式研究[D];太原理工大學(xué);2012年

4 盛寅;我國(guó)當(dāng)代動(dòng)漫產(chǎn)業(yè)發(fā)展現(xiàn)狀與發(fā)展對(duì)策研究[D];山西大學(xué);2012年

5 馬祥;新世紀(jì)以來(lái)國(guó)產(chǎn)動(dòng)畫電影的發(fā)展與對(duì)策研究[D];重慶工商大學(xué);2012年

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本文編號(hào)：1956805