本文選題：孫悟空 + 動(dòng)漫形象��； 參考：《廣東工業(yè)大學(xué)》2012年碩士論文

【摘要】：隨著動(dòng)漫產(chǎn)業(yè)的發(fā)展,動(dòng)漫形象的塑造不再是單純的視覺外觀塑造,而是關(guān)乎動(dòng)畫形象在動(dòng)畫片中的形象特征及通過劇情結(jié)構(gòu)反映出來的行為能力及思想意識(shí)。只有賦予角色以生動(dòng)形象的內(nèi)在特質(zhì),才能使得角色具有生命力、為大眾所喜歡,也才具備以動(dòng)漫形象為核心進(jìn)行開發(fā)的可能性。 綜觀中國(guó)動(dòng)漫發(fā)展史,盡管創(chuàng)造了眾多廣受歡迎的形象,但這些形象卻難以轉(zhuǎn)化成打開市場(chǎng)的敲門磚。其中孫悟空就是其中之一。孫悟空形象作為一種文化力量流傳至今,一直是國(guó)家形象建構(gòu)中的重要代表形象之一。 本文將從孫悟空形象的文化內(nèi)涵出發(fā),將其分解為表層結(jié)構(gòu)(劇情結(jié)構(gòu)的體現(xiàn))、基層結(jié)構(gòu)(社會(huì)主流意識(shí)的體現(xiàn))、深層結(jié)構(gòu)(猴性、神性和人性的開啟與整合)進(jìn)行分析,總結(jié)出從傳統(tǒng)審美時(shí)代到大眾審美時(shí)代,孫悟空動(dòng)漫形象在這三個(gè)層面的演變規(guī)律,并分析其演變背后的“天人合一”、“中和”、“文以載道”等文化原因。然后將其放在全球語(yǔ)境下進(jìn)行闡述,總結(jié)出孫悟空形象得以風(fēng)靡全球的童真娛樂精神、英雄崇拜情結(jié)、對(duì)真善美追求的三大特質(zhì)。 通過分析日本孫悟空的形象特點(diǎn)和背后的“物哀”、“武士道”、漫畫和工業(yè)文化等文化基因,得出日本孫悟空動(dòng)漫形象在表層結(jié)構(gòu)、基層結(jié)構(gòu)、深層結(jié)構(gòu)這三個(gè)層面的變異。最后綜述,中國(guó)的孫悟空動(dòng)漫形象應(yīng)該怎么在迎合國(guó)際思潮和大眾審美的同時(shí),發(fā)揮自身民族特性的。
[Abstract]:With the development of the animation industry, the creation of animation image is no longer a simple visual appearance, but about the character of the cartoon image in the animated cartoon and the behavior ability and ideological consciousness reflected through the plot structure. Likes, also has the possibility to develop with the cartoon image as the core.
In a comprehensive view of the history of Chinese animation and comic development, although many popular images have been created, these images are difficult to transform into a knock on the market. Among them, Sun Wukong is one of them. The image of Sun Wukong, as a cultural force, has been one of the most important representative images in the construction of the national image.
From the cultural connotation of Sun Wukong's image, this article will decompose it into the surface structure (the embodiment of the plot structure), the basic structure (the embodiment of the mainstream consciousness of the society), the deep structure (the monkey nature, the divinity and the human nature, the opening and integration), and summarizes the three layers of Sun Wukong's cartoon image from the traditional aesthetic times to the mass aesthetic times. The evolution law of the surface, and the analysis of the cultural reasons behind the evolution of the "harmony between heaven and man", "Neutralization" and "carrying on the road", and then put it in the context of the global context, and summed up the three characteristics of Sun Wukong's image to be popular around the world, the spirit of childlike innocence, hero worship complex, and the pursuit of true, good and beauty.
Through the analysis of the characteristics of the image of Japanese Sun Wukong and the cultural genes of "Wu Tao", "Bushido", "comic" and "industrial culture", the variation of the three levels of the Japanese animation image in the surface structure, the basic structure and the deep structure is obtained. Finally, how should the Chinese cartoon image of Sun Wukong cater to the international trend of thought and the international trend of thought At the same time, the masses enjoy their own national characteristics.

【學(xué)位授予單位】：廣東工業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J218.7

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本文編號(hào)：1854169