發(fā)布時(shí)間：2018-10-16 18:11

【摘要】：“和合”思想是中國(guó)傳統(tǒng)思想文化中被普遍接受和認(rèn)同的人文精神,也是中國(guó)美學(xué)的主導(dǎo)精神,從古代至現(xiàn)代的中國(guó)藝術(shù)家們?cè)趧?chuàng)作中都深受該理念的影響�！昂秃稀崩砟畹恼w性、辯證性、有機(jī)性決定了它可以運(yùn)用在不同時(shí)代不同類型的藝術(shù)創(chuàng)作中。動(dòng)畫設(shè)計(jì)作為現(xiàn)代設(shè)計(jì)中重要的一部分,也發(fā)揮著日益突出的重要作用。將中國(guó)傳統(tǒng)美學(xué)理念合理運(yùn)用在動(dòng)畫設(shè)計(jì)中,可以讓動(dòng)畫繼承和發(fā)揚(yáng)傳統(tǒng)文化中的價(jià)值與精髓,提高人們對(duì)于傳統(tǒng)文化的認(rèn)知與審美。同時(shí)也是中國(guó)動(dòng)畫實(shí)現(xiàn)民族化的一種探索。在此前提下,研究“和合”理念在動(dòng)畫創(chuàng)作上的運(yùn)用有著重要意義。本文研究了中國(guó)傳統(tǒng)文化中“和合”理念在動(dòng)畫設(shè)計(jì)上的運(yùn)用,根據(jù)分析研究得出的理論指導(dǎo)實(shí)踐,將中國(guó)傳統(tǒng)美學(xué)理念與中國(guó)風(fēng)動(dòng)畫相結(jié)合,創(chuàng)作了原創(chuàng)動(dòng)畫作品《槐安夢(mèng)》,從該實(shí)踐成果中展現(xiàn)了“和合”理念的運(yùn)用。本文首先闡述了課題的研究背景和意義,并分析國(guó)內(nèi)外對(duì)此的研究現(xiàn)狀,在此基礎(chǔ)上,進(jìn)一步提出課題的研究目的、研究?jī)?nèi)容及方式。接著從中國(guó)傳統(tǒng)美學(xué)循序漸進(jìn)地分析至中國(guó)的“和合”文化,并從不同角度闡釋“和合”理念,概述其在現(xiàn)代設(shè)計(jì)上的意義和作用,為實(shí)踐創(chuàng)作提供了理論依據(jù)。本文先從中國(guó)畫入手,分析中國(guó)傳統(tǒng)繪畫上對(duì)該理念的具體運(yùn)用,并論述中國(guó)動(dòng)畫對(duì)此的繼承與更迭。其后以運(yùn)用“和合”理念最為典型的兩部動(dòng)畫作品《山水情》和《牧笛》為例,從人物意象、鏡頭語(yǔ)言、思想內(nèi)涵、聲效編排上進(jìn)行了詳盡的研究分析,以此來(lái)指導(dǎo)創(chuàng)作實(shí)踐。最后展現(xiàn)了原創(chuàng)動(dòng)畫作品《槐安夢(mèng)》的創(chuàng)作過(guò)程,分析“和合”理念在繪制手法、主題思想、造型設(shè)計(jì)、鏡頭語(yǔ)言上的具體運(yùn)用。實(shí)踐結(jié)果表明,“和合”作為中國(guó)傳統(tǒng)美學(xué)的思想精粹,對(duì)動(dòng)畫創(chuàng)作有著巨大的指導(dǎo)意義,是中國(guó)動(dòng)畫實(shí)現(xiàn)民族化不可或缺的支撐。
[Abstract]:The thought of "harmony" is the humanistic spirit which is generally accepted and recognized in Chinese traditional ideology and culture, and is also the leading spirit of Chinese aesthetics. Chinese artists from ancient to modern times have been deeply influenced by this idea in their works. The unity, dialectics and organic nature of the concept of "harmony" determine that it can be applied to different types of artistic creation in different times. As an important part of modern design, animation design also plays an increasingly important role. The rational application of Chinese traditional aesthetic concept in animation design can allow animation to inherit and carry forward the value and essence of traditional culture and improve people's cognition and aesthetic appreciation of traditional culture. At the same time, it is also a kind of exploration of realizing nationalization of Chinese animation. Under this premise, it is of great significance to study the application of the concept of "he" in animation creation. This paper studies the application of the concept of "harmony" in Chinese traditional culture in animation design. According to the theory and practice obtained from the analysis and research, it combines the traditional Chinese aesthetic concept with the Chinese style animation. Created the original animation work, Huai an Dream, from the practical results to show the application of the concept of "he". In this paper, the research background and significance of the subject are first expounded, and the present situation of the research at home and abroad is analyzed. On the basis of this, the purpose, content and method of the research are put forward. Then it analyzes the Chinese "harmony" culture step by step from the Chinese traditional aesthetics, explains the concept of "harmony" from different angles, summarizes its significance and function in modern design, and provides a theoretical basis for practical creation. This article begins with the Chinese painting, analyzes the concrete application of this idea in the Chinese traditional painting, and discusses the inheritance and change of the Chinese animation. Then, taking the two animation works "Mountain and Water situation" and "Pastor" as an example, the author makes a detailed research and analysis from the aspects of character image, lens language, thought connotation and sound effect arrangement to guide the creative practice. Finally, it shows the creative process of the original animation "Dream of Huai'an", and analyzes the concrete application of the idea of "harmony" in drawing technique, theme thought, modeling design and lens language. The practical results show that as the essence of Chinese traditional aesthetics, "he" has great guiding significance for animation creation and is an indispensable support for the nationalization of Chinese animation.
【學(xué)位授予單位】：湖北工業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J954;G122

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