動(dòng)畫創(chuàng)作中具有民族特點(diǎn)的動(dòng)作設(shè)計(jì)研究
發(fā)布時(shí)間：2018-10-05 13:45
【摘要】：動(dòng)畫是動(dòng)的藝術(shù),動(dòng)作設(shè)計(jì)在動(dòng)畫的整個(gè)創(chuàng)作過程中,是一個(gè)復(fù)雜的思維過程,占有舉足輕重的地位。如何以動(dòng)畫的形式來描述運(yùn)動(dòng),賦予動(dòng)畫動(dòng)作意義,并使動(dòng)作如何動(dòng)畫化,以及如何傳達(dá)出思想,表現(xiàn)出戲劇性效果是動(dòng)作設(shè)計(jì)的核心。目前,中國(guó)動(dòng)畫影片中動(dòng)作設(shè)計(jì)的重要性常常被忽略,沒有將角色靈魂和影片要表達(dá)的思想通過動(dòng)作傳神地體現(xiàn)出來,沒有自身民族的特色和文化底蘊(yùn),對(duì)于“如何能設(shè)計(jì)出獨(dú)具中國(guó)民族特色的動(dòng)作”這個(gè)領(lǐng)域,涉獵和研究較少。本文將動(dòng)畫動(dòng)作設(shè)計(jì)的民族特點(diǎn)進(jìn)行深層次的探討和研究,從民族的角度來解讀動(dòng)畫動(dòng)作設(shè)計(jì)。第一章節(jié)主要講述了本文的研究背景、選題目的,現(xiàn)實(shí)意義、國(guó)內(nèi)外研究現(xiàn)狀,提出了文章的主要?jiǎng)?chuàng)新點(diǎn);第二章闡述動(dòng)畫動(dòng)作設(shè)計(jì)的概念、分類和作用;第三章闡述了具有民族特點(diǎn)的動(dòng)作設(shè)計(jì)的界定,分析和對(duì)比不同國(guó)家和民族之間的動(dòng)作設(shè)計(jì)民族特點(diǎn)差異、成因和影響等,進(jìn)一步研究具有民族特點(diǎn)的動(dòng)作設(shè)計(jì)的深層次根源問題;第四章通過解析民族性標(biāo)志動(dòng)作、生活化動(dòng)作、微相動(dòng)作、戲劇動(dòng)作、歌舞動(dòng)作、功夫動(dòng)作、無厘頭動(dòng)作,把民族性動(dòng)作設(shè)計(jì)劃分為特征化、性格化、程式化三大類,讓民族性動(dòng)作設(shè)計(jì)更加多元化。第五章論述動(dòng)作設(shè)計(jì)民族特點(diǎn)對(duì)受眾的淺層和深層心理影響,對(duì)動(dòng)畫相關(guān)環(huán)節(jié)的影響,例如鏡頭運(yùn)動(dòng)、節(jié)奏和風(fēng)格,動(dòng)畫場(chǎng)景設(shè)計(jì)的配合,時(shí)間的掌控等,還有對(duì)文化傳播的啟蒙性、普及性、娛樂性作用,總結(jié)歸納出動(dòng)作設(shè)計(jì)民族特點(diǎn)的啟示和對(duì)本土動(dòng)畫動(dòng)作設(shè)計(jì)的思考。通過對(duì)各類民族藝術(shù)形式的借鑒,吸取傳統(tǒng)藝術(shù)的動(dòng)作元素,使動(dòng)作設(shè)計(jì)更加多樣化,創(chuàng)造出富有中國(guó)民族特色和底蘊(yùn)的動(dòng)作設(shè)計(jì)。本文通過研究大量的中外優(yōu)秀動(dòng)畫的動(dòng)作設(shè)計(jì),發(fā)掘出各國(guó)各民族在動(dòng)作設(shè)計(jì)上的本質(zhì)區(qū)別,引發(fā)了自己的深度思考,希望本文能夠給高校動(dòng)畫專業(yè)關(guān)于動(dòng)作設(shè)計(jì)方面的教學(xué)有一定的參考價(jià)值,對(duì)于本人畢業(yè)設(shè)計(jì)作品有一定的啟發(fā)、借鑒和理論指導(dǎo)意義,并且期盼能夠改變一些動(dòng)畫創(chuàng)作者對(duì)于傳統(tǒng)固定的動(dòng)作技術(shù)的依賴,創(chuàng)作出具有中國(guó)民族特點(diǎn)的動(dòng)作設(shè)計(jì),同時(shí)將獨(dú)具中華民族文化內(nèi)涵和特色的動(dòng)作設(shè)計(jì)運(yùn)用到新的動(dòng)畫影片中。這不僅對(duì)動(dòng)畫產(chǎn)業(yè)的發(fā)展至關(guān)重要,而且對(duì)中國(guó)民族文化的傳承、交流、發(fā)展都有重要的現(xiàn)實(shí)意義。
[Abstract]:Animation is the art of moving. Action design is a complex process of thinking in the whole process of animation creation and occupies a pivotal position. How to describe the motion in the form of animation, how to give the animation meaning, how to animate the action and how to convey the idea, showing the dramatic effect is the core of action design. At present, the importance of action design in Chinese animation films is often neglected, and the soul of the characters and the ideas to be expressed in the films are not reflected vividly through the actions, without the national characteristics and cultural details of their own. There is little research on how to design the unique action with Chinese national characteristics. In this paper, the ethnic characteristics of animation action design are deeply discussed and studied, and the animation action design is interpreted from the angle of nationality. The first chapter mainly describes the research background, the purpose of the topic, practical significance, domestic and foreign research status, put forward the main innovative points of the article, the second chapter describes the concept of animation action design, classification and role; The third chapter expounds the definition of action design with national characteristics, and analyzes and compares the differences, causes and influences of the national characteristics of action design among different countries and nationalities. Further study on the deep-rooted problem of action design with national characteristics. Chapter four analyzes the movements of national symbol, live-action, micro-phase, drama, song and dance, kung fu, nonsense, etc. The national action design is divided into three categories: characteristic, character and stylization, which makes the design of national action more diversified. The fifth chapter discusses the national characteristics of action design on the audience's shallow and deep psychological impact, on the impact of animation related links, such as lens movement, rhythm and style, animation scene design coordination, time control, etc. It also summarizes the enlightenment, popularization and entertainment function of cultural communication, and summarizes the inspiration of the national characteristics of action design and the thinking of local animation action design. By drawing lessons from various forms of national art, drawing on the action elements of traditional art, we can make the action design more diversified, and create the action design which is rich in Chinese national characteristics and inside information. By studying the action design of a large number of excellent animations at home and abroad, this paper finds out the essential differences in action design between different countries and nationalities, and causes their own deep thinking. I hope this paper can give some reference value to the teaching of action design for the animation major in colleges and universities, and has certain inspiration, reference and theoretical guidance significance for my graduation design works. And I hope to change the reliance of some animation creators on traditional fixed action techniques, and to create action designs with the characteristics of the Chinese nation. At the same time, the unique cultural connotation and characteristics of the Chinese nation action design is applied to the new animation film. This is not only of great importance to the development of animation industry, but also of practical significance to the inheritance, communication and development of Chinese national culture.
【學(xué)位授予單位】：武漢理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：J954
本文編號(hào)：2253621
[Abstract]:Animation is the art of moving. Action design is a complex process of thinking in the whole process of animation creation and occupies a pivotal position. How to describe the motion in the form of animation, how to give the animation meaning, how to animate the action and how to convey the idea, showing the dramatic effect is the core of action design. At present, the importance of action design in Chinese animation films is often neglected, and the soul of the characters and the ideas to be expressed in the films are not reflected vividly through the actions, without the national characteristics and cultural details of their own. There is little research on how to design the unique action with Chinese national characteristics. In this paper, the ethnic characteristics of animation action design are deeply discussed and studied, and the animation action design is interpreted from the angle of nationality. The first chapter mainly describes the research background, the purpose of the topic, practical significance, domestic and foreign research status, put forward the main innovative points of the article, the second chapter describes the concept of animation action design, classification and role; The third chapter expounds the definition of action design with national characteristics, and analyzes and compares the differences, causes and influences of the national characteristics of action design among different countries and nationalities. Further study on the deep-rooted problem of action design with national characteristics. Chapter four analyzes the movements of national symbol, live-action, micro-phase, drama, song and dance, kung fu, nonsense, etc. The national action design is divided into three categories: characteristic, character and stylization, which makes the design of national action more diversified. The fifth chapter discusses the national characteristics of action design on the audience's shallow and deep psychological impact, on the impact of animation related links, such as lens movement, rhythm and style, animation scene design coordination, time control, etc. It also summarizes the enlightenment, popularization and entertainment function of cultural communication, and summarizes the inspiration of the national characteristics of action design and the thinking of local animation action design. By drawing lessons from various forms of national art, drawing on the action elements of traditional art, we can make the action design more diversified, and create the action design which is rich in Chinese national characteristics and inside information. By studying the action design of a large number of excellent animations at home and abroad, this paper finds out the essential differences in action design between different countries and nationalities, and causes their own deep thinking. I hope this paper can give some reference value to the teaching of action design for the animation major in colleges and universities, and has certain inspiration, reference and theoretical guidance significance for my graduation design works. And I hope to change the reliance of some animation creators on traditional fixed action techniques, and to create action designs with the characteristics of the Chinese nation. At the same time, the unique cultural connotation and characteristics of the Chinese nation action design is applied to the new animation film. This is not only of great importance to the development of animation industry, but also of practical significance to the inheritance, communication and development of Chinese national culture.
【學(xué)位授予單位】：武漢理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：J954
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