從電影《湄公河行動》看主旋律題材的商業(yè)化制作
發(fā)布時間:2018-03-04 07:35
本文選題:個體情感 切入點:人物形象 出處:《當(dāng)代電視》2017年05期 論文類型:期刊論文
【摘要】:正在《從你的全世界路過》、《爵跡》等熱點IP面前,2016年國慶檔上映的具有主旋律色彩的電影《湄公河行動》取得了口碑與票房的雙突破,成為國慶檔的一匹黑馬。在改編自"10·5湄公河慘案"的該片中,導(dǎo)演林超賢延續(xù)了"槍戰(zhàn)加情義"的一貫風(fēng)格,通過動作場面及人物形象的創(chuàng)新,為當(dāng)今的華語電影提供了主旋律題材商業(yè)化制作的新思路。一、孤勇英雄:強調(diào)個體情感及角色個性化《湄公河行動》的真實案件發(fā)生于2011年,湄公河水
[Abstract]:In front of "passing by from your World", "Visitor" and other hot IP spots, on 2016, the main theme movie, "Action Mekong", which was released in the National Day Files, made a breakthrough both in word of mouth and at the box office. Became a dark horse in the National Day file. In the film adapted from the October 5 Mekong Massacre, director Lin Chao-hsien continued the consistent style of "gunfight and love and righteousness," innovating through action scenes and character images. It provides a new way to commercialize the theme of Chinese movies. First, Guyong hero: the real case of emphasizing individual emotion and personalization of action Mekong occurred in 2011, Mekong river water
【作者單位】: 河北師范大學(xué)新聞傳播學(xué)院;
【基金】:河北師范大學(xué)教改研究項目“廣告學(xué)專業(yè)實訓(xùn)課程教學(xué)改革模式研究”的成果之一,課題編號:2015XJJG031
【分類號】:J905
,
本文編號:1564758
本文鏈接:http://sikaile.net/wenyilunwen/dianyingdianshilunwen/1564758.html
教材專著