本文關鍵詞： 紀錄片 審美 教育　出處：《河北大學》2014年碩士論文　論文類型：學位論文

【摘要】：紀錄片被譽為人類的“生存之境”。它是一種紀實美和藝術美兼?zhèn)涞乃囆g表現(xiàn)方式，，也是一種對歷史表現(xiàn)手法和自身觀念的外在表現(xiàn)。主要用真實的手段記錄身邊的真人真事，以此來表達一個思想或主題。作為“舶來品”的紀錄片，傳入我國已經(jīng)有很長時間了。但其發(fā)展一直不能盡如人意。直到后來開始在電視熒屏播放，紀錄片又重新開始發(fā)展。 《鄉(xiāng)村里的中國》這部紀錄片，是導演焦波在《俺爹俺娘》和汶川地震紀錄系列作品后的又一部重要作品，獲得了第15屆中國電影華表獎紀錄片大獎等數(shù)個大獎。這是一部鄉(xiāng)村題材的紀錄片，關注農(nóng)民自然淳樸的生存狀態(tài)；關注農(nóng)民干凈純潔的內(nèi)心世界；關注農(nóng)業(yè)令人擔憂的發(fā)展現(xiàn)狀。其對農(nóng)村未來發(fā)展的期待給人溫暖�！多l(xiāng)村里的中國》追求的風格是當下已經(jīng)不再受人追捧的紀實美學。以沂蒙山區(qū)的杓裕村為拍攝樣本，通過373天不間斷的跟蹤拍攝，記錄當?shù)乩习傩盏恼鎸嵣�，拿到的都是第一手資料。整部作品樸素而充滿張力，內(nèi)容平實而又豐富多彩，深刻描繪了當下中國農(nóng)村的生活全景。這部紀錄片《鄉(xiāng)村里的中國》是當時國家廣電局電影局的“命題作文”，一直擱置五年，最終焦波接下了這個任務焦波說：“有這個村莊，就有安放鄉(xiāng)愁的地方�！庇纱丝梢�，這是一部特別有分量的紀錄片。 《鄉(xiāng)村里的中國》這部紀錄片，在我的論文成型初期的時候處于試映的階段，今年清明節(jié)時候在紀錄片拍攝地山東淄博首次公映，根據(jù)我的搜索，截至目前在國內(nèi)還沒有對紀錄片《鄉(xiāng)村里的中國》的研究性論文，大部分都是這部紀錄片的觀后感或?qū)δ承┚唧w內(nèi)容的評析。我試圖通過自己所學知識進行研究。本文分為四個章節(jié)，第一個章節(jié)會介紹導演焦波及其主要作品，紀錄片的發(fā)展現(xiàn)狀及創(chuàng)作；第二章簡要對《鄉(xiāng)村里的中國》這部紀錄片進行介紹，會談到這部紀錄片的拍攝團隊、拍攝背景等。在視聽語言方面會涉及到畫面、聲音和蒙太奇等三個方面；第三章會將分析這部紀錄片的審美價值，會從真實之美、和諧之美、思考之美、語言之美、即興之美等多個角度對這部紀錄片進行研究；第四章介紹這部紀錄片的教育價值，會從紀錄片的教育功能以及紀錄片的教育特性等角度進行研究，并在這一章對這部紀錄片進行反思。希望能通過本文對這部紀錄片的分析，能讓更多的人真切的意識到，紀錄片所具有藝術教育功能的重要性，通過紀錄片這種教育媒介，讓更多人接收到藝術教育。另外，在當下浮躁的社會環(huán)境中，能有這樣的一部紀錄片出現(xiàn)，是非常難得可貴的。希望通過本文的研究，能夠直接或間接的引起更多人對農(nóng)村、農(nóng)業(yè)、農(nóng)民的關注。
[Abstract]:Documentary film is known as the "state of existence" of human beings. It is a kind of artistic expression with both documentary and artistic beauty. It is also a kind of external expression of the historical expression technique and its own concept. It mainly uses the real means to record the real events around it to express a thought or theme. It has been introduced to China for a long time, but its development has not been satisfactory. "China in the country" this documentary is another important work of director Jiao Bo after "my father and mother" and Wenchuan earthquake record series works. Won the 15th China Film Award documentary Award and several other awards. This is a rural theme documentary, concerned about the natural and simple living state of farmers; Pay attention to the clean and pure inner world of farmers; Focus on the worrisome development of agriculture. Its expectations for the future development of rural areas give people warm. "China in the country" pursuit of the style is now no longer popular documentary aesthetics. Take a sample. Through 373 days of continuous tracking shooting, record the real life of local people, get the first-hand information. The whole work is simple and full of tension, the content is plain and rich and colorful. This documentary, "China in the country", was a "propositional composition" by the Film Bureau of the State Administration of Radio, Film and Television at that time, and had been shelved for five years. Finally, Jiao Bo took over the task and said, "if there is this village, there is a place for homesickness." thus, this is a particularly important documentary. "China in the country" this documentary, in the early days of my thesis is in the trial stage, this year Ching Ming Festival in the documentary shooting in Zibo, Shandong Province for the first time, according to my search. Up to now, there is no research paper on documentary "China in the country" in China. Most of them are the reflection of the documentary or the analysis of some specific content. I try to study through my own knowledge. This article is divided into four chapters, the first chapter will introduce the director Jiao Bo and his main works. The development and creation of documentary; The second chapter briefly introduces the documentary "China in the country", will talk about the documentary shooting team, shooting background and so on. In audio-visual language, it will involve three aspects: picture, sound and montage. The third chapter will analyze the aesthetic value of the documentary, will be from the true beauty, the beauty of harmony, the beauty of thinking, the beauty of language, the beauty of improvisation and other aspects of the documentary will be studied; Chapter 4th introduces the educational value of this documentary, and will study from the educational function and educational characteristics of the documentary. And in this chapter to reflect on this documentary. Hope that through the analysis of this documentary, can let more people realize the importance of art education. Through documentary this educational medium, let more people receive art education. In addition, in the current impetuous social environment, there can be such a documentary. Through the research of this paper, I hope to arouse more people's attention to the countryside, agriculture and farmers directly or indirectly.
【學位授予單位】：河北大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J952

【參考文獻】

相關期刊論文 前1條

1 李紅兵;試論紀錄片的審美價值[J];江漢大學學報;1999年05期

本文編號：1448975