本文選題：宜春院 + 居住地點(diǎn)��； 參考：《青海社會(huì)科學(xué)》2017年04期

【摘要】：唐玄宗時(shí)期的"宜春院"為御前樂(lè)舞機(jī)構(gòu)之一,其樂(lè)伎全為女性,主要伎藝為歌唱與舞蹈,是宮廷(即國(guó)家層面)燕饗娛樂(lè)性樂(lè)舞的最高水平。但其相關(guān)史料卻零散而不成系統(tǒng)。通過(guò)耙梳、排比唐史載籍,方能對(duì)其有比較完整的了解:"宜春院"始于唐玄宗即位之初,隸屬于宮廷樂(lè)舞機(jī)構(gòu)"教坊"系統(tǒng)(由宦官首領(lǐng)充任的"教坊使"掌管),而非太常系統(tǒng)樂(lè)舞機(jī)構(gòu);"宜春院"女伎(內(nèi)人)選自宮外左、右教坊和地方州縣"太常音聲人"之伎藝杰出者;其個(gè)人待遇,因伎藝水平高下而有明顯差別;"宜春院"的存續(xù)時(shí)間與唐玄宗朝相始終,因"安史之亂"爆發(fā)而戛然"休止"。
[Abstract]:Yichun Yuan in Tang Xuanzong period was one of the music and dance organizations of imperial court, whose music and dance were all female, and the main skill was singing and dancing, which was the highest level of entertainment music and dance in court (that is, at the national level). But its related historical materials are scattered and not systematic. Only by combing and comparing the records of Tang history can we have a more complete understanding of it: "Yichun Yuan" began at the beginning of the reign of Xuanzong in the Tang Dynasty. Belonging to the court music and dance organization "Jiefang" system (the "teacher's emissary", who is the chief eunuch, is in charge of the music and dance organization rather than the usual one, and the "Yichun Yuan" female (wife) is chosen from the left side of the palace. Right religious Square and local prefectures and counties "Taichonsheng Man" outstanding performance; their personal treatment, due to the high level of the performance of the different; "Yichun Yuan" of the survival time and Tang Xuanzong all the time, because of the outbreak of "Anshi Rebellion" and suddenly "stop."
【作者單位】： 陜西學(xué)前師范學(xué)院音樂(lè)系;西安文理學(xué)院;
【分類(lèi)號(hào)】：J609.2;K242.2

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本文編號(hào)：2013413