清代瓊黎圖研究
發(fā)布時間：2019-06-11 12:40
【摘要】：中國黎族人口125萬,世居海南島,擁有悠久的歷史和燦爛的海洋文化,但因沒有本民族文字而在現(xiàn)代遭受文化流失最多。 瓊黎圖是清代官方為掌握“黎情”而繪制的黎族風(fēng)俗的圖畫,構(gòu)成清代少數(shù)民族圖冊的一個獨具特色的系列,民族學(xué)價值極高。 本文從圖像學(xué)角度研究已知存世清代瓊黎圖,在梳理瓊黎圖研究成果的基礎(chǔ)上,利用各種歷史文獻(xiàn)及民族學(xué)調(diào)查資料,運用歷史民族學(xué)理論方法,重點對瓊黎圖成書的時間和歷史背景以及重大的史料價值進(jìn)行考釋,同時運用人類學(xué)中的文化象征理論對瓊黎圖與黎族非物質(zhì)文化遺產(chǎn)的關(guān)系進(jìn)行描述和闡釋。 論文分為六個部分,第一部分是緒論,最后一部分是結(jié)語,中間四部分是正文,分四章。 緒論部分簡要交代論文的選題緣由及意義,概述瓊黎圖研究狀況,明確論文研究所采用的理論和方法。 第一章分析瓊黎圖產(chǎn)生背景,概述存世五種瓊黎圖版本,即國博本《瓊州海黎圖》、民大本《瓊州黎族風(fēng)俗圖說》、中山本《瓊黎一覽圖》、新鄉(xiāng)本《瓊黎風(fēng)俗圖》、臺北本《黎人風(fēng)俗圖》,并對瓊黎圖研究的學(xué)術(shù)史進(jìn)行系統(tǒng)的綜述。 第二章重點對《瓊州黎族風(fēng)俗圖說》進(jìn)行考釋。通過對其圖文記述,考釋黎峒由來變化,具體圍繞史料記載對比考釋熟黎村峒和生黎村峒,特別是通過考釋中心黎峒——沖山,論證了沖山就是今天的五指山市通什鎮(zhèn)。 第三章重點對《瓊州海黎圖》和《瓊黎一覽圖》進(jìn)行深入考釋。具體通過山嶺、湖水港口、服飾等,結(jié)合史料記載對比研究,論證其成書年代和歷史背景,認(rèn)為《瓊州海黎圖》、《瓊州黎族風(fēng)俗圖說》的瓊黎圖屬于一個系列,繪制時間應(yīng)在清代康熙四十二年至四十七年(1703-1708)和雍正七年(1729)；而《瓊黎一覽圖》、《瓊黎風(fēng)俗圖》、《黎人風(fēng)俗圖》系同出一源,繪制時間應(yīng)在乾隆后期以后,新鄉(xiāng)本《瓊黎風(fēng)俗圖》系偽造的改繪本,成書時間為晚清。 第四章討論瓊黎圖在黎族歷史遺產(chǎn)中所起到的作用,通過對現(xiàn)今黎族國家級非物質(zhì)文化遺產(chǎn)的描述和分析,指出瓊黎圖中所表現(xiàn)的圖像——黎錦、船型屋等已成為黎族文化的象征。 結(jié)語部分對文章的主要研究內(nèi)容、觀點和結(jié)論進(jìn)行回顧和總結(jié),指出了瓊黎圖研究的意義：在海南黎族社會文化經(jīng)過近百年劇烈變遷,傳統(tǒng)物質(zhì)文化受到巨大沖擊,而民族文化重建及文化產(chǎn)業(yè)要為當(dāng)?shù)匕l(fā)展承擔(dān)重任的背景下,瓊黎圖研究成果與民間非物質(zhì)文化遺產(chǎn)的結(jié)合,可以為文化復(fù)興提供重要的依據(jù)和動力。
[Abstract]:China's Li nationality, with a population of 1.25 million and living on Hainan Island, has a long history and splendid marine culture, but it has suffered the most cultural loss in modern times because of the absence of its own characters. Qionglitu is a picture of Li nationality customs drawn by the Qing Dynasty officials in order to master "Li emotion". It constitutes a unique series of minority atlas in Qing Dynasty, and the value of ethnography is very high. This paper studies Qionglitu in the Qing Dynasty from the perspective of image science. On the basis of combing the research results of Qionglitu, using various historical documents and ethnographic investigation data, and using the theoretical method of historical ethology, This paper focuses on the time, historical background and important historical value of Qionglitu's book, and describes and explains the relationship between Qionglitu and Li's intangible cultural heritage by using the theory of cultural symbolism in anthropology. The paper is divided into six parts, the first part is the introduction, the last part is the conclusion, the middle four parts are the main body, divided into four chapters. The introduction briefly explains the reason and significance of the topic selection, summarizes the research situation of Qionglitu, and clarifies the theory and method used in the research. In the first chapter, the background of Qiongli map is analyzed, and five versions of Qiongli chart are summarized, that is, Qiongzhou Haili chart, Qiongzhou Li custom map, Zhongshan Ben Qiongli list map, Xinxiang Ben Qiongli custom chart, Qiongli custom chart, Taipei is a book of Li people's customs, and a systematic review of the academic history of Qionglitu's research is made. The second chapter focuses on the interpretation of Qiongzhou Li Custom Map Theory. Through the description of its picture and text, the origin of Li Tong is studied, and it is proved that Chong Shan is today's Tongshi Town of Wuzhishan City by comparing the historical records between Li Cun Tong and Sheng Li Cun Tong, especially through the examination and interpretation center, Li Tong, Chong Shan, and proves that Chong Shan is Tongshi Town of Wuzhishan City today. The third chapter focuses on Qiongzhou Haili chart and Qiongli list chart. Through the comparative study of mountains, lake ports, clothing and so on, combined with the comparative study of historical records, this paper demonstrates the age and historical background of the book, and holds that the Qiongli chart of Qiongzhou Haili and Qiongzhou Li custom map belongs to a series. The drawing time should be from 42 to 47 years of Kangxi in Qing Dynasty (1703 / 1708) and seven years of Yongzheng (1729). The picture of Qiongli, Qiongli and Li is the same source, and the drawing time should be after the late Qianlong period, and Xinxiang Ben Qiongli Custom Map should be a forged picture book, and the time of writing the book should be in the late Qing Dynasty. The fourth chapter discusses the role of Qionglitu in the historical heritage of Li nationality. Through the description and analysis of the national intangible cultural heritage of Li nationality, it points out that the image shown in Qiongli map is Li Jin. Boat houses and so on have become a symbol of Li culture. The conclusion part reviews and summarizes the main research contents, viewpoints and conclusions of the article, and points out the significance of the study of Qionglitu: after nearly a hundred years of drastic changes in the social culture of the Li nationality in Hainan, the traditional material culture has been greatly impacted. Under the background that the reconstruction of national culture and the cultural industry should bear the important task for the local development, the combination of the research results of Qionglitu and the intangible cultural heritage of the people can provide an important basis and motive force for the cultural rejuvenation.
【學(xué)位授予單位】：中央民族大學(xué)
【學(xué)位級別】：博士
【學(xué)位授予年份】：2011
【分類號】：K28
本文編號：2497196
[Abstract]:China's Li nationality, with a population of 1.25 million and living on Hainan Island, has a long history and splendid marine culture, but it has suffered the most cultural loss in modern times because of the absence of its own characters. Qionglitu is a picture of Li nationality customs drawn by the Qing Dynasty officials in order to master "Li emotion". It constitutes a unique series of minority atlas in Qing Dynasty, and the value of ethnography is very high. This paper studies Qionglitu in the Qing Dynasty from the perspective of image science. On the basis of combing the research results of Qionglitu, using various historical documents and ethnographic investigation data, and using the theoretical method of historical ethology, This paper focuses on the time, historical background and important historical value of Qionglitu's book, and describes and explains the relationship between Qionglitu and Li's intangible cultural heritage by using the theory of cultural symbolism in anthropology. The paper is divided into six parts, the first part is the introduction, the last part is the conclusion, the middle four parts are the main body, divided into four chapters. The introduction briefly explains the reason and significance of the topic selection, summarizes the research situation of Qionglitu, and clarifies the theory and method used in the research. In the first chapter, the background of Qiongli map is analyzed, and five versions of Qiongli chart are summarized, that is, Qiongzhou Haili chart, Qiongzhou Li custom map, Zhongshan Ben Qiongli list map, Xinxiang Ben Qiongli custom chart, Qiongli custom chart, Taipei is a book of Li people's customs, and a systematic review of the academic history of Qionglitu's research is made. The second chapter focuses on the interpretation of Qiongzhou Li Custom Map Theory. Through the description of its picture and text, the origin of Li Tong is studied, and it is proved that Chong Shan is today's Tongshi Town of Wuzhishan City by comparing the historical records between Li Cun Tong and Sheng Li Cun Tong, especially through the examination and interpretation center, Li Tong, Chong Shan, and proves that Chong Shan is Tongshi Town of Wuzhishan City today. The third chapter focuses on Qiongzhou Haili chart and Qiongli list chart. Through the comparative study of mountains, lake ports, clothing and so on, combined with the comparative study of historical records, this paper demonstrates the age and historical background of the book, and holds that the Qiongli chart of Qiongzhou Haili and Qiongzhou Li custom map belongs to a series. The drawing time should be from 42 to 47 years of Kangxi in Qing Dynasty (1703 / 1708) and seven years of Yongzheng (1729). The picture of Qiongli, Qiongli and Li is the same source, and the drawing time should be after the late Qianlong period, and Xinxiang Ben Qiongli Custom Map should be a forged picture book, and the time of writing the book should be in the late Qing Dynasty. The fourth chapter discusses the role of Qionglitu in the historical heritage of Li nationality. Through the description and analysis of the national intangible cultural heritage of Li nationality, it points out that the image shown in Qiongli map is Li Jin. Boat houses and so on have become a symbol of Li culture. The conclusion part reviews and summarizes the main research contents, viewpoints and conclusions of the article, and points out the significance of the study of Qionglitu: after nearly a hundred years of drastic changes in the social culture of the Li nationality in Hainan, the traditional material culture has been greatly impacted. Under the background that the reconstruction of national culture and the cultural industry should bear the important task for the local development, the combination of the research results of Qionglitu and the intangible cultural heritage of the people can provide an important basis and motive force for the cultural rejuvenation.
【學(xué)位授予單位】：中央民族大學(xué)
【學(xué)位級別】：博士
【學(xué)位授予年份】：2011
【分類號】：K28
【參考文獻(xiàn)】
相關(guān)期刊論文 前1條
1 祁慶富,馬曉京;黎族織錦蛙紋紋樣的人類學(xué)闡釋[J];民族藝術(shù);2005年01期
，本文編號：2497196
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