本文選題：高龍 + 非物質(zhì)文化遺產(chǎn)　； 參考：《華中師范大學(xué)》2011年碩士論文

【摘要】：元宵節(jié)又稱“燈節(jié)”,舞龍燈是節(jié)日中一項古老的民間傳統(tǒng)活動。民間舞龍的習(xí)俗由來已久,每個地域都有自己的特色龍舞,大體可以分為不僅燃燭類和不燃燭類這兩類。武漢大部分地區(qū)流行至今的大多是滾龍,又叫布龍,屬于不燃燭的舞龍,在武漢漢陽區(qū)則盛行高龍,屬于燃燭類。在漢陽區(qū)永豐鄉(xiāng)曾經(jīng)有二十七堡半舞高龍的熱鬧景致�！拔椠埵窃谏瞎拧涔Χǖ渷y’、‘文德致太平’,古代春祈秋報,今日傳承文化遺產(chǎn),展現(xiàn)文化魅力的流變中順應(yīng)和滿足人們多種需要而產(chǎn)生和發(fā)展起來的一種特殊文化形態(tài)�！雹佼�(dāng)下的高龍民俗,更多的是為了增添節(jié)日歡快的氣氛,而且是人們祈愿新年里保佑美好愿望實現(xiàn),寄托了當(dāng)?shù)匕傩掌砬笃桨步】�、來年豐收的樸素心愿。 武漢高龍,是以祈福求祥為主題的元宵節(jié)民俗活動項目,每年農(nóng)歷正月初三之后開始扎制龍燈,正月十一出龍、舞龍燈,正月十五晚“化龍”,送龍神上天,具有深厚的文化內(nèi)涵。武漢高龍,在制作工藝上為手工扎制,工藝考究；在傳承方式上,主要靠口授心傳,傳承譜系呈縱向直線式特點,現(xiàn)在已被收錄進(jìn)第二批國家級非物質(zhì)文化遺產(chǎn)名錄。 本文通過對武漢高龍的田野考察,介紹它的活動內(nèi)容和儀式流程,試圖從文化研究的角度來分析其儀式的內(nèi)涵和價值,以及傳承發(fā)展的現(xiàn)狀和原因探析,進(jìn)而探討這一舞龍習(xí)俗未來發(fā)展的相關(guān)問題。 第一章“武漢高龍的背景和意義”,介紹筆者選題緣由、中國舞龍研究現(xiàn)狀。第二章“武漢高龍的文化生態(tài)”,介紹高龍流傳盛行地的自然環(huán)境和人文環(huán)境,以及傳統(tǒng)文化生態(tài)和現(xiàn)代文化生態(tài)。第三章“武漢高龍的生存現(xiàn)狀和傳承狀態(tài)”,對武漢高龍的形式等基本內(nèi)容和活動中相關(guān)儀式流程,以及節(jié)日體系、節(jié)日組織作出闡釋與分析。第四章“武漢高龍的傳承與保護(hù)”,側(cè)重于探尋武漢高龍關(guān)于民間傳說、節(jié)日風(fēng)俗和龍神信仰的起源,探討武漢高龍的學(xué)術(shù)價值、工藝價值、觀賞價值、社會價值和體育價值,在社會轉(zhuǎn)型進(jìn)程中,意識形態(tài),民俗信仰的變化影響著武漢高龍的傳承流變,最后對武漢高龍作為非物質(zhì)文化遺產(chǎn)的保護(hù)與傳承做出預(yù)想性建議。
[Abstract]:Lantern Festival, also known as Lantern Festival, Dragon Lantern Dance is an ancient folk tradition.The custom of folk dance dragon has a long history. Each region has its own characteristic dragon dance, which can be divided into two categories: not only candle and non-candle.Up to now, most of Wuhan's popular dragon, also known as Brong, belong to the non-burning candle dance dragon, in Wuhan Hanyang District is popular Gaolong, belong to the candle class.In Hanyang District Yongfeng Township once had a lively scene of 27 castle and half dance Gaolong."the dragon dance was in ancient times, 'martial arts, disaster, chaos,' to peace, ancient Spring Prayer and Autumn newspaper, today inheriting the cultural heritage,The evolution of cultural charm is a special form of culture formed and developed to meet and satisfy people's various needs. "(1) the present high dragon folklore is more to add to the festive atmosphere," he said.And people pray for the New year to bless the realization of good wishes, relying on the local people pray for peace and health, the next year's simple wish for harvest.Wuhan Gaolong, a folk custom activity with the theme of praying for blessing and seeking Xiang, begins to set up dragon lanterns after the third day of the first lunar month every year. On the eleventh day of the first lunar month, after dragon dancing, on the 15th night of the first month, the dragon is "transformed into the dragon" and sent to heaven by the dragon god.It has profound cultural connotation.Wuhan Gaolong, in the production technology for manual binding, the process of research; in the way of inheritance, mainly by dictating heart, inheritance lineal characteristics, has been included in the second batch of national intangible cultural heritage list.Through the field investigation of Gaolong in Wuhan, this paper introduces its activity content and ritual process, and tries to analyze the connotation and value of its ritual from the perspective of cultural research, as well as the present situation and reasons of its inheritance and development.Then discusses the future development of this dragon dance customs related issues.The first chapter, "the background and significance of Wuhan Gaolong", introduces the reason of choosing this topic and the present situation of Chinese dragon dance research.Chapter two, "Cultural Ecology of Gaolong in Wuhan", introduces the natural environment and humanistic environment of Gaolong's spreading place, as well as traditional cultural ecology and modern cultural ecology.The third chapter, "the status quo of existence and inheritance of Wuhan Gaolong", explains and analyzes the basic contents of the form of Wuhan Gaolong and the ritual process in the activities, as well as the festival system and festival organization.The fourth chapter, "inheritance and protection of Wuhan Gaolong", focuses on exploring the origin of Wuhan Gaolong's folklore, festival custom and dragon god belief, discussing the academic value, craft value, ornamental value, social value and sports value of Wuhan Gaolong.In the process of social transformation, the changes of ideology and folk beliefs affect the inheritance of Wuhan Gaolong. Finally, the author makes some preconceived suggestions on the protection and inheritance of Wuhan Gaolong as an intangible cultural heritage.
【學(xué)位授予單位】：華中師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：K892.4

【引證文獻(xiàn)】

相關(guān)期刊論文 前4條

1 李其名;;從鄉(xiāng)村儀式到文化景觀:洋蛇燈習(xí)俗的文化人類學(xué)解讀[J];江淮論壇;2012年03期

2 張娟;周紅萍;張華江;;新農(nóng)村建設(shè)與漢水流域民俗體育發(fā)展互動研究[J];南京體育學(xué)院學(xué)報(社會科學(xué)版);2013年01期

3 張娟;周紅萍;張華江;;新農(nóng)村建設(shè)與漢水流域民俗體育發(fā)展互動研究[J];南京體育學(xué)院學(xué)報(社會科學(xué)版);2013年02期

4 張娟;;漢水流域民俗體育發(fā)展研究[J];體育文化導(dǎo)刊;2013年02期

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