【摘要】：中國素有"瓷國"之稱,中國瓷器自唐代以來就開始成為中國對外貿(mào)易的最主要產(chǎn)品,在世界各國享有盛譽。宋代特別是南宋以后,位于浙江龍泉市的龍泉窯憑借其優(yōu)越的自然條件和便利的水利運輸條件,發(fā)展成規(guī)模龐大的名窯,產(chǎn)品不僅供國內(nèi)使用,而且遠銷海外各國。本文擬以浙江龍泉窯青瓷為研究對象,在宋、元、明時期中日兩國貿(mào)易往來的背景下,探討龍泉窯青瓷東傳日本的過程及其在中日文化交流史上發(fā)揮的重要作用。本文由引言、正文第一至第四章和結(jié)論構(gòu)成。引言部分,對龍泉窯青瓷相關(guān)先行研究進行梳理,闡明選題內(nèi)容、意義以及研究方法。第一章,從龍泉窯青瓷的發(fā)展、中日貿(mào)易的興盛、中日禪茶文化的交流三個方面對中日龍泉窯青瓷交流的背景進行論述。第二章,分為兩個小節(jié)對龍泉窯青瓷的東傳日本進行論述。第一節(jié)是龍泉窯青瓷出口日本的港口、路線;第二節(jié)是龍泉窯青瓷出口日本的途徑,包括民間貿(mào)易、寺社造營料唐船貿(mào)易和僧侶活動。第三章,闡述各個歷史時期出口日本的龍泉窯青瓷情況,主要分為初期龍泉窯青瓷階段、蓮瓣紋碗和砧青瓷階段、天龍寺青瓷階段、粗制碗類階段。第四章,論述龍泉窯青瓷在日本社會的用途以及對日本制瓷業(yè)產(chǎn)生的影響。其中,用途主要包括作為生活用器、陳設(shè)用器、祭祀副葬用器以及其他作用的四個方面。探討龍泉窯青瓷在中日文化交流史上發(fā)揮的重要作用的同時,在一定程度上管窺日本吸收外來文化的特點。最后為結(jié)語部分。在總結(jié)正文論述的主要觀點的基礎(chǔ)上,客觀分析論文寫作中的不足之處,以待日后進一步地探討和研究。
[Abstract]:China is known as the "porcelain country". Since the Tang Dynasty, Chinese porcelain has become the most important product of China's foreign trade and enjoys a high reputation in the world. In the Song Dynasty, especially after the Southern Song Dynasty, Longquan Kiln, located in Longquan City, Zhejiang Province, developed into a large scale famous kiln by virtue of its superior natural conditions and convenient water transportation conditions. The products were not only used in China, but also exported to overseas countries. This paper takes Longquan Kiln celadon in Zhejiang Province as the research object, under the background of the trade between China and Japan in Song, Yuan and Ming dynasties, discusses the process of Longquan Kiln celadon passing east to Japan and its important role in the history of Sino-Japanese cultural exchange. This paper is composed of introduction, chapters 1 to 4 and conclusion. In the preface part, the related research of Longquan kiln celadon is combed to clarify the content, significance and research methods. The first chapter, from the development of Longquan kiln celadon, the prosperity of Sino-Japanese trade, the exchange of Zen tea culture between China and Japan to discuss the background of Sino-Japanese Longquan kiln celadon exchanges. The second chapter, divided into two sections of Longquan kiln celadon to discuss the eastward transmission of Japan. The first section is Longquan kiln celadon exported to Japan's port, route; the second section is Longquan kiln celadon exports to Japan, including folk trade, the temple society made materials Tang boat trade and monk activities. In the third chapter, the celadon of Longquan Kiln exported to Japan in each historical period is described. It is mainly divided into three stages: the initial stage of Longquan Kiln celadon, the stage of lotus petal bowl and anvil celadon, the stage of celadon of Tianlong Temple, and the stage of rough bowl. Chapter four discusses the use of Longquan kiln celadon in Japanese society and its influence on Japanese porcelain industry. Among them, the main uses include as a living apparatus, furnishing utensils, sacrificial funerary objects and other four aspects of the role. This paper probes into the important role of Longquan kiln celadon in the history of Sino-Japanese cultural exchange, and at the same time, to a certain extent, views the characteristics of Japan's absorption of foreign culture. The last part is the conclusion. On the basis of summing up the main points of the text, this paper objectively analyzes the shortcomings of the thesis writing, so as to be further explored and studied in the future.
【學(xué)位授予單位】：浙江工商大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J527;K103

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本文編號：2202208