發(fā)布時(shí)間：2018-06-27 06:20

  本文選題：時(shí)尚 + 傳媒��； 參考：《南京大學(xué)學(xué)報(bào)(哲學(xué)·人文科學(xué)·社會(huì)科學(xué))》2017年06期

【摘要】：從1672年《文雅信使》創(chuàng)刊直到19世紀(jì)末,以時(shí)尚雜志為主的法國(guó)傳播媒體,成功地引領(lǐng)了從巴黎到外省、從歐洲到美洲的時(shí)尚潮流。它們往往圖文并茂,集藝術(shù)創(chuàng)作、文學(xué)想象和印刷科技進(jìn)步于一身,成為新興資產(chǎn)階級(jí),尤其是中上層?jì)D女娛樂(lè)、社交和消費(fèi)的重要指南。作為一種知識(shí)生產(chǎn),時(shí)尚雜志將啟蒙思想和日常生活結(jié)合起來(lái),不僅推動(dòng)了法國(guó)時(shí)尚產(chǎn)業(yè)的蓬勃發(fā)展,而且培養(yǎng)了代表現(xiàn)代性的文化品味、階級(jí)認(rèn)同和性別重構(gòu),成為法國(guó)現(xiàn)代化過(guò)程中不容小覷的文化動(dòng)力。
[Abstract]:From 1672 to the end of the 19th century, the French media, dominated by fashion magazines, successfully led the fashion trend from Paris to the provinces, from Europe to the Americas. They are often picturesque, incorporating artistic creation, literary imagination and advances in printing technology, and have become an important guide for the emerging bourgeoisie, especially for upper-middle class women's entertainment, social and consumption. As a kind of knowledge production, fashion magazine combines enlightenment thoughts with daily life, which not only promotes the vigorous development of French fashion industry, but also cultivates the cultural taste, class identity and gender reconstruction that represent modernity. To become the French modernization process should not be underestimated the cultural momentum.
【作者單位】： 四川大學(xué)歷史文化學(xué)院;
【基金】：四川大學(xué)中青年學(xué)者高水平學(xué)術(shù)團(tuán)隊(duì)建設(shè)項(xiàng)目(Skgt201304) 四川大學(xué)美國(guó)研究中心2017年度課題(ASC201702) 四川省社會(huì)科學(xué)研究“十三五”規(guī)劃2017年度青年項(xiàng)目(SC17C023)
【分類號(hào)】：G206;K565.4
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本文編號(hào)：2072971