本文關(guān)鍵詞： 古埃及藝術(shù) 女性形象 審美取向 原因　出處：《河北師范大學(xué)》2010年碩士論文　論文類型：學(xué)位論文

【摘要】： 古埃及藝術(shù)獨(dú)特的創(chuàng)作風(fēng)格、高超的藝術(shù)水平至今令人折服\驚嘆。古埃及藝術(shù)以埃及宗教為基礎(chǔ),表現(xiàn)了他們對(duì)宇宙的理解,對(duì)人生的思考,為我們探尋這個(gè)神秘國(guó)度的精神內(nèi)核提供了直觀的依據(jù)。提起埃及文明,我們首先浮現(xiàn)在腦海中的,可能是巍峨的金字塔、神秘的斯芬克斯像,當(dāng)然還會(huì)有美艷的奈菲爾提提王后頭像。女性形象是古埃及藝術(shù)的重要因素,其審美取向是由社會(huì)、經(jīng)濟(jì)、宗教、原始思維和男性審美視角、正面律等因素綜合形成的。研究女性形象的審美取向,有助于我們更好地了解古埃及人的審美意識(shí)和思維方式,對(duì)埃及藝術(shù)有更加深刻的了解和把握。 本文以古埃及藝術(shù)中的女性形象為研究對(duì)象,從美學(xué)角度分析古埃及人的女性審美取向,并論述其形成原因。正文主要分為以下三部分: 第一部分為緒論,介紹了國(guó)內(nèi)外學(xué)者對(duì)古埃及女性藝術(shù)形象的研究概況和研究成果以及本文的創(chuàng)新與特色。 第二部分是本文的主體內(nèi)容,主要利用美學(xué)原理,分別從服飾的搭配、女性形態(tài)審美、空間布局與色彩取向三個(gè)方面對(duì)埃及藝術(shù)品進(jìn)行欣賞和分析。在對(duì)埃及藝術(shù)品的鑒賞中得出埃及人對(duì)服飾材質(zhì)追求自然美,服飾搭配追求和諧美,女性形體追求感性美,空間布局追求層次美,藝術(shù)色彩追求絢麗美等審美取向的結(jié)論。分析過(guò)程中使用大量圖片,圖文并茂地論述了古埃及藝術(shù)中女性形象的審美取向。 第三部分是原因分析。從社會(huì)經(jīng)濟(jì)、宗教文化、原始思維、男性審美視角和正面律等四個(gè)方面闡述古埃及女性形象審美取向的形成原因。論證了古埃及女性審美取向產(chǎn)生的原因是以古埃及女性擁有較為獨(dú)立的經(jīng)濟(jì)地位為基礎(chǔ),受到女神崇拜的影響。另外,古埃及人的思維方式受到原始思維的影響,使古埃及藝術(shù)呈現(xiàn)出較為原始稚拙的方面。最后,男性審美視角與古埃及藝術(shù)規(guī)則的變化與演進(jìn)直接決定古埃及藝術(shù)中女性形象獨(dú)特風(fēng)格的形成和固定。 第四部分是全文的結(jié)語(yǔ),對(duì)文章進(jìn)行提煉和升華。
[Abstract]:Ancient Egyptian art, with its unique artistic style and superb artistic level, is still amazing. Ancient Egyptian art, based on Egyptian religion, shows their understanding of the universe and their thinking of life. This provides an intuitive basis for us to explore the spiritual core of this mysterious country. When it comes to Egyptian civilization, the first thing that comes to mind is perhaps the towering pyramid, the mysterious Sphinx image. Of course, there will be beautiful images of Queen Nefertiti. Female image is an important factor in ancient Egyptian art, its aesthetic orientation is from the social, economic, religious, primitive thinking and male aesthetic perspective. The study of the aesthetic orientation of female images is helpful for us to better understand the aesthetic consciousness and mode of thinking of ancient Egyptians and to have a deeper understanding and grasp of Egyptian art. This article takes the female image in the ancient Egyptian art as the research object, analyzes the female aesthetic orientation of the ancient Egyptians from the angle of aesthetics, and discusses the reasons for its formation. The text is mainly divided into the following three parts: The first part is the introduction, introduces the domestic and foreign scholars on the ancient Egyptian female art image research survey and research results, as well as the innovation and characteristics of this paper. The second part is the main content of this article, mainly using the aesthetic principle, respectively from the dress collocation, female form aesthetic. The spatial layout and color orientation of Egyptian art appreciation and analysis. In the appreciation of Egyptian works of art, the Egyptian pursuit of natural beauty of clothing materials, clothing with the pursuit of harmonious beauty. The conclusion that the female body pursues the perceptual beauty, the space layout pursues the hierarchy beauty, the artistic color pursues the gorgeous beauty, and so on. In the analysis process, a large number of pictures are used. This paper discusses the aesthetic orientation of female image in ancient Egyptian art. The third part is the reason analysis. From the social economy, religious culture, primitive thinking. This paper expounds the forming reasons of the aesthetic orientation of female image in ancient Egypt from the angle of view of male aesthetics and the positive law, and proves that the reason for the aesthetic orientation of women in ancient Egypt is that the women in ancient Egypt have relatively independent economic status. Basic. In addition, the way of thinking of ancient Egyptians was influenced by primitive thinking, which made the ancient Egyptian art show a relatively primitive and naive aspect. The change and evolution of the male aesthetic perspective and the ancient Egyptian art rules directly determine the formation and fixation of the unique style of the female image in the ancient Egyptian art. Part 4th is the conclusion of the full text, refining and sublimation of the article.
【學(xué)位授予單位】：河北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：K411.21

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