本文選題：《開國五十年史》　切入點(diǎn)：明治日本　出處：《史學(xué)理論研究》2017年04期 　論文類型：期刊論文

【摘要】：日俄戰(zhàn)爭后,日本的國際地位和國內(nèi)環(huán)境發(fā)生了很大變化。戰(zhàn)爭獲勝使日本在帝國主義競爭中增強(qiáng)了自信,國內(nèi)出現(xiàn)了大國意識和帝國主義擴(kuò)張思想,既希望西方能認(rèn)同日本的國際地位,也希望成為亞洲的特權(quán)國,干涉中國的內(nèi)政。在這種情況下,日本各界精英都希望能以文化輸出的方式讓世界了解日本的變化,以圖塑造日本的積極形象。本文以大隈重信編纂的《開國五十年史》為例,分析日俄戰(zhàn)爭后日本對西方和中國進(jìn)行文化輸出的背景、內(nèi)容、模式以及在歐美和中國的反響,考察明治末期日本精英階層主導(dǎo)文化輸出所采取的思路,及其對日本的國際形象產(chǎn)生的影響。
[Abstract]:After the war between Japan and Russia, great changes took place in Japan's international status and domestic environment. The victory of the war made Japan more confident in the imperialist competition, with the emergence of a sense of great power and the idea of imperialist expansion in the country. It is hoped that the West will not only identify with Japan's international status, but also become a privileged country in Asia and interfere in China's internal affairs. Under such circumstances, the Japanese elite from all walks of life hope to let the world understand Japan's changes in the way of cultural exports. In order to create a positive image of Japan, this paper takes the History of the Founding of the Nation compiled by Yukuma Okuma as an example to analyze the background, content, mode and repercussions of Japan's cultural export to the West and China after the Japanese-Russian War. This paper examines the ideas adopted by the Japanese elite in the end of Meiji and their influence on the international image of Japan.
【作者單位】： 南開大學(xué)日本研究院;
【分類號】：K093.13

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本文編號：1587951