發(fā)布時(shí)間：2018-08-22 19:03

【摘要】：青年亞文化是指青年人用自己獨(dú)特的風(fēng)格和形式營(yíng)造出一個(gè)屬于他們自己的文化圈子,青年亞文化的誕生的發(fā)展往往也伴隨著對(duì)主流社會(huì)與主導(dǎo)性文化的不滿和抵抗,但其發(fā)展的結(jié)果在一定程度上與主導(dǎo)性文化形成融合。在不同的社會(huì)階段,青年亞文化有著不同的表現(xiàn)形態(tài)�；ヂ�(lián)網(wǎng)的發(fā)展叢生了許多新型的網(wǎng)絡(luò)青年亞文化樣態(tài)。也使得青年亞文化與主導(dǎo)性文化的關(guān)系在內(nèi)容和結(jié)構(gòu)上都產(chǎn)生了不用以往的變化。該研究以嗶哩嗶哩(bilibili)網(wǎng)站(以下簡(jiǎn)稱B站)為研究對(duì)象,使用了網(wǎng)絡(luò)觀察等作為研究方法,以霍爾的文化表征理論作為分析工具,對(duì)網(wǎng)絡(luò)青年亞文化展開(kāi)研究。迄今,B站已發(fā)展為國(guó)內(nèi)最大的年輕人潮流文化娛樂(lè)社區(qū)。通過(guò)對(duì)B站的發(fā)展歷程及特點(diǎn)的梳理,分析它背后的社區(qū)文化表現(xiàn)元素,并總結(jié)B站文化的青年亞文化特征,從而對(duì)網(wǎng)絡(luò)時(shí)代青年亞文化的形成、發(fā)展進(jìn)行較為具體的梳理和分析。通過(guò)研究發(fā)現(xiàn),以B站為代表的網(wǎng)絡(luò)青年亞文化的樣態(tài)及其發(fā)展具有以下特點(diǎn):首先,B站特有的狂歡等儀式來(lái)自是網(wǎng)絡(luò)青年的文化實(shí)踐,表現(xiàn)為互聯(lián)網(wǎng)時(shí)代的一種二次元文化。其次這種文化實(shí)踐在發(fā)展的過(guò)程中,首先呈現(xiàn)的是對(duì)于主導(dǎo)性文化的抵抗,繼而逐漸被主導(dǎo)性文化從意識(shí)形態(tài)、大眾文化和商業(yè)市場(chǎng)等多個(gè)層面進(jìn)行收編。第三,以B站為代表的網(wǎng)絡(luò)青年亞文化的表現(xiàn)樣態(tài),體現(xiàn)的是部分的網(wǎng)絡(luò)青年群體通過(guò)這種文化實(shí)踐,通過(guò)儀式化、風(fēng)格化,去展示自我,形成自我認(rèn)同,進(jìn)而尋找和建構(gòu)群體認(rèn)同的過(guò)程。
[Abstract]:Youth subculture refers to young people using their own unique style and form to create their own cultural circle. The birth and development of youth subculture is often accompanied by dissatisfaction and resistance to mainstream society and dominant culture. However, the result of its development is to some extent integrated with dominant culture. In different social stages, youth subculture has different forms of expression. The development of the Internet has produced a lot of new sub-cultural patterns of internet youth. It also makes the relationship between youth subculture and dominant culture change in content and structure. In this study, Beili (bilibili) (hereinafter referred to as bilibili) as the research object, using the network observation as the research method, Hall's theory of cultural representation as an analysis tool, the study of online youth subculture. Up to now, station B has developed into the largest cultural entertainment community for young people. Through combing the development course and characteristics of bilibili, this paper analyzes the elements of community culture expression behind it, and summarizes the youth subcultural characteristics of bilibili culture, so as to form the youth subculture in the network age. The development carries on the more concrete combing and the analysis. Through the research, it is found that the appearance and development of the network youth subculture, represented by bilibili, has the following characteristics: firstly, the special carnival ceremony of station B comes from the cultural practice of the network youth, which is manifested as a kind of quadratic element culture in the Internet age. Secondly, in the process of development of this kind of cultural practice, it first presents resistance to dominant culture, and then it is gradually incorporated into dominant culture from ideology, mass culture and commercial market. Third, the performance of the subculture of Internet youth, represented by bilibili, reflects part of the network youth group through this cultural practice, through ritualized, stylized, to show themselves, to form a self-identity, And then find and construct the process of group identification.
【學(xué)位授予單位】：鄭州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：C912.6

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本文編號(hào)：2198026