本文選題：非誠勿擾 + 性別氣質(zhì)��； 參考：《蘇州大學(xué)》2011年碩士論文

【摘要】：《非誠勿擾》的熱播與它特殊的性別展現(xiàn)方式之間有著重要的聯(lián)系,通過授權(quán),它在形式上打破了傳統(tǒng)的性別權(quán)力結(jié)構(gòu),在這樣的新形式中,女性游戲參與者雜糅的性別氣質(zhì)對(duì)父權(quán)制產(chǎn)生了冒犯。但是,女性形象顛覆式的媒介呈現(xiàn)與真實(shí)的日常生活間依然存在著距離,它們實(shí)際上只是商業(yè)系統(tǒng)和文化工業(yè)合謀所制造出來的時(shí)尚與性別奇觀。這些新的形象、形式,與性別政治或先鋒藝術(shù)給我們帶來的美學(xué)革命是不一樣的,其最大的特征并非是超越性,而是商業(yè)性。 所以,在本文的論述中,筆者將分析這些性別形象呈現(xiàn)中所包含的雜糅的性別氣質(zhì),研究其中的消費(fèi)機(jī)制和意義生產(chǎn)機(jī)制,并試圖探討這樣的消費(fèi)與社會(huì)性別重構(gòu)之間的關(guān)系。
[Abstract]:The popularity of "if you are the one" has an important connection with its particular way of showing gender, and through authorization, it formally breaks down the traditional gender power structure, in this new form, The mixed gender of female gamers offends patriarchy. However, there is still a distance between the subversive media presentation of female image and the real daily life. In fact, they are only fashion and gender wonders created by commercial system and cultural industry collusion. These new images and forms are different from the aesthetic revolution brought by gender politics or avant-garde art. Their greatest characteristic is not transcendence but commerce. Therefore, in this thesis, the author will analyze the mixed gender temperament contained in the gender images, study the consumption mechanism and meaningful production mechanism, and try to explore the relationship between such consumption and social gender reconstruction.
【學(xué)位授予單位】：蘇州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類號(hào)】：C913.14;G206

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 王海燕;婚戀交友類節(jié)目的品牌建設(shè)[D];山東大學(xué);2012年

，

本文編號(hào)：2082885