范鈞宏照片_范鈞宏研究.pdf 全文免費(fèi)在線閱讀
本文關(guān)鍵詞:范鈞宏研究,由筆耕文化傳播整理發(fā)布。
網(wǎng)友durian近日為您收集整理了關(guān)于范鈞宏研究的文檔,希望對(duì)您的工作和學(xué)習(xí)有所幫助。以下是文檔介紹: linked to his insistence onright views of opera,Besides these theoretical thinking,he sublimates his practice andwrites many adaptation notes about many of his own plays,usingmany various approaches to express his own creative expenence andexpound all aspects of opera adaptation:structure,language,pattern,singing arrangement and plot.A lot of his creative theories not onlyfollow Li Yu’S Dramatic Theory but also express more original views,which iS in accord with the Charactenstics of drama of the times.Fan Junhong is also an educatoh He often made lectures in China’Sfirst Institution of higher drama art school,Chinese Opera ResearchInstitute(the predecessor of the China Academy of Art),ChineseOpera I nstitute and many classes for advanced studies in someprovinces,especially the study groups in the fifties and sixties.Atpresent,most of his students are nationwide opera writers.In the1 980’S,he had students everywhere,most of whom have e thebackbone of the creative forces in the various operas.Sun Yuexia,the writer of Sichuan Opera,is the one.Wu Zunguang appraised Fan,saying that,誓The plays he has written arestructured,grace and fullof literary talent-What’S more,his plays are of great ingenuity.This ismainly because his profound knowledge in the drama.In recent years,he is always making lectures on the editing methods and editingtechniques in many colleges,which leaves a very valuable asset forUS and es a high level dramaturgy material.一4英文摘要As every knows,Fan Junhong is the excellent contemporaryChinese dramatist and theorist.【Key Words】 Fan Junhong Contemporary Play ContemporaryDramatic Theory[Type of Thesis]Foundation5山西師范大學(xué)學(xué)位論文2范鈞宏生平交游……………………………………………………………5 2.1范鈞宏生平…………………………………………………………………………………….5 2.2范鈞宏交游舉隅………………………………………………………………………………7 2.3范鈞宏一生劇作…………………………………………………………………………10 3范鈞宏的戲曲整理、改編、創(chuàng)作……………………………………13 3.1范鈞宏的戲曲整理………………………………………………………………………13 3.2范鈞宏的戲曲改編………………………………………………………………………14 3.3范鈞宏的新編歷史劇……………………………………………………………………22 3.4范鈞宏的京劇現(xiàn)代戲……………………………………………………………………·24 4范鈞宏的戲曲理論………………………………………………………25 4.1范鈞宏的“整體性”戲曲觀……………………………………………………………25 4.2范鈞宏對(duì)當(dāng)代戲曲若干問題的見解…………………………………………………··26 4.3范鈞宏的戲曲編劇理論…………………………………………………………………3l5范鈞宏的戲曲教育思想……………………………………………….37結(jié)語…………………………………………………………………………………………………………………..41:日’口……………………………………………………………………………………………………………………………一致謝……………………………………………………………………………43參考文獻(xiàn)……………………………………………………………………一45山西師范大學(xué)學(xué)位論文
<12
播放器加載中,,請(qǐng)稍候...
系統(tǒng)無法檢測(cè)到您的Adobe Flash Player版本
建議您在線安裝最新版本的Flash Player 在線安裝
本文關(guān)鍵詞:范鈞宏研究,由筆耕文化傳播整理發(fā)布。
本文編號(hào):213981
本文鏈接:http://sikaile.net/shekelunwen/rwzj/213981.html