本文關(guān)鍵詞：杜詔及《中晚唐詩(shī)叩彈集》研究，由筆耕文化傳播整理發(fā)布。

        本論文的研究對(duì)象是清初時(shí)杜詔、杜庭珠于康熙42年(1703)、43年(1704)編成并刊刻的一部唐詩(shī)選本《中晚唐詩(shī)叩彈集》,該書(shū)正集十二卷,選37位中晚唐詩(shī)人的詩(shī)1594首,續(xù)集三卷,補(bǔ)選76位中晚唐五代詩(shī)人的詩(shī)作265首,全書(shū)共選中晚唐五代113名詩(shī)人的詩(shī)1859首。本論文通過(guò)對(duì)此唐詩(shī)選本的綜合研究,得出如下結(jié)論：該書(shū)產(chǎn)生的時(shí)代原因有兩個(gè)：一、康熙皇帝對(duì)唐詩(shī)的情有獨(dú)鐘使得唐宋詩(shī)之爭(zhēng)中的宗唐派獲得了特別的強(qiáng)勢(shì),這為該書(shū)的產(chǎn)生提供了精神引導(dǎo)。二、明代人對(duì)初盛唐詩(shī)的過(guò)度重視和對(duì)中晚唐詩(shī)的過(guò)度輕視使得明末清初的學(xué)者們紛紛抨擊明代“詩(shī)必盛唐”之說(shuō)的流弊,并掀起了重視中晚唐詩(shī)的熱潮,這為該書(shū)的產(chǎn)生營(yíng)造了輿論支持。該書(shū)產(chǎn)生的直接原因有三個(gè)：一、作為該書(shū)編者之一杜詔的兩位老師,嚴(yán)繩孫和顧貞觀“獨(dú)抒性靈”的論詩(shī)主張給杜詔以深刻的影響,這為該書(shū)的選編原則輸送了思想養(yǎng)料。二、杜詔在氣質(zhì)性情上的真摯醇厚和詩(shī)學(xué)追求上的“專主性靈”使得他更注重具有“才調(diào)風(fēng)情”的詩(shī)歌,并把中晚唐詩(shī)作為選詩(shī)范圍,這是杜詔、杜庭珠編選此書(shū)最內(nèi)在的原因。三、嚴(yán)繩孫、顧貞觀豐富的藏書(shū)和杜詔、杜庭珠充饒的家財(cái)使得該書(shū)的產(chǎn)生不僅可能,而且很快,這為該書(shū)的產(chǎn)生準(zhǔn)備了成熟的物質(zhì)條件�！吨型硖圃�(shī)叩彈集》的編選動(dòng)機(jī)主要來(lái)自兩個(gè)方面：一個(gè)方面是因?yàn)楦邨姟短圃?shī)品匯》選詩(shī)時(shí)重“初盛唐”而輕“中晚唐”,選“中晚唐詩(shī)”時(shí)又重“貞元以前”而輕“元和以后”,為了彌補(bǔ)高棅之書(shū)的缺陷,杜詔、杜庭珠此書(shū)專選“中晚唐詩(shī)”。另一方面是因?yàn)楦邨娺x詩(shī)時(shí)基于初盛唐詩(shī)基本一致的時(shí)代風(fēng)貌而著重于詩(shī)格的“渾厚含蓄”,而中晚唐詩(shī)體現(xiàn)了更為鮮明的個(gè)人特色,故杜詔、杜庭珠選詩(shī)時(shí)只能著重于詩(shī)味的“才調(diào)風(fēng)情”。《中晚唐詩(shī)叩彈集》的收錄原則主要來(lái)自兩個(gè)角度：一個(gè)角度是題材上側(cè)重于收錄具有“才調(diào)風(fēng)情”的詩(shī)歌,而對(duì)詩(shī)歌的體裁不甚在意,這是該書(shū)詩(shī)學(xué)思想的必然要求；另一個(gè)角度是在體裁上側(cè)重于近體尤其是七言近體,但對(duì)詩(shī)歌的題材盡量兼顧。這是晚唐詩(shī)歌實(shí)情的客觀限制�！吨型硖圃�(shī)叩彈集》的選詩(shī)情況有三個(gè)內(nèi)容需要交代。首先,就詩(shī)人的選擇而言,該書(shū)選詩(shī)最多的十個(gè)詩(shī)人依次是：白居易、李商隱、溫庭筠,王建、李賀、杜牧、韓偓、許渾、張籍、張祜。其中白居易、王建、張籍、李賀四人為中唐詩(shī)人,其余六人為晚唐詩(shī)人。這表明,晚唐詩(shī)人比中唐詩(shī)人更喜歡寫(xiě)具有才調(diào)風(fēng)情的詩(shī)歌。其次,就體裁的選擇而言,入選的近體詩(shī)壓倒性的比重(超過(guò)了70%)表明了最能表現(xiàn)“才調(diào)風(fēng)情”的三大體裁是七律、五律、七絕,其比例是3：2：2。最后,就題材的分布而言,愛(ài)情詩(shī)和詠史懷古詩(shī)入選最多,這表明最能表現(xiàn)才調(diào)風(fēng)情的題材有兩個(gè)：一是談情說(shuō)愛(ài),二是詠史懷古�！吨型硖圃�(shī)叩彈集》的主要成就有四個(gè)：第一,從眾多的中晚唐詩(shī)作品中體會(huì)到了中晚唐詩(shī)完全不同于“渾厚含蓄”的初盛唐詩(shī)的主體品格是“才調(diào)風(fēng)情”,這對(duì)認(rèn)識(shí)中晚唐詩(shī)人詩(shī)作相當(dāng)鮮明的個(gè)人特色提供了一個(gè)適宜的研究角度。第二,該書(shū)表明七律、五律、七絕是最能表現(xiàn)才調(diào)風(fēng)情的三種題材,而且這三種體裁表現(xiàn)才調(diào)風(fēng)情的能力相差不大(因?yàn)檫@三種體裁入選詩(shī)作的比例是3：2：2)。第三,該書(shū)表明了愛(ài)情詩(shī)和詠史懷古詩(shī)在表現(xiàn)才調(diào)風(fēng)情時(shí)突出的作用和地位。第四,作為收詩(shī)數(shù)量之多僅次于明高棅《唐詩(shī)品匯》的唐詩(shī)選本,該書(shū)不僅收詩(shī)很多,而且所收皆中晚唐詩(shī),這就彌補(bǔ)了明高棅《唐詩(shī)品匯》選詩(shī)過(guò)于輕視中晚唐詩(shī)的缺陷�！吨型硖圃�(shī)叩彈集》的缺陷和失誤相當(dāng)多,主要如下：一,選詩(shī)標(biāo)準(zhǔn)的含義是模糊的。二,選詩(shī)范圍(即“中晚唐詩(shī)”的起始年代)是模糊的。三、《例言》的陳述是自相矛盾的。四、選本的實(shí)際與《例言》制定的規(guī)矩不相符合。五,詩(shī)人和詩(shī)作的前后排列,皆相當(dāng)混亂。結(jié)論：杜詔、杜庭珠選編的《中晚唐詩(shī)叩彈集》是一個(gè)有眼光、有思想、有成就、有價(jià)值的唐詩(shī)選本。在某種意義上,《中晚唐詩(shī)叩彈集》(十五卷)是明高棅《唐詩(shī)品匯》(九十卷)的續(xù)編,這兩個(gè)選本相結(jié)合,才能組成一本完整的、能夠比較合理地反映整個(gè)唐詩(shī)全貌的唐詩(shī)選本。但是,《中晚唐詩(shī)叩彈集》是一本急就章似的草創(chuàng)之作,缺陷和失誤相當(dāng)多,亟待后人的研究和整理。

    This paper is a comprehensive study of <Zhong Wan Tang Shi Kou Tan Ji>, which was compiled by Du Zhao and Du Tingzhu in early Qing Dynasty. This Tang poetry anthology had12volumes, compiled37poets’1594poems who were lived in the Middle and Late Tang Dynasty. Sequel other three volumes about76poets’poems265.So,the book selected113poet’s1859poems in the Middle and Late Tang dynasty. Through the comprehensive study of this anthology, we can get the following conclusions:There are two era reasons for the book generated:First, Kangxi’Favorites about the Tang peoms makes the school which like Tang poems win in the war between Tang poems and Song poems.This Provided spiritual guidance for the generation of the book. Second, people in Ming Dynasty pay too much emphasis on the early and prosperous period Tang poems made the scholars of the late Ming and early Qing dynasties criticized the poetics concept about "the flourishing Tang poems are the best"of the Ming Dynasty. A craze of paying attention to the Middle and Late Tang Dynasty poetry had been set off. It provided a public opinion support of the book to create.There are three direct reasons for the book generated:The poetics concept about "express the emotion" of Du Zhao’s two teachers Gu Zhenguan and Yan Shengsun affected him profoundly. Second, the poetics concept about "pay attentionto spirit and emotion" of Du Zhao. The third, Gu Zhenguan and Yan Shengsun’s rich collection of books and Du Zhao’s wealthy family.The compilers’motivation mainly from two aspects:First, in order to remedy the drawback of Gao Bing’s<Tang Shi Pin Hui> what is value the early and prosperous Tang Poetry when he compiled. The other is because Gao Bing only focused on the Tang poetry style, the two Mr.Du had to pay more attention to "artistic talent and emotion" of the Middle and Late Tang PoetryThe standard for compilation of the <Zhong Wan Tang Shi Kou Tan Ji> is from two angles:one is focusing to choose the poetry whose theme is focused on "artistic talent and emotion". The other is the type of poetry is focused on morden type, especially the qi yan.There are three points about the poetry content of <Zhong Wan Tang Shi Kou Tan Ji>need to tell: First, as for the selection of poets, the ten whose poetry had been selected the most in proper order are Bai Juyi、Li Shangyin、Wen Tingyu、Wang Jian、Li He、Du Mu、 Han Wo、Xu HunvZhang Ji and Zhang Hu. Among them, Bai Juyi、Wang Jia、Zhang Ji、Li He were the Middle Tang Dynasty Poem, the rest of the six were the Late Tang Dynasty poem. This shows that, the later prefered to write the poetry which with a style of "artistic talent and emotion" than the former.Secondly, as for the selection of the type of poetry, the large proportion of modern-style shows that the three poetry type which can reflect the "artistic talent and emotion" are wuyan Metrical、qiyan Metrical and qiyan Quatrains. And the ratio is3:2:2.Last, as for the distribution of subject matter, Love Poems and History-Nostalgia Poems selected most. Tt shows that there are two subjects which can reflect the "artistic talent and emotion"best:the Love Poems and History-Nostalgia Poems.There are four main achievements about<Zhong Wan Tang Shi Kou Tan Ji>:First, from so much the Middle and Late Tang Dynasty poetry, we realize its main mharacter is completely different from the "deep and implicit" of the early and prosperous Tang Poetry. It can provide a appropriate research perspective to realize the distinctive personal characteristics about the Middle and Late Tang Dynasty poems and poetry.Secondly, this anthology shows that wuyan Metrical、qiyan Metrical and qiyan Quatrains are the best poetry type which can reflect the "artistic talent and emotion", Meanwhile, their ability are more or less the same (because the three types’selected ratio is3:2:2).Third, this anthology shows the outstanding role and status of Love Poems and History-Nostalgia Poems when they reflect the "artistic talent and emotion"Fourth, as a anthology of Tang Dynasty poetry which compiled the most poetry preceded only by Gao Bing’s<Tang Shi Pin Hui>,it not only compiled so much poetry, more important is the poetry it compiled is all Middle and Late Tang Dynasty. It remedyed the drawback of Gao Bing’santhology about underrating the Middle and Late Tang Dynasty poetry overly.There are quite a lot defects and mistakes about<Zhong Wan Tang Shi Kou Tan Ji>, mainly as follows:First, the meaning of the compilation standard is fuzzy. Second, the range of selecting poems (ie, the starting age of Late Tang Dynasty) is vague. Third, the statement of reface is self-contradictory. Fourth, the real facts didn’t conform with the rules the reface established.Fifth, the arrangement of poets and poetry are both orderless.Conclusion:<Zhong Wan Tang Shi Kou Tan Ji> which was compiled by Du Zhao and Du Tingzhu, is an anthology with vision、ideas、achievements and value. In a sense,<Zhong Wan Tang Shi Kou Tan Ji>(15volumes) is the continuation of Gao Bing’s<Tang Shi Pin Hui>. Onlythe two anthologies combine together can build up an integral anthology which can reflect the Tang Dynasty’s whole aspect reasonablely.But,<Zhong Wan Tang Shi Kou Tan Ji> is an urgent works, so there are quite o lot of flaws and mistakes. It needs descendants to research and collate urgently.

杜詔及《中晚唐詩(shī)叩彈集》研究

摘要5-7Abstract7-9目錄10-11前言11-14第一章 《中晚唐詩(shī)叩彈集》的成書(shū)背景14-26    第一節(jié) 清初詩(shī)壇“唐宋詩(shī)之爭(zhēng)”中宗唐派的強(qiáng)勢(shì)地位14-20    第二節(jié) 清人對(duì)明人“詩(shī)必盛唐”之說(shuō)流弊的矯枉意識(shí)20-26第二章 杜詔的生平、交游及性情、趣味26-34    第一節(jié) 杜詔的生平行跡和交游圈子26-30    第二節(jié) 杜詔的氣質(zhì)性情和詩(shī)學(xué)趣味30-34第三章 編選動(dòng)機(jī)、收錄原則及選詩(shī)情況34-52    第一節(jié) 《中晚唐詩(shī)叩彈集》的編選動(dòng)機(jī)34-40    第二節(jié) 《中晚唐詩(shī)叩彈集》的收錄原則40-45    第三節(jié) 《中晚唐詩(shī)叩彈集》的選詩(shī)情況45-52第四章 《中晚唐詩(shī)叩彈集》的優(yōu)缺點(diǎn)和影響力52-58    第一節(jié) 《中晚唐詩(shī)叩彈集》的優(yōu)缺點(diǎn)52-54    第二節(jié) 《中晚唐詩(shī)叩彈集》的影響力54-58結(jié)語(yǔ)58-60參考文獻(xiàn)60-63致謝63

  本文關(guān)鍵詞：杜詔及《中晚唐詩(shī)叩彈集》研究，，由筆耕文化傳播整理發(fā)布。