本文選題：關(guān)中八景 + 景觀　； 參考：《蘭臺世界》2016年18期

【摘要】：關(guān)中八景集合關(guān)中地區(qū)最具代表性的景觀,將空間景致納入人文與歷史文化框架之中予以重構(gòu)和詮釋。關(guān)中八景在元代《類編長安志》中已初露端倪,此后有明代《長安十景圖》、劉儲秀"長安十景"及清代張岱"關(guān)中八景"、康熙《咸寧縣志》"十二景"、宮夢仁"關(guān)中八景"等多種說法。關(guān)中八景的形成與演進(jìn)顯示出歷史脈絡(luò)與地理因素的特征,在自然形成與人文景觀中蘊(yùn)含著豐富的歷史文化,展現(xiàn)關(guān)中地緣文化的人文特性。
[Abstract]:The eight scenes of Guanzhong gather the most representative landscape in Guanzhong area, and the spatial landscape is reconstructed and interpreted in the framework of humanities and historical culture. The eight scenes of Guanzhong had already begun to emerge in the Yuan Dynasty. Since then, the Ming Dynasty "Chang'an Ten scenes", Liu Chuxiu "Chang'an Ten scenery" and Qing Dynasty Zhang Dai "Guanzhong eight scenery", Kangxi "Xianning County Records" 12 scenes ", Gong Mengren," Guanzhong eight scenery "and so on. The formation and evolution of the eight scenes in Guanzhong show the characteristics of historical context and geographical factors, which contain rich historical and cultural features in the natural formation and humanistic landscape, and show the humanistic characteristics of the geographical culture in Guanzhong.
【作者單位】： 西北大學(xué)文學(xué)院;
【分類號】：K924.1

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本文編號：1894156