本文選題：游賞文化、美學(xué) + 對象�。� 參考：《湖南師范大學(xué)社會(huì)科學(xué)學(xué)報(bào)》2006年05期

【摘要】：游賞作為文化、美學(xué)現(xiàn)象,在明代以獨(dú)立而豐富的形態(tài)拓展了游賞視域,形成從臺(tái)閣到山林、從自然到世情、從古雅到平俗的走向;它構(gòu)建了獨(dú)特的品味型游賞方式,產(chǎn)生了以“趣”為中心的游賞情調(diào),并廣泛整合了多種游賞心態(tài)而成一體;標(biāo)識(shí)著從古典理性主義到近代感性主義的歷程。
[Abstract]:As a cultural and aesthetic phenomenon, in the Ming Dynasty, the tourism appreciation developed its horizons in an independent and rich form, forming a trend from the Taige to the mountains and forests, from nature to the world, from elegance to vulgarity, and it constructed a unique tasteful form of tour appreciation. It has produced the "interest" as the center of the tour appreciation sentiment, and widely integrated a variety of tour appreciation mentality into a whole, marking the process from classical rationalism to modern sensualism.
【作者單位】： 江蘇省社會(huì)科學(xué)院
【分類號(hào)】：K928.9-09
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本文編號(hào)：1868226