發(fā)布時(shí)間：2021-04-27 12:41

　　毛澤東詩(shī)詞被視為當(dāng)代中國(guó)文學(xué)的藝術(shù)瑰寶,同時(shí)也是世界文化的一顆璀璨明珠。毛澤東詩(shī)詞繼承了中國(guó)傳統(tǒng)格律詩(shī)的特點(diǎn),并在此基礎(chǔ)上有所發(fā)展和創(chuàng)新。這些詩(shī)詞產(chǎn)生于特殊的歷史條件和社會(huì)環(huán)境,從一定的側(cè)面展現(xiàn)了中國(guó)近代革命和社會(huì)主義建設(shè)初期的一些歷史畫(huà)面。近幾十年來(lái),研究毛澤東詩(shī)詞蔚然成風(fēng),研究者從各個(gè)方面論及毛澤東詩(shī)詞,如創(chuàng)作手法,形象思維等方面,同時(shí)還有對(duì)其整體性研究、理論性研究、美學(xué)研究,個(gè)人風(fēng)格及其特質(zhì)上的研究,以及傳播學(xué)、社會(huì)學(xué)角度的研究等。研究方法上,卻局限于比較單一的模式上,西方可運(yùn)用的理論方法尚未應(yīng)用到毛澤東詩(shī)詞研究之中。本文則試圖從系統(tǒng)功能語(yǔ)言學(xué)理論中語(yǔ)言功能角度對(duì)毛澤東詩(shī)詞語(yǔ)言特點(diǎn)進(jìn)行分析。立足于韓禮德語(yǔ)言元功能理論基礎(chǔ)之上,通過(guò)對(duì)毛主席詩(shī)詞特點(diǎn)的分析,得出結(jié)論:毛澤東詩(shī)詞語(yǔ)言創(chuàng)作特點(diǎn),源于對(duì)語(yǔ)言三大功能的實(shí)現(xiàn)。作者首先介紹研究毛澤東詩(shī)詞的意義及當(dāng)前國(guó)內(nèi)外對(duì)其詩(shī)詞的研究現(xiàn)狀,接著提出理論基礎(chǔ),詳細(xì)論述韓禮德系統(tǒng)功能語(yǔ)言學(xué)中元功能理論內(nèi)容,并歸納總結(jié)毛澤東詩(shī)詞的三大語(yǔ)言特點(diǎn):語(yǔ)言運(yùn)用形象、生動(dòng)、優(yōu)美;語(yǔ)言思想發(fā)人深省;語(yǔ)篇結(jié)構(gòu)形式自然妥貼,對(duì)于傳統(tǒng)詩(shī)詞格律的創(chuàng)新及賦予新的主題,并從... 

【文章來(lái)源】：遼寧師范大學(xué)遼寧省

【文章頁(yè)數(shù)】：54 頁(yè)

【學(xué)位級(jí)別】：碩士

【文章目錄】：
摘要
Abstract
1 Introduction
    1.1 The Significance of Poetry by Mao Zedong
    1.2 Present Survey on the Study of Mao Zedong’s Poetry
    1.3 Applications of Metafunction Theory to the Literature Study
    1.4 Purpose for the Paper
2 Literature Review
    2.1 Theoretical Framework of SFL
        2.1.1 Halliday’s Opinions on Systemic Theory
        2.1.2 Halliday’s Opinions on Functional Theory
    2.2 Analytical Tools of Poetry Discourse: Metafunction Theory of SFL
        2.2.1 The Ideational Function
        2.2.2 The Interpersonal Function
        2.2.3 The Textual Function
    2.3 Systemic Linguistic Features as the Realization of Metafunction
    2.4 Application of SFL into the Study of Poetic Language
3 Realization of Metafunction Theory of SFL in Three Characteristics of Mao Zedong’s Poetry
    3.1 Systemic Analysis of Mao Zedong’s Poetry
        3.1.1 Features on the Ideological Content
        3.1.2 Embodiment of Mao’s Philosophy
    3.2 Lively Graceful Figures of Language—Realization of the Ideational Function
        3.2.1 Graceful Figures by Classification of Rhetorical Devices
        3.2.2 Vivid Figures by Transitivity as Process, Participant, Circumstance
    3.3 Enlightening Thoughts —Realization of the Interpersonal Function
        3.3.1 Mood and Modality
        3.3.2 Direct Speech and Indirect Speech
    3.4 Spontaneous Coherence with Novel Sense and Theme—Realization of the Textual Function
        3.4.1 Form and Sound as Inheritance from the Traditional Chinese
        3.4.2 The Thematic Analysis of Mao’s Verses
        3.4.3 The Cohesive Devices in Mao’s Verses
4 Conclusion
    4.1 A Brief Survey of the Study
    4.2 Limitation of the Study
References
Acknowledgements


【參考文獻(xiàn)】：
期刊論文
[1]雄奇·詭奇·奇麗·浪漫主義──論毛澤東詩(shī)詞與唐“三李”詩(shī)的淵源關(guān)系[J]. 江建高.  湖湘論壇. 1997(06)



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