發(fā)布時(shí)間：2018-04-22 04:22

  本文選題：范式 + 現(xiàn)代主義建筑　； 參考：《復(fù)旦大學(xué)》2013年碩士論文

【摘要】：20世紀(jì)現(xiàn)代主義建筑風(fēng)靡全球,一改持續(xù)幾千年的古典建筑風(fēng)格,以簡(jiǎn)樸、經(jīng)濟(jì)和實(shí)惠為特點(diǎn)的現(xiàn)代主義建筑的藝術(shù)造型符合新的審美觀,表現(xiàn)出了工業(yè)化的精神。但到50年代時(shí),原來(lái)二三十年代不少歐美建筑大師的作品經(jīng)過(guò)長(zhǎng)期的沿用和各地的抄襲,到后來(lái)形成了千篇一律的教條。尤其是二戰(zhàn)后僵化了的國(guó)際式的盒子式建筑大同小異,缺乏藝術(shù)個(gè)性,出現(xiàn)了現(xiàn)代主義建筑危機(jī)。其后建筑師開(kāi)始對(duì)單調(diào)的國(guó)際主義風(fēng)格進(jìn)行修正和改良,產(chǎn)生了有機(jī)主義、理性主義等晚期現(xiàn)代主義建筑風(fēng)格。70年代便出現(xiàn)了“后現(xiàn)代主義”的方式對(duì)現(xiàn)代主義及國(guó)際主義風(fēng)格進(jìn)行大規(guī)模徹底的調(diào)整,之后出現(xiàn)的解構(gòu)主義、新現(xiàn)代主義在建筑界也日益引起注意�，F(xiàn)代建筑也登上了中國(guó)的建筑舞臺(tái),出現(xiàn)了百態(tài)紛呈的格局。建筑理論直接影響著建筑設(shè)計(jì)和創(chuàng)作,對(duì)建筑流派及理論的反思是一件必要的事情。托馬斯·庫(kù)恩提出用范式概念來(lái)描述科學(xué)的發(fā)展。在建筑理論家勃?jiǎng)诘屡硖乜磥?lái)建筑設(shè)計(jì)風(fēng)格大致相當(dāng)于科學(xué)上的“范式”。古典主義建筑向現(xiàn)代主義建筑轉(zhuǎn)變可以說(shuō)是建筑發(fā)展中范式的革命。而從現(xiàn)代主義建筑發(fā)展至今,出現(xiàn)現(xiàn)代主義建筑危機(jī)之后,有人提出改良,有人提倡徹底改變,危機(jī)出現(xiàn)時(shí)人們采用了不同的處理策略。如今各種建筑流派各行其是,出現(xiàn)了較為混亂的局面,類似于范式理論中的前常規(guī)科學(xué)階段。古典建筑和現(xiàn)代建筑發(fā)生了革命性轉(zhuǎn)換,現(xiàn)代建筑在出現(xiàn)現(xiàn)代主義建筑危機(jī)后又發(fā)生了轉(zhuǎn)變,從范式的角度分析現(xiàn)代建筑的產(chǎn)生及發(fā)展,有助于我們更好地理解建筑的發(fā)展,指導(dǎo)建筑的發(fā)展方向。
[Abstract]:The modernist architecture of the 20th century is popular all over the world. The artistic modeling of modernist architecture, characterized by simplicity, economy and material benefit, conforms to the new aesthetic standards and shows the spirit of industrialization. However, in the 1950s, many European and American architecture masters in the 1920s and 1930s, after a long period of use and plagiarism, later formed the same dogma. Especially after World War II, the international box architecture, which became rigid after World War II, was similar, lacking artistic individuality and resulting in a crisis of modernist architecture. Then the architect began to modify and improve the monotonous style of internationalism, resulting in organism. The late modernist architectural style, such as rationalism, appeared in the 1970s in the form of "postmodernism", which made a large-scale and thorough adjustment to the style of modernism and internationalism, followed by deconstruction. New modernism also attracts more and more attention in architecture. Modern architecture also boarded the stage of construction in China, the emergence of a variety of patterns. Architectural theory has a direct impact on architectural design and creation. It is necessary to reflect on architectural schools and theories. Thomas Kuhn proposed the concept of paradigm to describe the development of science. In the view of architectural theorist Brad Pent, architectural design style is roughly equivalent to the scientific paradigm. The transformation from classical architecture to modern architecture is a revolution of architectural paradigm. From the development of modernism architecture to now, after the crisis of modernism architecture, some people put forward improvement, some advocated radical change, and when the crisis appeared, people adopted different treatment strategies. Nowadays, different schools of architecture are in disarray, similar to the pre-conventional scientific stage in paradigm theory. There has been a revolutionary transformation between classical architecture and modern architecture, and modern architecture has changed after the crisis of modernist architecture. Analyzing the emergence and development of modern architecture from the perspective of paradigm is helpful for us to better understand the development of architecture. To guide the development of architecture.
【學(xué)位授予單位】：復(fù)旦大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：TU-80

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相關(guān)期刊論文 前2條

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