本文關鍵詞： 新中式建筑 傳統(tǒng) 藝術形態(tài) 全球化　出處：《西安美術學院》2013年博士論文　論文類型：學位論文

【摘要】：現(xiàn)代設計源于西方的工業(yè)社會，最早起步于對歐洲的學習，當中國對西式設計的抄襲蜂擁而至的時候，真正意義的中式設計概念已經(jīng)模糊不清。當代中國傳統(tǒng)建筑藝術形態(tài)正面臨著現(xiàn)代化發(fā)展全方位的挑戰(zhàn)，人們在熱衷于現(xiàn)代建筑的同時，傳統(tǒng)建筑文化似乎在逐漸從我們身邊消退。隨著全球化浪潮的影響，同時伴隨著中國國力的強盛和國學風的回溯，人們開始呼喚民族精神的回歸。但復制傳統(tǒng)和因循守舊不是出路，如何傳承傳統(tǒng)建筑藝術文化同時又與時代發(fā)展相結合，關注中國本土新中式建筑藝術形態(tài)發(fā)展是本文的焦點，也將此作為出發(fā)點，從而探析中國當代建筑藝術形態(tài)的諸多現(xiàn)象。 建筑是一種藝術形態(tài)，，建筑形態(tài)直接體現(xiàn)著一個國家和民族的文化內(nèi)涵及品位，同一個國家和民族的社會意識、經(jīng)濟基礎、民族心理及地域文化特征等因素的發(fā)展相輔相成。中國傳統(tǒng)建筑文化的傳承與現(xiàn)代元素的碰撞一直是中國建筑界一個長久的話題。由于近年來中國的對外開放政策，我國現(xiàn)代設計以及設計教育得到了快速發(fā)展，特別是與西方設計發(fā)達國家的專業(yè)交流日益頻繁，西方設計文化元素難免影響到中國設計專業(yè)的多個領域。隨著國外建筑文化的入侵、社會經(jīng)濟高速發(fā)展和城市人口急劇增加,受民族文化深刻浸潤的中國本土建筑藝術逐漸受到了國外“舶來品”的影響，當代中國的傳統(tǒng)設計思路已經(jīng)開始考慮如何將傳統(tǒng)的優(yōu)勢與世界當今的領軍思想結合起來，成就未來的中國建筑設計行業(yè)，否則只能是別人的復制品，而缺少自身的特色和優(yōu)勢。中國當代建筑設計的發(fā)展若不認真解讀西方文化，對西方設計盲目的抄襲，勢必導致文化認知上的錯位，使真正意義上的中國建筑設計發(fā)展方向模糊不清。 于是，重推當代“新中式”建筑藝術已經(jīng)成了建筑學術界和媒體討論的焦點，如今中國風的回溯和大量案例的不斷涌現(xiàn)為當代新中式建筑藝術形態(tài)產(chǎn)生和發(fā)展起到了很大的促進作用。傳統(tǒng)中式建筑的確存在著諸多不足之處，如何在中式傳統(tǒng)建筑和現(xiàn)代建筑中尋找到結合點，使傳統(tǒng)中式建筑藝術和當代人們生活方式、現(xiàn)代技術材料有機結合起來，值得探究和思考。因此，鑒于以上各種因素，也鑒于當代“新中式”設計現(xiàn)象在建筑方面表現(xiàn)的最為凸顯，本論文鎖定在建筑設計相關范疇對“新中式”設計風格現(xiàn)象進行探索性的分析和論述，力圖將我國的建筑文化背景和當代西方先進技術理念相結合,淺析當代“新中式”建筑藝術形態(tài)發(fā)展的由來、現(xiàn)狀及未來的發(fā)展方向，也將以具體案例為出發(fā)點進行佐證，對“新中式”建筑藝術形態(tài)在發(fā)展過程中遭遇的瓶頸現(xiàn)象及矛盾問題進行詳細論述和探討，并提出應避免的誤區(qū)和應遵循的原則。
[Abstract]:Modern design originated from the industrial society of the West, and began to learn from Europe, when the Chinese plagiarism of Western design came. The real meaning of the concept of Chinese design has been blurred. Contemporary Chinese traditional architectural art form is facing the all-round challenge of modern development, people are keen on modern architecture at the same time. The traditional architectural culture seems to fade away from us gradually. With the impact of the globalization wave, accompanied by the strong national strength of China and the retrospect of the style of Chinese learning. People began to call for the return of the national spirit, but copying tradition and sticking to the old is not a way out, how to inherit the traditional architectural art and culture and combine with the development of the times at the same time. It is the focus of this paper to pay attention to the development of the new Chinese architectural art form in China, and take this as the starting point to analyze the various phenomena of the Chinese contemporary architectural art form. Architecture is an artistic form, which directly reflects the cultural connotation and taste of a country and a nation, the social consciousness and economic foundation of the same country and nation. The development of national psychology and regional cultural characteristics complement each other. The inheritance of Chinese traditional architectural culture and the collision of modern elements have been a long-lasting topic in the Chinese architectural circle. Due to the opening up of China in recent years, China's opening to the outside world. Policy. China's modern design and design education has been rapid development, especially with the Western design developed countries more and more frequent professional exchanges. The elements of Western design culture inevitably affect many fields of Chinese design. With the invasion of foreign architectural culture, the rapid development of social economy and the rapid increase of urban population. The native Chinese architectural art deeply infiltrated by the national culture is gradually influenced by foreign "imported goods". The traditional design thinking of contemporary China has begun to consider how to combine the traditional advantages with the world's leading thinking, to achieve the future of the Chinese architectural design industry, otherwise it can only be a replica of others. The lack of its own characteristics and advantages. If the development of contemporary Chinese architectural design does not seriously interpret Western culture, blindly plagiarism of Western design, will inevitably lead to cultural cognitive dislocation. So that the true meaning of the direction of development of Chinese architectural design is ambiguous. As a result, the re-push of contemporary "new Chinese" architectural art has become the focus of discussion in architectural academia and media. Nowadays, the retrospect of Chinese style and the continuous emergence of a large number of cases have played a great role in promoting the formation and development of contemporary new Chinese architectural art. There are indeed many deficiencies in traditional Chinese architecture. How to find the combination of traditional Chinese architecture and modern architecture, so that the traditional Chinese architectural art and contemporary people's way of life, modern technical materials are organically combined, it is worth exploring and thinking. In view of the above factors, but also in view of the contemporary "new Chinese" design phenomenon in the architectural performance of the most prominent. This thesis focuses on the analysis and discussion of the phenomenon of "New Chinese style" design style in the relevant category of architectural design, and tries to combine the architectural cultural background of our country with the modern western advanced technology idea. Analysis of the contemporary "new Chinese" architectural art form development of the origin, status quo and future development direction, will also be based on specific cases as the starting point to prove. This paper discusses in detail the bottleneck phenomena and contradictions encountered in the development of the architectural art form of "New Chinese style", and puts forward some misunderstandings and principles that should be avoided and followed.
【學位授予單位】：西安美術學院
【學位級別】：博士
【學位授予年份】：2013
【分類號】：TU-86

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