本文關(guān)鍵詞：知覺現(xiàn)象學(xué)透鏡下“建筑—身體”的在場(chǎng)研究　出處：《天津大學(xué)》2013年博士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 知覺現(xiàn)象學(xué) 建筑 身體 在場(chǎng) 知覺場(chǎng) 運(yùn)動(dòng)場(chǎng) 行為場(chǎng)

【摘要】：本文面對(duì)近現(xiàn)代以來，建筑學(xué)經(jīng)歷科學(xué)理性與圖像化危機(jī)后，回歸建筑本源的訴求，重新審視人與建筑之間深層的內(nèi)在關(guān)聯(lián)。透過知覺現(xiàn)象學(xué)有關(guān)“身體主體”的哲學(xué)闡釋，確立人的身體對(duì)于建筑直接感受、體驗(yàn)和經(jīng)歷的重要意義。 本文由質(zhì)料、空間、秩序三個(gè)方面對(duì)建筑的發(fā)展和當(dāng)代轉(zhuǎn)向進(jìn)行考察，由知覺、運(yùn)動(dòng)、行為三個(gè)層面對(duì)建筑中的身體主體進(jìn)行闡釋，對(duì)哲學(xué)及其他學(xué)科語境下“在場(chǎng)”概念的雙重釋義進(jìn)行辨析，在此基礎(chǔ)上，，揭示人與建筑之間無蔽、互動(dòng)的“在場(chǎng)”關(guān)系。與此同時(shí)，引入知覺現(xiàn)象學(xué)有關(guān)“現(xiàn)象場(chǎng)”的哲學(xué)闡釋，考察建筑質(zhì)料與身體知覺、建筑空間與身體運(yùn)動(dòng)、建筑秩序與身體行為之間的內(nèi)在關(guān)聯(lián)，創(chuàng)造性地提出建筑“知覺場(chǎng)”、“運(yùn)動(dòng)場(chǎng)”、“行為場(chǎng)”的概念。 本文詮釋了知覺現(xiàn)象學(xué)中身體知覺、運(yùn)動(dòng)、行為的多維度內(nèi)涵，回顧了建筑學(xué)中質(zhì)料與知覺、空間與運(yùn)動(dòng)、秩序與行為的相關(guān)理論。在此基礎(chǔ)上，通過對(duì)“知覺場(chǎng)”中的知覺體驗(yàn)、綜合知覺、知覺意識(shí)進(jìn)行闡釋，對(duì)“運(yùn)動(dòng)場(chǎng)”中的動(dòng)態(tài)路徑、多重視線、時(shí)間意象進(jìn)行探討，對(duì)“行為場(chǎng)”中的重力、壓力與動(dòng)力體驗(yàn)進(jìn)行解讀，揭示重返“建筑-身體”在場(chǎng)的本源意義。 在上述研究的基礎(chǔ)上，本文一方面，以“在場(chǎng)”的視角考察中國古典園林的質(zhì)料經(jīng)營、時(shí)空互釋和循環(huán)秩序，以發(fā)掘其對(duì)于當(dāng)代建筑創(chuàng)作的啟示。另一方面，揭示“在場(chǎng)”的特性——“弱質(zhì)”、“綿延”、“具身”，旨在為當(dāng)代建筑理論中有關(guān)物質(zhì)、時(shí)間和意義的思考提供啟示，并在此基礎(chǔ)上，為建筑實(shí)踐提供現(xiàn)實(shí)指導(dǎo)，指出應(yīng)從人最初且最為根本的在場(chǎng)體驗(yàn)出發(fā)，注重建筑氛圍的營造，強(qiáng)化建筑路徑的設(shè)計(jì)，展開圍繞身體的敘事。此外，就現(xiàn)象學(xué)與建筑的對(duì)話發(fā)展進(jìn)行展望，探討了現(xiàn)象學(xué)文學(xué)、現(xiàn)象學(xué)描述與現(xiàn)象學(xué)方法在建筑中的應(yīng)用和前景。
[Abstract]:In the face of the modern times, architecture has gone through the crisis of scientific rationality and picturization, and it has come back to the origin of architecture. Through the philosophical interpretation of "body subject" in phenomenology of perception, the significance of human body's direct feeling, experience and experience for architecture is established. This article from the material, space, order three aspects of the development of architecture and the contemporary turn to investigate, from the perception, movement, behavior three levels of the main body in the architectural interpretation. Based on the double interpretation of the concept of "presence" in the context of philosophy and other disciplines, this paper reveals the "presence" relationship between man and architecture. This paper introduces the philosophical explanation of phenomenology of perception about "phenomenon field", and examines the internal relationship between building material and body perception, architectural space and body movement, architectural order and body behavior. The concepts of "perceptual field", "sports ground" and "behavioral field" are creatively put forward. This paper interprets the multidimensional connotation of physical perception, movement and behavior in phenomenology of perception, and reviews the relevant theories of material and perception, space and movement, order and behavior in architecture. Through the interpretation of perceptual experience, comprehensive perception and perceptual consciousness in "perceptual field", the dynamic path, multi-line of sight and time image in "sports ground" are discussed, and the gravity in "behavioral field" is discussed. Stress and dynamic experience are interpreted to reveal the original meaning of returning to the presence of architecture-body. On the basis of the above research, this paper, on the one hand, from the "presence" perspective to investigate the material management, space-time interpretation and circulation order of Chinese classical gardens, in order to explore its inspiration for contemporary architectural creation. On the other hand. To reveal the characteristics of "presence"-"weak quality", "stretch", "body", the purpose of contemporary architectural theory about the matter, time and significance of thinking, and on this basis. To provide practical guidance for architectural practice, it is pointed out that people should start from the initial and most fundamental presence experience, pay attention to the construction of architectural atmosphere, strengthen the design of architectural path, and launch the narrative around the body. This paper looks forward to the development of the dialogue between phenomenology and architecture, and probes into the application and prospect of phenomenological literature, phenomenological description and phenomenological methods in architecture.
【學(xué)位授予單位】：天津大學(xué)
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2013
【分類號(hào)】：TU-0

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 鮑如昕;;走近安藤的光與水[J];安徽建筑;2009年02期

2 李茗茜;;解讀柏林猶太人博物館中霍夫曼花園[J];華中建筑;2009年01期

3 杜小輝;翟炳博;;弱建筑:住在曖昧的空間里——藤本壯介作品解讀[J];華中建筑;2011年08期

4 陳飛,譚蔚;歷史與現(xiàn)代的融合——斯瓦瑞·費(fèi)恩(Sverre Fehn)的作品及思想介紹[J];建筑師;2003年01期

5 周凌;空間之覺:一種建筑現(xiàn)象學(xué)[J];建筑師;2003年05期

6 張路峰;體驗(yàn)建筑:柏林猶太人博物館[J];建筑師;2004年01期

7 胡錚;兩種空間運(yùn)動(dòng)觀——從柯布西耶到庫哈斯[J];建筑師;2004年05期

8 林源;關(guān)于丹尼爾·里伯斯金……[J];建筑師;2005年02期

9 史永高;;森佩爾建筑理論述評(píng)　[J];建筑師;2005年06期

10 史永高;;物質(zhì)是如何被贊美的?[J];建筑師;2008年01期

本文編號(hào)：1418501