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用于民間剪紙的半結(jié)構(gòu)化數(shù)據(jù)存儲(chǔ)模型的設(shè)計(jì)

發(fā)布時(shí)間:2018-07-15 10:18
【摘要】:文化不僅是人類(lèi)長(zhǎng)期創(chuàng)造發(fā)展的產(chǎn)物,也是人類(lèi)歷史沉淀的產(chǎn)物。一直以來(lái),關(guān)于文化的傳承和研究問(wèn)題,都是科研工作者重點(diǎn)關(guān)注的問(wèn)題。而Michel等人于2010年,將基因組學(xué)的知識(shí)與文化研究的問(wèn)題結(jié)合起來(lái),通過(guò)把詞匯當(dāng)作文化的基因,提出了一種通過(guò)時(shí)間變化來(lái)推測(cè)文化演變趨勢(shì)的方法,從此拉開(kāi)了文化計(jì)算的序幕。文化計(jì)算為文化的研究問(wèn)題開(kāi)辟了新的領(lǐng)域。但是由于文化計(jì)算正處于起步發(fā)展階段,所以對(duì)于文化計(jì)算的實(shí)踐和研究方法還在探索階段。 民間剪紙是中華民族特有的民間手工藝術(shù)。它不僅用有濃烈的中國(guó)特色,,還蘊(yùn)涵著中國(guó)民間傳統(tǒng)文化信息。但是在世界經(jīng)濟(jì)一體化及遭受外來(lái)文化沖擊的大背景下,中國(guó)剪紙已經(jīng)逐漸走向衰落的趨勢(shì)。主要體現(xiàn)在:剪紙作品一般只會(huì)出現(xiàn)在重大的節(jié)日慶典中和民間藝術(shù)作品的展覽會(huì)上,并且能熟練掌握民間剪紙藝術(shù)技法的手工藝者也逐漸的減少了。目前,為了能是讓民間剪紙藝術(shù)重鑄輝煌,代表中國(guó)文化走向世界。也為了能保證民間剪紙能夠永久的傳承下去,相應(yīng)的保護(hù)工作已經(jīng)提上日程。 本文以民間剪紙作為研究對(duì)象,針對(duì)于剪紙圖案的數(shù)字化表示及后續(xù)的剪紙信息檢索、挖掘剪紙藝術(shù)相關(guān)規(guī)律和剪紙藝術(shù)的文化計(jì)算等問(wèn)題,設(shè)計(jì)了一種XML半結(jié)構(gòu)化數(shù)據(jù)存儲(chǔ)模型。我們同樣采用了基因?qū)W的知識(shí),將剪紙圖案拆分成剪紙基元、剪紙基因和剪紙對(duì)象三個(gè)部分。并通過(guò)剪紙基元、剪紙基因、剪紙對(duì)象和剪紙作品之間的關(guān)系提出了剪紙模型的四層結(jié)構(gòu)。在每個(gè)層次中,通過(guò)相應(yīng)的方法提取出剪紙基元、剪紙基因和剪紙對(duì)象的幾何圖形特征,并將這些幾何特征數(shù)字化后存儲(chǔ)到剪紙數(shù)據(jù)模型中。這樣通過(guò)剪紙模型,一方面可以為后續(xù)的數(shù)據(jù)挖掘和文化計(jì)算問(wèn)題提供數(shù)據(jù)的來(lái)源,另一方面可以在添加剪紙作品相關(guān)語(yǔ)義信息的基礎(chǔ)上,通過(guò)存儲(chǔ)數(shù)據(jù)的聚類(lèi)分析挖掘蘊(yùn)含在剪紙作品里的文化規(guī)律信息。 本文主要運(yùn)用了XML技術(shù)和半結(jié)構(gòu)化數(shù)據(jù)的特點(diǎn),不僅可以實(shí)現(xiàn)剪紙圖案與XML半結(jié)構(gòu)化數(shù)據(jù)的雙向轉(zhuǎn)換和剪紙信息的瀏覽,還可以為后續(xù)的剪紙相關(guān)信息的檢索工作提供數(shù)據(jù)支持。并且通過(guò)對(duì)剪紙模型的測(cè)試發(fā)現(xiàn),如果在XML文檔中添加必要的剪紙?zhí)卣餍畔ⅲ摷艏埬P瓦擁有進(jìn)一步支持?jǐn)?shù)據(jù)挖掘和文化計(jì)算的能力。雖然沒(méi)有提出具體聚類(lèi)分析的數(shù)據(jù)挖掘算法,但是提出了剪紙模型的四種特殊功能,即挖掘剪紙傳統(tǒng)規(guī)律的功能、自主劃分剪紙類(lèi)別的功能、挖掘深層剪紙文化的功能和挖掘剪紙生活化規(guī)律的功能。為后續(xù)的工作指出了具體方向。 同時(shí),本文提出的這種半結(jié)構(gòu)化數(shù)據(jù)存儲(chǔ)的設(shè)計(jì)理念,同樣可以運(yùn)用到其他同民間剪紙相似的非文本資源上。
[Abstract]:Culture is not only the product of human creation and development, but also the product of human history. All along, the cultural inheritance and research issues are the focus of scientific research workers. Michel et al., in 2010, combined the knowledge of genomics with the question of cultural research, and put forward a method of estimating the trend of cultural evolution through time change by using vocabulary as a gene of culture. From then on, the prologue of cultural computing was opened. Cultural computing opens up a new field for the study of culture. However, cultural computing is in its infancy, so the practice and research methods of cultural computing are still in the exploration stage. The folk paper-cut is the folk handicraft art which the Chinese nation characteristic. It not only has strong Chinese characteristics, but also contains Chinese traditional culture information. However, under the background of the integration of the world economy and the impact of foreign culture, Chinese paper-cut has gradually declined. Mainly reflected in: paper-cut works will generally only appear in the major festival celebrations and folk art exhibition, and can master the folk paper-cut art techniques of the handicrafts have gradually decreased. At present, in order to be able to make folk paper-cut art re-cast brilliant, on behalf of Chinese culture to the world. Also in order to ensure that folk paper-cut can be perpetuated, the corresponding protection work has been put on the agenda. This paper takes folk paper-cut as the research object, aiming at the digital representation of paper-cut patterns and subsequent paper-cut information retrieval, mining the related laws of paper-cut art and the cultural calculation of paper-cut art, etc. An XML semi-structured data storage model is designed. We also use the knowledge of genetics to divide paper-cut patterns into three parts: paper-cut elements, paper-cut genes and paper-cut objects. The four-layer structure of paper-cut model is proposed by the relationship among paper-cut primitive, paper-cut gene, paper-cut object and paper-cut works. In each level, the geometric features of paper-cut elements, paper-cut genes and paper-cut objects are extracted by corresponding methods, and these geometric features are digitized and stored in the paper-cut data model. In this way, the paper-cut model can provide a source of data for subsequent data mining and cultural computing problems, on the other hand, on the basis of adding semantic information related to paper-cut works, Through clustering analysis of stored data, we mine the information of cultural laws contained in paper-cut works. This paper mainly uses the characteristics of XML technology and semi-structured data, which can not only realize the two-way conversion of paper-cut pattern and XML semi-structured data, but also the browsing of paper-cut information. It can also provide data support for subsequent retrieval of paper-cut-related information. By testing the paper-cut model, it is found that if the necessary paper-cut feature information is added to the XML document, the paper-cut model also has the ability to further support data mining and cultural computing. Although there is no specific data mining algorithm for clustering analysis, four special functions of paper-cut model are proposed, that is, the function of mining the traditional rule of paper-cut and the function of dividing paper-cut categories independently. Excavate the function of deep-seated paper-cut culture and excavate the function of life law of paper-cut. The concrete direction is pointed out for the follow-up work. At the same time, the design idea of semi-structured data storage proposed in this paper can also be applied to other non-text resources similar to folk paper-cut.
【學(xué)位授予單位】:吉林大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2013
【分類(lèi)號(hào)】:TP311.13;TP333;J528.1

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