本文選題：越窯青瓷 + 文房器　； 參考：《中國藝術(shù)研究院》2017年碩士論文

【摘要】：越窯是中國古代最有代表性的青釉瓷器窯系之一,越窯青瓷歷經(jīng)自東漢創(chuàng)燒到唐、五代的鼎盛直至南宋斷燒,一直引領(lǐng)我國宋以前瓷器尚青的潮流。在斷燒八百多年后,我們在原產(chǎn)地又以現(xiàn)代科技和技術(shù)手段為基礎(chǔ),復(fù)燒了高度模仿傳統(tǒng)越窯青瓷并加以創(chuàng)新的現(xiàn)代越窯青瓷。傳統(tǒng)文房器是自古以來文人的必備心愛之物,它們在一定意義上承載著文化、藝術(shù)、歷史的變革和發(fā)展。水盂(硯滴)作為向硯中注水的器具,有著舉足輕重的作用,其發(fā)展和演變的過程也反映出中國人對文房器物審美的變化。越窯青瓷文房器以其質(zhì)樸、古拙的自身特點,傳遞給人們以含蓄、古樸的厚重美感。作者通過對越窯文房器的研究和現(xiàn)代越窯青瓷意義上的仿燒,希望引起人們對高古瓷器尤其是高古文房陶瓷器物的關(guān)注和品鑒。
[Abstract]:Yue kiln is one of the most representative celadon porcelain kilns in ancient China. It has been burned from the Eastern Han Dynasty to the Tang Dynasty, and from the peak of the five dynasties to the Southern Song Dynasty. After more than 800 years of broken burning, we have reburned the modern Yue kiln celadon, which highly imitates and innovates the traditional Yue kiln celadon, on the basis of modern science and technology and technological means. Since ancient times, the traditional literary objects are the necessary beloved objects of literati. They carry the change and development of culture, art and history in a certain sense. As an instrument for injecting water into ink stone, water pan (ink stone) plays an important role, and its development and evolution also reflect the aesthetic changes of Chinese cultural objects. Yue kiln celadon ware with its simple, ancient and clumsy own characteristics, pass to people with implicit, simple and heavy aesthetic sense. The author hopes to arouse people's attention and taste to the high ancient porcelain, especially to the ceramic objects of the high ancient literary room, through the research on the article ware of the Yue kiln and the imitation of the celadon in the sense of the modern Yue kiln celadon.
【學(xué)位授予單位】：中國藝術(shù)研究院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：TQ174.65

【參考文獻】

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1 沈岳明;鄭建明;;浙江上林湖發(fā)現(xiàn)后司岙唐五代秘色瓷窯址[N];中國文物報;2017年

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本文編號：2109025