滇西南傣族傳統(tǒng)服飾色彩研究
發(fā)布時(shí)間：2019-05-27 00:19
【摘要】：色彩,以各種各樣的形式存在于我們的生活中,從歷史上有了人類開始,色彩就與我們的生活密不可分。本文致力于對中國少數(shù)民族傳統(tǒng)服飾色彩的調(diào)查研究。在少數(shù)民族,服飾色彩不僅僅是一種服裝的表現(xiàn)形式,而是作為一種象征意義、一種符號(hào)語言甚至一種文化代表,它與本民族的地域環(huán)境、歷史文化、宗教信仰有著密不可分的關(guān)系。我國地域遼闊,民族種類較多,由于地理環(huán)境、氣候的差異以及文化背景和宗教信仰、風(fēng)俗習(xí)慣的不同,生產(chǎn)力發(fā)展水平的不平衡等因素,經(jīng)過千百年的歷史演變,每個(gè)民族都形成了其獨(dú)具特色的服飾文化,使民族服飾呈現(xiàn)出多種多樣的面貌,譜寫著燦爛多姿的民族服飾史。 傣族服飾是傣族裝飾藝術(shù)的主要形式之一,它的形式多樣,種類豐富,鮮明獨(dú)特,生動(dòng)地表現(xiàn)了傣族人民的生活和審美情趣。同時(shí)傣族服飾的藝術(shù)審美價(jià)值和文化研究價(jià)值極具特色,對我國民族民間工藝、民族文化和設(shè)計(jì)藝術(shù)學(xué)等學(xué)科有著重要的研究價(jià)值和意義。近些年,隨著社會(huì)的開放,外來文化的不斷涌入,傣族傳統(tǒng)服飾也發(fā)生了相應(yīng)的變化,至今很多傳統(tǒng)服飾幾近失傳,因此對傣族服飾色彩的研究就顯得尤為重要。本文以滇西南傣族的主要分布區(qū),包括西雙版納傣泐支系和臨滄及紅河的部分傣泐支系,景洪市勐養(yǎng)鎮(zhèn)的傣亞支系和新平元江等地傣亞支系及德宏地區(qū)的傣訥支系的傣族傳統(tǒng)服飾色彩為主進(jìn)行考察研究。由于歷史上漫長的遷徙與文化的相互交融,傣族支系種類較為繁多,分布也較為廣泛,每個(gè)支系服飾都有著或多或少的變化,色彩的運(yùn)用也是相當(dāng)豐富。筆者試圖通過系統(tǒng)的調(diào)研,了解傣族各支系不同年齡、性別及不同場合的傣族傳統(tǒng)服飾色彩。并且在此基礎(chǔ)上運(yùn)用科學(xué)分析等方法對其進(jìn)行系統(tǒng)的色彩分析,開創(chuàng)對中國民族服飾色彩調(diào)研及其科學(xué)分析、理論體系構(gòu)建的先河,對今后中國開展此項(xiàng)活動(dòng)將具有重要的理論與實(shí)踐層面的指導(dǎo)性意義,也有助于我國對非物質(zhì)文化遺產(chǎn)的研究與繼承發(fā)揚(yáng)
[Abstract]:Color, in a variety of forms in our lives, from the history of human beings, color and our life is inseparable. This paper is devoted to the investigation and study of the traditional dress color of Chinese ethnic minorities. In ethnic minorities, clothing color is not only a form of clothing expression, but as a symbolic meaning, a symbolic language and even a cultural representative, it is related to the regional environment, history and culture of the nation. Religious beliefs are inextricably linked. China has a vast territory and many ethnic groups. Due to the differences in geographical environment, climate, cultural background and religious beliefs, customs and habits, and the imbalance of the level of development of productive forces, after thousands of years of historical evolution, Each nation has formed its unique clothing culture, which makes the national clothing show a variety of features, writing a brilliant and colorful history of national clothing. Dai dress is one of the main forms of Dai decorative art, which has various forms, rich types, distinct and unique, and vividly shows the life and aesthetic taste of Dai people. At the same time, the artistic aesthetic value and cultural research value of Dai clothing are very characteristic, which is of great value and significance to the subjects of national folk craftsmanship, national culture and design art in our country. In recent years, with the opening of society and the continuous influx of foreign culture, Dai traditional clothing has also undergone corresponding changes, so far many traditional clothing is almost lost, so the study of Dai dress color is particularly important. In this paper, the main distribution areas of Dai nationality in southwest Yunnan, including the Dai branch of Xishuangbanna and some Dai branches of Lincang and Honghe, are taken as the main distribution areas of Dai nationality in southwest Yunnan. The Dai subbranches of Mengyang Town, Jinghong City, Xinping Yuanjiang and other places, and the Dai traditional dress colors of Dai and Na branches in Dehong area were investigated and studied. Due to the long migration and cultural blending in history, Dai branches are more diverse and widely distributed, each branch clothing has more or less changes, and the use of color is also quite rich. Through systematic investigation, the author tries to understand the Dai traditional dress color of different ages, genders and different occasions. And on this basis, the use of scientific analysis and other methods to carry out a systematic color analysis, to create the Chinese national clothing color investigation and scientific analysis, the theoretical system construction of the forerunner. It will be of great theoretical and practical significance for China to carry out this activity in the future, and it will also contribute to the study and inheritance of intangible cultural heritage in China.
【學(xué)位授予單位】：北京服裝學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J523.5
本文編號(hào)：2485753
[Abstract]:Color, in a variety of forms in our lives, from the history of human beings, color and our life is inseparable. This paper is devoted to the investigation and study of the traditional dress color of Chinese ethnic minorities. In ethnic minorities, clothing color is not only a form of clothing expression, but as a symbolic meaning, a symbolic language and even a cultural representative, it is related to the regional environment, history and culture of the nation. Religious beliefs are inextricably linked. China has a vast territory and many ethnic groups. Due to the differences in geographical environment, climate, cultural background and religious beliefs, customs and habits, and the imbalance of the level of development of productive forces, after thousands of years of historical evolution, Each nation has formed its unique clothing culture, which makes the national clothing show a variety of features, writing a brilliant and colorful history of national clothing. Dai dress is one of the main forms of Dai decorative art, which has various forms, rich types, distinct and unique, and vividly shows the life and aesthetic taste of Dai people. At the same time, the artistic aesthetic value and cultural research value of Dai clothing are very characteristic, which is of great value and significance to the subjects of national folk craftsmanship, national culture and design art in our country. In recent years, with the opening of society and the continuous influx of foreign culture, Dai traditional clothing has also undergone corresponding changes, so far many traditional clothing is almost lost, so the study of Dai dress color is particularly important. In this paper, the main distribution areas of Dai nationality in southwest Yunnan, including the Dai branch of Xishuangbanna and some Dai branches of Lincang and Honghe, are taken as the main distribution areas of Dai nationality in southwest Yunnan. The Dai subbranches of Mengyang Town, Jinghong City, Xinping Yuanjiang and other places, and the Dai traditional dress colors of Dai and Na branches in Dehong area were investigated and studied. Due to the long migration and cultural blending in history, Dai branches are more diverse and widely distributed, each branch clothing has more or less changes, and the use of color is also quite rich. Through systematic investigation, the author tries to understand the Dai traditional dress color of different ages, genders and different occasions. And on this basis, the use of scientific analysis and other methods to carry out a systematic color analysis, to create the Chinese national clothing color investigation and scientific analysis, the theoretical system construction of the forerunner. It will be of great theoretical and practical significance for China to carry out this activity in the future, and it will also contribute to the study and inheritance of intangible cultural heritage in China.
【學(xué)位授予單位】：北京服裝學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J523.5
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，本文編號(hào)：2485753
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