【摘要】：正方相氏"黃金四目"是中國古代巫儺文化中經(jīng)常討論的問題,可是,關(guān)于古巫方相氏舞儺時(shí)所戴的面具究竟是個(gè)什么樣子,至今仍在爭論中。總結(jié)"方相四目"研究的各種觀點(diǎn),其形制類型不外乎以下三種:方相氏面具二目加上巫師人面二目所構(gòu)成的內(nèi)外或上下四目迭化說,…神獸、神人四目異質(zhì)同構(gòu)說,[2]面具上下排列或前后四目架構(gòu)說。[3]除此之外,還有學(xué)者從甲骨文字中尋找"黃金四目"的蹤跡。[4]隨著研究的深入,還有越來越多的觀點(diǎn)被提出。本文試圖將"黃金四目"放回到中國古代巫術(shù)文化演進(jìn)的歷史情境當(dāng)中,
[Abstract]:The "Golden four eyes" is a question often discussed in the ancient Chinese witchcraft culture. However, there is still a debate about what the mask used in the dance of Nuo in the ancient sorcery is. Summing up the various views of the study of "square phase four eyes", its form types are only the following three types: Fang Xiang's mask two eyes plus the wizard face two eyes composed of the inside and outside or the top and bottom of the four-eye overlapping theory, 鈥，

本文編號：2450501