【摘要】：在騰沖傳統(tǒng)民間工藝名錄里,傳統(tǒng)掇花工藝產(chǎn)品歷來占有一席之地。近年來,在現(xiàn)代文明的沖擊下,傳統(tǒng)自給自足的掇花工藝品逐漸被現(xiàn)代可批量生產(chǎn)的商品所取代,傳統(tǒng)掇花工藝技術面臨傳承危機。騰沖園角公司的出現(xiàn)改變了傳統(tǒng)掇花工藝的發(fā)展局面,它的發(fā)展模式為騰沖傳統(tǒng)掇花工藝的傳承和發(fā)展帶來了希望。但園角公司在騰沖旅游業(yè)蓬勃發(fā)展的進程中,由于生產(chǎn)品種單一、工藝缺乏改良、設計缺少創(chuàng)新等問題,嚴重阻礙了其前進步伐。針對其出現(xiàn)的問題,筆者進行多次田野考察,從民族元素與現(xiàn)代設計相結合的實際案例操作,對園角公司掇花工藝產(chǎn)品的材質(zhì)、色彩、紋樣三個要素進行了創(chuàng)意設計實踐,該創(chuàng)意緊緊抓住現(xiàn)代流行趨勢和年輕人的審美需求,還對掇花樣片進行了旅游產(chǎn)品制作。該設計實踐力求為騰沖傳統(tǒng)掇花工藝的傳承和發(fā)展提供一個可行性借鑒。 本論文分四個章節(jié)對騰沖傳統(tǒng)掇花工藝進行全面研究及掇花工藝旅游產(chǎn)品創(chuàng)意實踐。第一章主要介紹了騰沖傳統(tǒng)掇花工藝,并以騰沖園角刺繡公司為例,分析當代騰沖掇花工藝發(fā)展的情況；第二章,筆者針對傳統(tǒng)掇花工藝特點和當前產(chǎn)品局限性,進行襯底面料、用線色彩的組合和紋樣的大膽創(chuàng)意實踐；第三章,基于對騰沖傳統(tǒng)掇花工藝的深入了解和創(chuàng)意實踐的基礎,對騰沖傳統(tǒng)掇花工藝保護、傳承和開發(fā)進行了一些思考；第四章,歸納本文的創(chuàng)意實踐成果對全文進行總結。
[Abstract]:In Tengchong traditional folk craft list, the traditional collection flower craft product has always occupied a place. In recent years, under the impact of modern civilization, the traditional self-sufficient plucked flower handicrafts are gradually replaced by modern batch-produced commodities, and the traditional techniques of ploughing flowers are faced with a crisis of inheritance. The appearance of Tengchong Garden Corner Company has changed the development situation of traditional ploughing technology, and its development mode has brought hope for the inheritance and development of Tengchong traditional ploughing technology. However, in the vigorous development of Tengchong tourism industry, the development of Tengchong tourism industry is seriously hindered by the problems of single production variety, lack of technological improvement, lack of innovation in design and so on. In view of its problems, the author has carried on many field investigations, from the actual case operation of the combination of national elements and modern design, has carried on the creative design practice to the material, the color, the pattern three elements of the garden corner company's plough flower craft product, and has carried on the creative design practice to the material, the color and the pattern. The idea firmly grasped the modern trend and aesthetic needs of young people, but also for the collection of sample tourism products. This design practice strives to provide a feasible reference for the inheritance and development of Tengchong traditional plastering technology. This paper is divided into four chapters to Tengchong traditional ploughing technology comprehensive research and ploughing technology tourism products creative practice. The first chapter mainly introduces Tengchong traditional plough-flower technology, and takes Tengchong Garden Angle embroidery Company as an example to analyze the development of contemporary Tengchong flower-dressing technology. In the second chapter, the author carries on the substrate fabric, the combination of the line color and the bold creative practice of the pattern according to the characteristics of the traditional ploughing process and the limitation of the current products. The third chapter, based on the in-depth understanding of Tengchong traditional ploughing process and the foundation of creative practice, gives some thoughts on the protection, inheritance and development of Tengchong traditional ploughing process, and the fourth chapter summarizes the creative practical achievements of this paper.
【學位授予單位】：云南大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J523;TS935

【參考文獻】

相關期刊論文 前10條

1 歐陽曉龍;;刺繡在服裝中的發(fā)展與應用[J];重慶工貿(mào)職業(yè)技術學院學報;2009年04期

2 吳蓉;陸小彪;;徽州民間刺繡工藝特色研究[J];滁州學院學報;2010年06期

3 伊紅莉;;刺繡工藝及在服裝設計中的運用[J];電影評介;2007年08期

4 黃永利;;刺繡紋樣在針織服裝上的技術應用[J];化纖與紡織技術;2011年01期

5 龍葉先;;苗族刺繡文化的現(xiàn)代傳承分析[J];貴陽學院學報(社會科學版);2006年03期

6 吳平;楊z，

本文編號：2431690