【摘要】：伴隨著城市化進程，陶瓷材質(zhì)介入公共環(huán)境空間成為時代的需要和歷史的必然，陶藝家們借用陶土這種最原始的材質(zhì)，用泥土所特有的語言來表達現(xiàn)代社會中人的情感和行為。環(huán)境陶藝創(chuàng)作受到各種藝術(shù)思潮的影響，，抽象藝術(shù)就是其中比較有代表的一種。抽象藝術(shù)對環(huán)境陶藝設(shè)計的影響，文中主要從造型和裝飾兩方面進行論述，抽象藝術(shù)對環(huán)境陶藝造型設(shè)計的影響包括立體的陶藝雕塑，建筑式陶藝和平面的陶藝壁畫，它對環(huán)境陶藝裝飾設(shè)計的影響主要表現(xiàn)在色彩運用、圖案語言和肌理表現(xiàn)上。中西方抽象環(huán)境陶藝表現(xiàn)的形式有著相同的成分，但也存在文化和地域的差異，抽象藝術(shù)思潮下的中國環(huán)境陶藝設(shè)計要尋求發(fā)展，就應(yīng)該在學(xué)習(xí)借鑒西方抽象語言表達的同時，注重民族文化的書寫，走本土化、個性化的發(fā)展道路。 本文從環(huán)境陶藝設(shè)計抽象表現(xiàn)的角度出發(fā)，通過對抽象藝術(shù)的發(fā)展概況、流派代表等相關(guān)理論的梳理和對環(huán)境陶藝有關(guān)概念的介紹，具體分析了抽象藝術(shù)對環(huán)境陶藝造型和裝飾設(shè)計層面的影響，以及通過對比中西方不同發(fā)展土壤上環(huán)境陶藝抽象表現(xiàn)的異同點，探尋其背后的文化內(nèi)涵，最后深入探討了抽象藝術(shù)在中國環(huán)境陶藝設(shè)計領(lǐng)域的創(chuàng)作方向和方法，進而尋求適合時代發(fā)展同時合乎本國民族的設(shè)計語言。
[Abstract]:With the process of urbanization, it is necessary for the times and history to involve ceramic materials in public environmental space. Pottery artists use clay as the most primitive material to express people's feelings and behaviors in modern society in the language of clay. Environmental ceramic art creation is influenced by a variety of artistic trends of thought, abstract art is one of the more representative. The influence of abstract art on environmental ceramic design is discussed in this paper from two aspects: modeling and decoration. The influence of abstract art on environmental ceramic art design includes three-dimensional ceramic sculpture, architectural ceramic art and flat pottery mural, and the influence of abstract art on environmental ceramic art design includes three-dimensional ceramic sculpture, architectural pottery art and flat pottery mural. Its influence on environmental ceramic decoration design is mainly reflected in the use of color, pattern language and texture performance. The form of ceramic art in abstract environment between China and the West has the same components, but there are also differences in culture and region. In order to seek the development of Chinese environmental ceramic art design under the trend of thought of abstract art, we should learn to draw lessons from the expression of abstract language in the west at the same time. Pay attention to the writing of national culture, take the development path of localization and individuation. From the point of view of abstract expression of environmental ceramic art design, this paper reviews the development of abstract art, school representatives and other related theories, and introduces the related concepts of environmental ceramic art. The influence of abstract art on environmental pottery modeling and decoration design is analyzed in detail, and the cultural connotation behind it is explored by comparing the similarities and differences of abstract expression of environmental ceramic art on different development soils between China and the West, and making a detailed analysis of the influence of abstract art on environmental pottery modeling and decoration design. Finally, the creative direction and method of abstract art in the field of environmental ceramic art design in China are discussed in depth, and then the design language suitable for the development of the times and the nation of our country is sought.
【學(xué)位授予單位】：景德鎮(zhèn)陶瓷學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：J527

【參考文獻】

相關(guān)期刊論文 前10條

1 卿笑天;;淺析康定斯基與蒙德里安抽象繪畫的形與色[J];美術(shù)大觀;2009年11期

2 張超;肖豐;;意象表現(xiàn):中國方式的當(dāng)代抽象藝術(shù)[J];美苑;2010年01期

3 季嘉龍;;抽象藝術(shù)與現(xiàn)代景觀設(shè)計[J];美與時代(下半月);2002年09期

4 許雅柯;;論當(dāng)代環(huán)境陶藝[J];設(shè)計藝術(shù);2002年02期

5 田鴻喜;薛圣言;;論環(huán)境景觀設(shè)計中陶藝語言的形態(tài)表現(xiàn)[J];藝術(shù)百家;2007年S1期

6 黃煥義;馮薇娜;;環(huán)境陶藝的形式美[J];中國陶瓷;2006年07期

7 吳興安;徐小紅;;環(huán)境陶藝的審美特點和空間表現(xiàn)[J];中國陶瓷;2006年11期

8 吳永平;環(huán)境陶藝的設(shè)計性[J];裝飾;2003年12期

9 余小荔;論現(xiàn)代陶藝在審美意義上的本質(zhì)特征[J];裝飾;2004年03期

10 鄭寧;會田雄亮陶藝作品[J];裝飾;2005年06期

相關(guān)碩士學(xué)位論文 前4條

1 吳永平;公共環(huán)境與陶瓷雕塑[D];中央美術(shù)學(xué)院;2004年

2 郝辰;抽象藝術(shù)影響下的城市戶外家具設(shè)計[D];南京林業(yè)大學(xué);2008年

3 紀(jì)瑞祥;城市公共藝術(shù)之環(huán)境陶藝研究[D];山東輕工業(yè)學(xué)院;2009年

4 張欣欣;“后發(fā)”的抽象——當(dāng)代中國抽象藝術(shù)的多元之路[D];天津美術(shù)學(xué)院;2010年

本文編號：2431520