【摘要】：隨著現(xiàn)代社會高科技帶來經(jīng)濟(jì)的飛速發(fā)展,人們從生活習(xí)慣到審美取向,從意識形態(tài)到思維方式都發(fā)生了劇烈的變化�？旃�(jié)奏和高效率的現(xiàn)代生活和強(qiáng)烈的社會競爭意識,造成了人們追求更新穎,更刺激的人生觀心態(tài)。生活方式和社會結(jié)構(gòu)的變化使我們的文學(xué),藝術(shù),以及其他的人文科學(xué)都向著現(xiàn)代化形態(tài)發(fā)展。人們對藝術(shù)的審美要求也在不斷變化更新,藝術(shù)創(chuàng)作時代化,掙脫枷鎖,用新的觀念去開發(fā).尋找.挖掘.探索新的廣闊天地已成為時代的要求。藝術(shù)創(chuàng)作要具有時代的審美特性,形成時代風(fēng)格,表現(xiàn)時代風(fēng)采,這需要藝術(shù)創(chuàng)作者用新的藝術(shù)思維方式,新的藝術(shù)形式語言,去突破陳舊的,程式化的傳統(tǒng)觀念與章法。而現(xiàn)代陶藝也正是現(xiàn)代社會和現(xiàn)代文明的產(chǎn)物,與現(xiàn)代科學(xué)技術(shù)的發(fā)展,物質(zhì)生活的提高以及現(xiàn)代人審美情趣與精神需求的改變等息息相關(guān),是現(xiàn)代陶藝家承載個人思想,個人情感,個人審美的具體化,形象化的媒介。所以現(xiàn)代陶藝創(chuàng)作要在思維方式與形式語言上革新,必須要改變傳統(tǒng)陶藝的制陶理念,傳統(tǒng)陶瓷的審美觀念。而要解決此類問題就必須要對現(xiàn)代陶藝從材料,造型,裝飾,工藝與藝術(shù)觀念等各個方面進(jìn)行重新的認(rèn)識與研究。這對陶瓷藝術(shù)語言的現(xiàn)代化革新也同時具有重大意義。 其次,陶瓷藝術(shù)在中國有淵源流長的悠久歷史,這是眾所周知的。曾經(jīng)引領(lǐng)這世界,但由于封建文化的閉關(guān)鎖國,導(dǎo)致現(xiàn)代文明的思潮進(jìn)入中國比較晚,直到新中國成立,改革開放,現(xiàn)代藝術(shù)在中國才得以廣泛流傳。中國才慢慢出現(xiàn)了現(xiàn)代陶藝影子。然而一邊是傳統(tǒng)的束縛,一邊是現(xiàn)代的刺激,難免讓眼花撩繚亂,手足無措,甚至失去方向。如何向傳統(tǒng)學(xué)習(xí),繼承經(jīng)典,同時又如何向西方學(xué)習(xí),吸取精髓。成為中國現(xiàn)代陶藝家艱巨任務(wù)。在此筆者認(rèn)為唯有靜下心來對現(xiàn)代陶藝本體語言的研究,才有可能找到出路。也是中國陶藝現(xiàn)代化的時代要求。 本論文主要研究現(xiàn)代陶藝的自身語言,也就是對組成現(xiàn)代陶藝自身語言的幾個基本要素的研究,其中包括材料,造型,裝飾,工藝,觀念等。文章主要分七大章節(jié),第一章主要是對現(xiàn)代陶藝的一些基本概況做一些介紹,包括現(xiàn)代陶藝的定義,起源,以及發(fā)展現(xiàn)狀。通過對現(xiàn)代陶藝的基本了解后,本文接下來的第二,三,四,五,六章節(jié)分別對組成現(xiàn)代陶藝自身語言的五個基本要素進(jìn)行分析研究,最后在第七章對這五個基本要素之間的關(guān)系進(jìn)行探討。通過對組成現(xiàn)代陶藝自身語言的幾個要素及他們之間的相互關(guān)系的探討與研究來談?wù)勎覍ΜF(xiàn)代陶藝發(fā)展的一些個人見解。
[Abstract]:With the rapid development of economy brought by high technology in modern society, people have changed dramatically from life habits to aesthetic orientation, from ideology to mode of thinking. The fast pace and high efficiency of modern life and the strong sense of social competition have caused people to pursue a more innovative and stimulating outlook on life. Changes in lifestyle and social structure have led to the modernization of our literature, art, and other humanities. People's aesthetic requirements for art are constantly changing, artistic creation times, free from the shackles, with new ideas to develop. Look for. Dig. Exploring new vast fields has become the requirement of the times. Art creation should have the aesthetic characteristics of the times, form the style of the times, and express the style of the times, which requires the artistic creators to break through the old and stylized traditional concepts and rules with new artistic thinking mode and new artistic form language. The modern ceramic art is also the product of modern society and modern civilization. It is closely related to the development of modern science and technology, the improvement of material life and the change of aesthetic taste and spiritual demand of modern people. Personal emotion, the embodiment of personal aesthetics, the medium of visualization. Therefore, modern pottery creation must be innovated in the mode of thinking and formal language, and must change the traditional pottery making idea and the traditional ceramic aesthetic idea. In order to solve these problems, it is necessary to re-understand and study the modern ceramic art from the aspects of material, modeling, decoration, craft and artistic concept. This also has great significance to the modernization innovation of ceramic art language. Secondly, ceramic art in China has a long history, which is well-known. Once led the world, but because of the closed feudal culture, the trend of thought of modern civilization into China is relatively late, until the founding of New China, the reform and opening up, modern art in China can be widely spread. It was only slowly that the shadow of modern pottery appeared in China. But on the one hand is the bondage of tradition, and on the other is the modern stimulus, which inevitably causes confusion, and even loss of direction. How to learn from the tradition, inherit the classic, but also how to learn from the West, absorb the essence. To become a modern ceramic artist in China is an arduous task. In this paper, the author thinks that it is possible to find a way out of the study of modern ceramic art Noumenon language. Also is the Chinese pottery art modernization time request. This paper mainly studies the language of modern ceramic art, that is, the study of several basic elements of modern ceramic art language, including materials, modeling, decoration, technology, ideas and so on. This paper is divided into seven chapters. The first chapter mainly introduces some basic situation of modern ceramic art, including the definition, origin and development of modern ceramic art. Through the basic understanding of modern ceramic art, the second, third, fourth, fifth and sixth chapters of this paper analyze and study the five basic elements of modern ceramic art's own language. Finally, in the seventh chapter, the relationship between the five basic elements is discussed. Through the discussion and research on the elements of modern ceramic art's own language and their mutual relations, this paper discusses my personal views on the development of modern ceramic art.
【學(xué)位授予單位】：湖南師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：J527

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本文編號：2357431