【摘要】：藝術(shù)區(qū)形式在后工業(yè)時(shí)代高調(diào)撞進(jìn)人們眼球,承載著現(xiàn)代化的藝術(shù)內(nèi)涵,向人類顯示了強(qiáng)大的生命力。伴著各國學(xué)者對(duì)藝術(shù)區(qū)的形成因素、發(fā)展模式、存在狀況等等的解讀,逐漸形成了“藝術(shù)區(qū)模式”的理論。漆藝是我國傳統(tǒng)藝術(shù)形式,歷史悠久并蘊(yùn)含著豐富的文化內(nèi)涵,在現(xiàn)代知識(shí)時(shí)代面臨著邊緣化的危險(xiǎn)。所以,本文的核心即將兩者結(jié)合,通過“藝術(shù)區(qū)模式”來探討漆藝多種發(fā)展的可能性。 按照從理論到實(shí)踐,從具體到抽象,從特殊情況到一般理論的邏輯順序展開研究與論證。首先,在分析已有研究成果的基礎(chǔ)上,總結(jié)出“藝術(shù)區(qū)模式”的特點(diǎn)。隨后,分析漆藝目前發(fā)展的現(xiàn)狀,并發(fā)現(xiàn)其存在的不足。由此分析在“藝術(shù)區(qū)模式”理論環(huán)境下研究漆藝發(fā)展路徑多元化發(fā)展的可能性。最后,針對(duì)漆藝發(fā)展的不足,運(yùn)用“藝術(shù)區(qū)模式”提出漆藝發(fā)展路徑的措施。具體包括漆藝復(fù)興之路、多元傳播之路、生活美學(xué)之路、創(chuàng)意產(chǎn)業(yè)之路四個(gè)方面的措施。 總結(jié)了“藝術(shù)區(qū)模式”的基本理論,開辟了漆藝現(xiàn)代化發(fā)展的新途徑,基本上在理論上實(shí)現(xiàn)了傳統(tǒng)大漆藝術(shù)的現(xiàn)代化轉(zhuǎn)型,且具有一定的現(xiàn)實(shí)指導(dǎo)意義。圖44幅,參考文獻(xiàn)51篇。
[Abstract]:The art district form in the post-industrial era hit the eyes of people, bearing the modern artistic connotation, showing the strong vitality to mankind. With the interpretation of the formation factors, the development model and the existing situation of the art district, the theory of "art district pattern" has been gradually formed by the scholars from all over the world. Lacquer art is a traditional art form in China with a long history and rich cultural connotations. It is facing the danger of marginalization in the modern knowledge age. Therefore, the core of this paper will combine the two, through the "art district model" to explore the possibility of various lacquer art development. According to the logical sequence from theory to practice, from concrete to abstract, from special case to general theory, the research and demonstration are carried out. Firstly, on the basis of analyzing the existing research results, the characteristics of art district model are summarized. Then, the present situation of lacquer art development is analyzed, and the deficiency of lacquer art is found. This paper analyzes the possibility of diversified development of lacquer art under the theory of "Art District Model". Finally, aiming at the deficiency of lacquer art development, the paper puts forward the measures of lacquer art development path by using art district model. It includes four measures: the road of lacquer art rejuvenation, the road of multiple dissemination, the road of life aesthetics and the road of creative industry. This paper summarizes the basic theory of "art district model", opens up a new way for the development of lacquer art modernization, basically realizes the modernization transformation of traditional large lacquer art theoretically, and has certain practical guiding significance. Fig44, 51 refs.
【學(xué)位授予單位】：中南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J527

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 張燕;泰國漆藝考察[J];裝飾;1999年06期

2 加藤寬;張燕;;泰國、越南的漆藝[J];浙江工藝美術(shù);1999年03期

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本文編號(hào)：2356079