【摘要】：新疆自古以來就是以維吾爾族為主的多民族居住地域。當古代絲綢之路開通之時,新疆作為絲綢之路重鎮(zhèn)吸引了更多的民族遷移至此。來自世界各地的民族在遷居到新疆的同時,也帶來了豐富多樣的異域文化。各式文化的不斷傳入使新疆變成了一個多文化同存的大舞臺,異彩紛呈的地域文化和宗教文化盡情演出,互不排斥,亦無依賴。因此,新疆的整體文化環(huán)境呈現(xiàn)出多元化和開放化的特征。 在這個環(huán)境中成長起來的維族文化同樣具有多元性和開放性的特征。這種文化特征在維族服飾裝飾紋樣中體現(xiàn)地尤為明顯。無論是出土的歷代維族紡織品和服飾品,還是現(xiàn)今的服飾和生活用品,無一例外的都采用造型各異、色彩絢麗的植物圖案進行裝飾,在提高其審美價值的同時又隱隱約約地傳達出多元的地域文化與宗教文化。 筆者在研究過程中發(fā)現(xiàn),現(xiàn)有關(guān)于本課題的專著和論文多集中于維族傳統(tǒng)服飾總體形制的研究,而對服飾文化構(gòu)成的重要元素之一的服飾圖案研究甚少。本文以維族服飾植物紋樣為研究對象,采用文獻檢索法,通過大量閱讀有關(guān)維族起源、歷史發(fā)展、宗教信仰、歷代文化及其所處的自然環(huán)境等方面的研究資料,總結(jié)出維族服飾植物紋樣的起源、發(fā)展歷程以及促使它形成的諸多因素。采取圖文互證法和實物分析法,對出土的歷代服飾圖片和實物中的植物紋樣進行比較和分析,總結(jié)出歷代維族服飾植物紋樣的典型特征和文化內(nèi)涵。此外,通過田園調(diào)查和市場調(diào)研方式,較全面地了解了現(xiàn)代維族服飾中植物紋樣的使用狀況,并在此基礎(chǔ)上分析其發(fā)展趨勢,總結(jié)其在現(xiàn)代服裝中的應(yīng)用前景。本文較為全面地闡述了維族服飾中植物紋樣的起源、歷史發(fā)展、歷代特征、文化內(nèi)涵和應(yīng)用價值,是對傳承民族服飾文化研究體系的補充和完善,同時為維族服飾植物紋樣在現(xiàn)代服飾中的創(chuàng)新應(yīng)用提供了理論基礎(chǔ)和設(shè)計實踐的指導。這也是本文的創(chuàng)新之處。
[Abstract]:Since ancient times, Xinjiang has been a multi-ethnic region dominated by Uygur ethnic groups. When the ancient Silk Road opened, Xinjiang, as a major Silk Road town, attracted more ethnic migration here. Ethnic groups from all over the world have moved to Xinjiang and brought a variety of exotic cultures. With the continuous introduction of various cultures, Xinjiang has become a big stage of multi-cultural co-existence. The colorful regional culture and religious culture perform heartily, do not repel each other, and do not depend on each other. Therefore, the overall cultural environment of Xinjiang presents the characteristics of diversification and openness. The Uighur culture, which grew up in this environment, also has the characteristics of diversity and openness. This cultural feature is particularly evident in the decorative patterns of Uyghur costumes. Regardless of the Uighur textiles and clothing ornaments unearthed, as well as the clothing and daily necessities of the present day, all of them are decorated with plant designs of different shapes and colorful colors. While improving its aesthetic value, it vaguely conveys multiple regional and religious cultures. In the process of research, the author found that the existing monographs and papers focus on the Uyghur traditional dress overall shape research, but one of the important elements of clothing culture, clothing pattern research is very little. This paper takes the pattern of Uyghur clothing plant as the research object, adopts the method of literature retrieval, through reading a lot of research data about Uighur origin, historical development, religious belief, past dynasties culture and its natural environment, etc. This paper summarizes the origin, development course and many factors of Uygur costume plant pattern. This paper compares and analyzes the pictures and plant patterns of the unearthed clothing of the past dynasties by means of the mutual proofs of pictures and texts, and summarizes the typical characteristics and cultural connotations of the plant patterns of the Uygur costumes in the past dynasties. In addition, by means of pastoral investigation and market research, the use of plant patterns in modern Uygur clothing is fully understood, and its development trend is analyzed, and its application prospect in modern clothing is summarized. In this paper, the origin, historical development, historical characteristics, cultural connotation and applied value of plant patterns in Uygur costume are described comprehensively, which is the complement and perfection to the research system of inheriting the national costume culture. At the same time, it provides the theoretical basis and the guidance of design practice for the innovative application of Uighur clothing plant patterns in modern clothing. This is also the innovation of this paper.
【學位授予單位】：江南大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：J523.5

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